Name: ajlsoidj by Hirvi.mp3
Duration: 1 min 33 s
Description: Show me your opinion in the comments & thank you for listening :) <3 send me your music and I can give you my thoughts

main menu

follow Whithe:
Follow @whithe-sam
Spotify: https://open.spotify.com/artist/2dxte1EkMcAT28bPyqT4KD?si=ncIds6PRQ7a6wV_spARsvg
Instagram: https://www.instagram.com/whithe.music/

follow me:
Follow @kxb0
Spotify: spoti.fi/3PfEx6p
Instagram: www.instagram.com/kub0.wav

glass empress

stream

Show me your opinion in the comments & thank you for listening :) <3 send me your music and I can give you my thoughts

ajlsoidj

As we turn the page to 2025, we find ourselves reflecting on the powerful moments that defined the Monument Festival last year. One such memory was the opening ceremony led by the incredible Sarah Wreath. A sonic experience that set the tone for connection, introspection, and renewal.

The intention behind Sarah’s live set was clear: to create a meditative space where festivalgoers could connect deeply—with one another, the natural surroundings of Veggli, and, most importantly, with themselves. It was more than music; it was an invitation to embark on a transformative journey, bridging ancient and modern worlds through sound.

Her performance blended electronic synthesis with acoustic elements, weaving together indigenous, ethereal, and psychedelic sounds. The result was a hypnotic tapestry of tribal ambient rhythms, designed to ground us in the moment while opening our hearts to new possibilities.

Central to the experience was the use of pure tones tuned to 432 Hz and 216 Hz, frequencies known for their cosmic harmony and healing properties:

432 Hz, often called “natural tuning,” resonated with the rhythm of the universe, fostering relaxation and emotional balance.

216 Hz, a harmonic counterpart, enhanced the meditative quality of the performance, drawing listeners deeper into themselves.

A standout element of the ceremony was Sarah’s use of a Chao Gong, amplified with a contact microphone and enriched with FX processing. Its deep bass frequencies (110 Hz) created a grounding effect, while layers of Tibetan singing bowls and other meditative instruments brought a celestial dimension to the soundscapes. Together, these elements formed a sonic portal—a sacred opening to the festival and the year ahead.

As we welcome 2025, we hold this memory as a symbol of renewal and intention. Sarah’s performance wasn’t just the beginning of the festival, it was a new beginning for all of us, a reminder of the power of music to heal, connect, and inspire.

Here’s to carrying that spirit of harmony and connection forward into the new year. May 2025 bring even more moments that resonate with the heart and soul.
With love,

The Monument Team

Follow :

https://soundcloud.com/sarahwreath
https://www.instagram.com/sarahhwreath/

Monument Festival 2024 Opening Ceremony : Sarah Wreath (live)

U.B.M I

Ich wollte mal irgendwas Samba-artiges machen.
Program: Famitracker
Hardware: 2A03
FTM: https://drive.google.com/open?id=1HCZkUsTJqvWn2m0tJ819dXIKbZE3YlvH

Carlos' Hutschuppen

I keep a musical diary

Hirvi.mp3 : 
ambient, 
experimental music, 
anchored in a rhythmic core

ajlsoidj

Hirvi.mp3

Related tracks