Asa-Chang & Junray - Hana ("Jun Ray Song Chang", 2002)

Cracks

Cruising

Cinematic Score for Unapologetic Films is a dark, intense, and futuristic exploration of sound, designed to immerse listeners in an electrifying fusion of electronic music and cinematic elements. This album blends powerful drums, deep basslines, and dramatic orchestral hits, evoking the high-stakes tension of a final act in a gripping sci-fi thriller.

With a focus on the warmth and unpredictability of vintage hardware, the project seamlessly combines digital production with analog and digital synths, including the Yamaha CS-15, Moog Sub Phatty, and Novation Peak. Sound design is further enhanced through a custom-built Eurorack system, featuring over 400 HP of modular synthesis. The result is a collection of intricate rhythms, rich textures, and expansive soundscapes.

From the melancholic atmosphere of "Zero" to the driving energy of "Asylum," Cinematic Score for Unapologetic Films offers an imaginative, genre-blurring soundtrack designed to captivate listeners across all musical tastes. Prepare for an unforgettable auditory journey that pushes the boundaries of both electronic and cinematic music.

The Tower

From the album 'Soothing Sounds for Baby Vol. 1', Basta 3090642

Sleepy Time -  Raymond Scott

Artist: TOMAGA
Album: The Shape of the Dance

HITD 030
LP / CD / DL
 Release date: 19th September 2016
Released in partnership with Negative Days

Label, orders: www.handsinthedarkrecords.com

All songs written and performed by Valentina Magaletti and Tom Relleen

TOMAGA - A Perspective With No End

Tone Tales From Tomorrow Too

Weeds

Talk from Home

Flatiron

"Görünmez Hava" is the first track taken from Anadol's "Uzun Havalar".

We feel honoured to release this extraordinary beautiful music on vinyl. Release date is May 17, pre-order is up: https://anadol.bandcamp.com/

Now do yourself a favour and buy this record!

Anadol (@altinkasetcilik) is a psychedelic synth folk project by Gözen Atila, a Turkish sound artist and photographer based in Berlin. Her third album Uzun Havalar is based on collective improvisations of middle eastern folk songs called „uzun hava“. They turn out as rich, atmospheric synth ballads. A diverse roster of improvising musicians creates their fascinating complexity. Anadol recorded them during extensive sessions in Istanbul. You can hear drummers laughing and playing guitars, composers howling, announcements in French and screams in no language, record collectors playing oscillators, and trumpets through spacious echoes.
Anadol represents Gözen Atila’s liberation from a rather academic approach to electronic composition which she pursued during her music technology studies in Istanbul. She calls her education the „darkness of serious music“ where she first tried to belong, then to break free with the help of lo-fi synth pop. As a producer of radio plays and an expert field recording artist, she has developed a distinct sense of timing, editing and sound design. Her Anadol project walks in the footsteps of lone synth experimentalists like Bruce Haack and The Space Lady with their childlike curiosity for electronic sounds, pushing the boundaries of minimal equipment. On Uzun Havalar she translates her experimental background into these floating folk ballads.

TOMAGA - A Perspective With No End

Hands In The Dark