SHOWCASE VOL I

YAMIKAGE - SHOWCASE VOL I

Dancing to rhythmic tones is humans first and purest form of expression. Everything else is a myth

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Apes on Acid is an Orlando-based acid techno artist known for their hard-hitting hypnotic sets. Rooted in a love for music from an early age, Apes began producing long before stepping behind the decks, developing a distinct sound influenced by the raw energy of the European techno scene.  Blending driving acid grooves with immersive, trippy textures, each performance is designed as a full sensory experience — heavy, dark, and psychedelic. Whether it's pushing the pace or pulling the crowd into a moment of introspection, Apes on Acid brings a narrative to the rave.  Having played at top Florida venues like Celine and shared the stage with big names such as Space 92, Sam Wolfe and Cutdwn, Apes continues to make a mark in the underground scene, with a mission to move minds and bodies through sound.

Inquiries/bookings: apesonacid@gmail.com

Bookings:- adarkerwave@hotmail.com To subscribe to our weekly newsletter e-mail adarkerwave@hotmail.com and put SUBSCRIBE in the subject header.
What and who is A Darker Wave?
We are a duo (jacki-e & p-mac) who present A Darker Wave every week only on NLive Radio, Circl8 Radio, Echo Radio & Chill Lover Radio. We put the show together in our home studio. The show is streamed worldwide on the internet. Each show is posted on our Soundcloud, Mixcloud, Hearthis.at, Podbean and You Tube pages once it has been streamed and presents the best in new techno releases.
We also play gigs as A Darker Wave and we have played at events in Germany and all over the UK.
The music we play is techno, tech house, deep house and anything else we like enough to include in the show.
Each show is 2 hours long. In the first hour we go into the mix with our featured EP of the week and the best of the new releases.
In the second hour we invite new and upcoming DJs to come onto the show and do a guest mix.

Why are you called A Darker Wave?
Dark Wave was first used in the 1980s to describe a dark and melancholy variant of new wave and post-punk music and was first applied to UK musicians such as Bauhaus, Joy Division, Sisters of Mercy, Cocteau Twins, The Cure, Siouxsie and the Banshees, Depeche Mode and Anne Clark. It was also used to describe artists who combined music with performance art, such as Throbbing Gristle and Cabaret Voltaire, who challenged and explored the darker and obsessive sides of the human condition.

A lot of techno takes its spirit and ethos from this music, Listen to Throbbing Gristle or Cabaret Voltaire and you can hear the industrial sounds which are a staple of techno music today.

Techno is the outsider of electronic dance music, the punk of today's modern music scene. As Dave Clarke said in an interview with Mixmag, " Techno is edgy. Techno will challenge you......it's the real dark art."
https://mixmag.net/feature/the-road-to-tomorrow-dave-clarke

Our radio show, in presenting the best in underground techno and deep house music, and in giving an opportunity for new, up and coming DJ's and producers, is providing an outlet for new techno, which is best described as being the new wave of modern dance music.

Not just a new wave, but with it's incessant bass rumblings, synthesiser drones, pounding drums, melodic top notes and eerie, distorted vocal samples, techno, in all its forms, is a backdrop to and a critique of our post-industrial, consumerist society, one in which our actions are observed 24/7, our democratic freedoms are threatened by our very own governments and our rights to do, think and act as we please are under ever increasing scrutiny. Techno really is A Darker Wave.

When we were listening to music in the 60’s and 70’s, before the electronic tentacles of technology infiltrated the world, we often thought, whilst listening to the likes of Led Zeppelin, Pink Floyd, King Crimson, Frank Zappa, Hawkwind, Captain Beefhart, New York Dolls and Roxy Music, where would music go to in the future? It could never be what was being portrayed in the science fiction movies of the time. Now we know. It can be anything. When we have a recording studio in our own home which is more powerful and versatile than anything available back then, we now know music can be anything and go anywhere. It is only the spark of our imaginations, or lack of it, that holds us back. On our laptop computers we have the capabilities that many artists back then would have given their right arms for. It’s for the uniqueness of the artist to express themselves to be able to stand out from the deluge of music available. Finding those gems is the modern day equivalent of crate digging and when you do, it makes it all worthwhile. Long live music!!!!

Self produced, original instrumental music.

all right reserved © Robert Hajnal.

Techno Lovers 🔥
✉️ Mail: hiyakoriofficial@gmail.com ✉️
side project by Hiya_KoriOfficial

Please also visit my youtube channel, linked below, where I post videos about synth settings, some tracks ...

I am always looking for a collaboration with a female singer who´s voice could be described as melancholic, delicate, fragile, ... 
So far I collaborated with:

1. Kasssandra Langelier 
2. Krolyat
3. Jenny
4. Sumi (Sreyashi Mukherjee)
5. Paige Randall
6. Spacey Panda
7. Enlia 
8. Excess Aria


You can find all my vocal collab tracks in the playlist "Vocal  collabs"
https://on.soundcloud.com/KCyyvYfGMJKMcWJh9

Industrial dance and cinematic fuel.

• Artist | Producer 
• Original tracks 
• Support the Arts!

• Dell • Ableton • Splice • Waves
• Rokit • Serum

• No generative AI tracks

I support with reposts frequently, If you are looking for some curated content, my playlists are my faves!

TECHNO HARD MUSIC LOVE
Dj & producer
SPAIN
booking: Instagram DM or soundcloud

If you find yourself listening more than once or a little longer than usual, please like, follow, and repost as this means the most musicians trying to grow their base, please. This platform as others is not based on merit. Thank you.

Debut album set to be released late 2025. I've held DJ residencies at venues such as Ministry of Sound (Hi-Tek Soul & The Gallery), and Brixton Academy, but got derailed by the day job. I'm now back in producer form and excited about playing gigs again.

Trip hop, Afro-tek, dnb, footwork, IDM, which sounds like it shouldn't fit on one album, but I'm hoping I've pulled it off. 🙂 Liverpool-based but happy to travel for live performances. 

Would love to hear any feedback and indeed hear your music if we're in the same field. :D



