instagram.com/gainz.music 
Bookings: gainzmgmt@gmail.com

Your source for all new HP edits

Follow our main page @hoodpoliticsrecords

Latest Edits @HoodPoliBurner

RAM B. 
www.linktr.ee/DJFromLastNight
Available For Events Worldwide

“UH OH!” w/ Natalie Jane OUT NOW 

Bookings Worldwide: 
Landerson@teamwass.com
Mrodriguez@teamwass.com

MGMT:
adrian@northsideartists.com
jackson@northsideartists.com
tony@northsideartists.com

MGMT: peter@ambushartists.com
Bookings: ben.hogan@unitedtalent.com
Shows & merch: https://avellomusic.com

I had my first introduction to electronic music with the release of Odesza's album "In Return" in 2014. I was instantly obsessed, and since then I have always had a passion for edm. During my senior year of high school (2017-2018) Illenium's album "Awake" was released, and it completely changed my perspective of what electronic music could be. The vocals, production, and emotion of those tracks were unlike anything I had ever heard. That album got me through some very hard times, and I wanted to do the same for someone else through music. Towards the end of senior year I downloaded Ableton (a popular program for music production). I was incredibly overwhelmed. I had no prior musical knowledge or experience, and Ableton is extremely difficult to jump into. I learned quickly that it takes a tremendous amount of knowledge, creativity, and hard work to produce music. This was a discouraging revelation. Every few months I would sit down, produce a terrible track, close my laptop and move on thinking "this just isn't for me". Then around December of freshman year of college, a switch flipped in my mind. I decided that I was not going to stop until I learned music production. That was about six years ago, and I'm still working hard to produce music with emotion, something people can connect with. I truly believe that no heart makes dreams work and time can't match.

Doing this because I love it. Thanks for reading, and thanks for listening.

-AVELLO

@westend-burner

MGMT: westend@ayita.com
BOOKINGS - Wasserman/ CAA
USA/ROW: lhandelsman@teamwass.com
jmoss@teamwass.com

PROMO: https://www.tstack.app/westend
_

Westend has emerged as one of house music's most promising artists. The New York native's ever-expanding sonic footprint was instrumental in drafting the blueprint for the sound of modern tech house and helped usher in an era that has seen American artists once again push to the forefront of dance music culture.

As a teenager during the blog house era, he fell in love with the sounds of artists like MSTRKRFT, The Bloody Beetroots, and Justice. Compelled to replicate those groundbreaking sounds, he dove head first into production classes at the Bronx High School of Science, the alma mater of famed synth engineer Robert Moog. 

His ability to remain on the leading edge while staying true to the roots of house music has created peak dancefloor moments for ravers across the globe and led to releases on esteemed imprints like Repopulate Mars, Insomniac, Armada, and D4 D4NCE. As one of Beatport's top ten best-selling tech house producers, hit records like 2021's "Jumpin'"—with fellow New Yorker CID—have not only spent weeks dominating the top of the charts, they've landed into the crates of MK, Diplo, Lee Foss, John Summit, and Sonny Fodera. 

Each passing year brings breakthrough moments. In 2022 he collaborated with Latin house kingpin, HUGEL, and Cumbiafrica on "Aguila," which sat in the top ten for staggering eight weeks. In 2023 he collaborated with longtime friend Noizu on the rave-tinged anthem "Push To Start," which quickly rocketed to peak positions on the tech house and overall chart.

And while he continues to climb the charts, he's also been a faithful steward of the producer community leading the Kick and Bass network, where he shares his vast production knowledge with several hundred budding producers. 

Beyond his production prowess, Westend crisscrosses the country, regularly performing at festivals and clubs from EDC and CRSSD to Shambhala and The Brooklyn Mirage. In 2023 he made his first forays onto the international scene with gigs in Liverpool and a coveted slot on Insomniac's kineticFIELD at EDC Mexico.

Westend's creativity is constantly expanding. His plans for the coming year include launching his label in late 2023 and embarking on his first solo headline tour. His remarkable journey from throwing micro-raves for New York high schoolers to headlining festival stages exemplifies how the DIY spirit of dance music continues to permeate the culture.

Friendly Neighborhood Trio :) 
BOOKING: Levityteam@teamwass.com
MGMT: Harrison@2plus2.net Adam@2plus2.net
Levitate + Gravity = Levity

Side Account: @levity_vip

LP4 GRACE OUT NOW https://zhu.lnk.to/GRACE

Demos: blk.lzt@zhumusic.com
mgmt@zhumusic.com

There's always a story.
https://www.yulungamusic.com
Music: demos@yulungamusic.com


Formed in 2021, Yulunga is a reflection of its founder Valeron: dedicated to spotlighting international artists while exploring sounds with an unconventional approach. This brand-new dance music label publishes Valeron’s own material as well as releases by a wide variety of Afro House, Deep House, and Organic House artists.

Booking: Jusronmusic@gmail.com

Jus Ron makes driving dance music built on groove, pressure, and release. His sound lives in the low end — focused basslines, tense rhythms, and stripped-back arrangements designed to work in real rooms.

Growing up just outside Detroit, he was shaped by a rhythm-first culture where function mattered more than flash. Time behind the decks came before the studio, and that instinct still leads his production. The goal is simple: tracks that move people and hold attention without overthinking it.

After years of chasing the scene and burning out, sobriety reset everything. Focus sharpened, priorities shifted, and long nights moved into the studio. That clarity shows up in the music — more restraint, more patience, more weight behind each idea.

With releases out now and more planned through 2025, Jus Ron continues refining a sound that stays underground in spirit but hits hard on big systems. Always building, always moving forward.

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