GodKingMajorLucre - Arch That Back ( Hook )

Addition of the Knock On Wood mixtape series.

The Flyest

A subtle atmospheric soundtrack piece.

It's got this peaceful vibe but also a note of anxious urgency underneath. We can perceive 10 million shades of green because we are predators. I wanted to present a more complex pastoral picture, nature as it truly is - an endless recycling of the suns energy. That, I believe, is the true interpretation of the celtic concept of reincarnation. The beauty is the efficiency and strangeness of the system, not some imagined rural ideal. That is my understanding of the divine.

Deg miliwn o arlliwiau o wyrdd ("10 Million Shades Of Green")

Messing around in the honky tonk dive of my mind on a cloudy and blustery cold day.  Ya gotta blow off steam every now and then.

Folk Form In A Maj. - Variation 36,423

Fevered Fan

Fight and push harder for what you believe in, you’d be surprised, you are much stronger than you think.

LIFE!!!

Osteotome is the first release from the audio team of They Came from Hell (Philippe Gerber and Chris Gilmore). The two-track release, with each composer contributing a track, was conceived as a way to feature some of the sounds from their latest sample library, Symphysiotomy. Sticking to their ethos to create the sounds of the horrific, the supernatural, the nightmarish, the dreadful and the ghostly, Osteotome more than delivers. Chris Gilmore’s track ‘Excision’ marries sinister strings, dark drones as well as plenty of sounds from Symphysiotomy to create a nightmarish and foreboding track. Philippe Gerber’s track, ‘The Bone Cutter’, spends its 2:30 runtime ratcheting up the tension but never releases it. Layer by layer, droning synths and his signature use of percussion build into a dense, oppressive and claustrophobic track.
credits

Osteotome

Philippe Gerber - The Bone Cutter

The Music of Sound...really!!  It's all grist for the mill.  I visualize Sound/Music as colors, shapes and forms rather than notes in a scale.  I look upon each of these pieces as individual environments and/or sculptures in which to spend some time, looking round, feeling the curves, hanging out, exploring... Each composition is based on different elements, structures and rules or lack thereof.  Consequently, each is unique unto itself.  

Blissfully free of genre, everything is fair game:  beats; melodies; disquiet; washes; pulses; broken clichés and memes; subliminals; words and voices; chaos; sonorities; field recordings; indeterminacy; world music; the holy; the gutter; otherworld music; drones; synths; samples, etc. etc.  etc.  

I enjoy entering into the mitochondria of what makes a sound  that particular sound and then genetically change it into something entirely different than what it was - with just the essence lingering.  I also like to explore the "in-betweens" - spaces between beats, frequencies, timbres, spaces, tones, etc. In large part, simply, I'm curious to explore it all.  Suffice it to say, the wider your aperture the more you will hear and experience.  Et voila!

Oh!  Headphones will likely provide a more fulsome listening experience for many of the pieces.

You're thoughts/comments/feedback are very welcome.

Repost page started...
www/soundcloud.com/His_Left_Hand_Repost
Some amazing sounds and artists out there!  Respect,
you all!

Folk Form In A Maj. - Variation 36,423

His Left Hand