old hybrid music concept model (1999), with recovering and mastering trying.. 🙏😅

platinum intro

Up Side Down

S-Granular Snow

Vocals coming, I had a quick "deja entendu" with the guitar sample and energetic drumming, such a signature of Shaka Ponk, d'où vient the title

Chicaponka

T-Giant Squid

Sit back, slap on the headphones and wander freely, as thou wilt.

In Whose Wholeness All Tensions Are Resolved

“Singing a song with a single stroke”

Vocals: A woman playing guitar and singing in the street, and Vocaloid Yukari.

Art work: Bianca Van Dijk via Pixabay

ひとり
ひとり
ひとりが
ともだち
ゆきかう
じごくで
ひとりが
ともだち

Loneliness is my friend.
In a city where all kinds of hell comes and goes, Solitude is my friend.

Singing a song with a single stroke

Singing A Song With A Single Stroke

Brin de reggae

Tex Mex Shaman (Stephen)--rhythm/ slide guitars/ riff/ mix and post production--@texmex-shaman
Llanpsych (Tez)--lead guitar--@llanpsych
Entheogenic Psychonaught (Josh Clary)--bass guitar--@josh-clary-1
J.J. Terrell-- Piano/glockenspiel--@j-j-terrell 
Mysterious Decibel--lead and high backing vocals--@themysteriousdecibel
K2 and the Three (Ken)--drums/ cowbell( I had the fever)maracas/tambourine/ woodblock/ low harmonies--@k2andthe3, and @k2-kara

This is a cover from Paul McCartney and Wings, from 1975 album, Venus and Mars, and this album was supported on their 1976 Wings over America tour. They always opened with Venus and Mars/Rockshow
     Ken sent Josh and Tez an email a few months back, about maybe covering this awesome rocker, after we released “Hello World." Before responding, Ken reposted his cover of "Richard Cory," a Simon and Garfunkel cover, sung by Denny Laine and Sir Paul on the Wings Over America triple live album. Stephen commented that “Rockshow” was one of the first songs he learned on guitar. Ken said, “Well, here’s your sign!" He freaked and invited Stephen to immediately contact Josh.
     We finished everything but the vocals by early June, but were stuck on lead vocalist. Several of the collective gave it a go, but nothing sounded right. Then came a late game idea. We had all been following and fans of The Mysterious Decibel for quite some time, so we asked him if he'd be interested in singing it. He was game, and really delivered what so many could not. He is a new, welcome addition to our mix. You'll also hear Stephen, who also accomplished the herculean task of mixing and producing this song, very ably play the entire song on the guitar, with Tez playing the ripping leads. 
  We hope you enjoy our labor of love that has been an entire summer

Rockshow-(Wings interpretation)-Eclectic Collective

Ich, Monster

Electric piano, effect pedals, non synchronized loops, two tube amps. Field recording: Electromagnetic waves made audible with Soma Ether. Spoken words: "Ariel" (Sylvia Plath, 1962), last verses, read by the author. All sounds (except Plath's reading) mixing and production: Velvet Something Superdark.
------------
"And I
Am the arrow,

The dew that flies
Suicidal, at one with the drive
Into the red

Eye, the cauldron of morning."
-------------

Cauldron

Dark ambient Dreamscapes for you to enjoy. Relax, unwind, meditate and chillout

DARK AMBIENT - THE DARK BELL TOLLS

The Music of Sound...really!!  It's all grist for the mill.  I visualize Sound/Music as colors, shapes and forms rather than notes in a scale.  I look upon each of these pieces as individual environments and/or sculptures in which to spend some time, looking round, feeling the curves, hanging out, exploring... Each composition is based on different elements, structures and rules or lack thereof.  Consequently, each is unique unto itself.  

Blissfully free of genre, everything is fair game:  beats; melodies; disquiet; washes; pulses; broken clichés and memes; subliminals; words and voices; chaos; sonorities; field recordings; indeterminacy; world music; the holy; the gutter; otherworld music; drones; synths; samples, etc. etc.  etc.  

I enjoy entering into the mitochondria of what makes a sound  that particular sound and then genetically change it into something entirely different than what it was - with just the essence lingering.  I also like to explore the "in-betweens" - spaces between beats, frequencies, timbres, spaces, tones, etc. In large part, simply, I'm curious to explore it all.  Suffice it to say, the wider your aperture the more you will hear and experience.  Et voila!

Oh!  Headphones will likely provide a more fulsome listening experience for many of the pieces.

You're thoughts/comments/feedback are very welcome.

Repost page started...
www/soundcloud.com/His_Left_Hand_Repost
Some amazing sounds and artists out there!  Respect,
you all!

In Whose Wholeness All Tensions Are Resolved

His Left Hand