An Anti Dub excursion from the Ep "Stranger Than Dub" https://nottebrigante.bandcamp.com/album/nb01t-hlm38-uvb76-the-idealist-lo-kindre-stranger-than-dub-ep

HLM38 - EMPTY QUARTER

Ferro Mortem / SCUM F.C - Mr. Clean

tracklist:
Zaumne - Lucid 
Varg & Vanity Productions - The Gates Of Hermès
belmont girl - perthro
Jonnnah - Utomachine
Zero Crossing Point - Our Ascension
GiGi FM - Allium Christophii
Patrick Tomala - Beam
Torus - Lose Control 
Jake Muir - like sweet thoughts in a dream
Florian T M Zeisig - Matrix Perseids
nomorewillroam - Allowing Yourself To Wonder Will Make You Happier Than Knowing
oxhy - and we love anew (for zach and john)
Quit Life - Quiet Light
chantssss - Breath 
t0ni - 1111-11
kalyma - sushi 2025 
romance - a kiss is just a kiss 
innerinnerlife - if life was soft
Innesti & Jacob Newman - Vanishing
Pavel Milyakov - moon chant (feat. Martyna Basta)
TRYCE - Raingel (feat. Sadness)
Balas De Agua - Flamma

b2b ambient whispers w/ @serenitysoundseeker
recorded at radio luz (wrocław) for luz air radio show

https://www.youtube.com/watch?v=k14g0ewp_gw&t=948s

multiple light sources | serenitysoundseeker & kalyma

Nina Garcia : guitare électrique
Arnaud Rivière : électrophone réparé et table de mixage préparée

Mastering : James Plotkin
Visuel et Design : Hélène Marian 
Enregistrement et mixage : Étienne Foyer 
Éditions Gravats, 2025

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Autoreverse brings together Arnaud Rivière (prepared turntable - we should say damaged or destroyed), a kingpin of the French noise underground as a programmer at Instants Chavirés and Sonic Protest, team player with Otomo Yoshihide, Erik M, and a hundred others, ; and Nina Garcia (guitar & feedback), recently recruited by Stephen O'Malley's Ideologic Organ label after giving the whole of the Paris region a taste for noise guitar solos with her Mariachi project ("Guitar, pedal. That's all’, as his Discogs puts it. What he doesn't say is that it's EVERYTHING - a world, a cosmos in itself) – culminating in a self-titled album and instant classic (Mariachi, No Lagos, 2018), and various collaborations (Maria Bertel, Mamiedaragon). 

Their music, already been featured in two live cassettes, stems from assiduous concert practice. Autotunes is something like the duo's core in fission. They throw themselves into improvisation with little patience for detours : the position is clean-cut hardcore – less over-the-top clatter and more about finding the cutting edge, with an insistence on fine-tuning the limits of the instruments, attacking the raw and the gritty with maximum precision: the result is an irradiating flow of rare metals and certified toxins.

In one of the record's many climaxes, bleeps extruded from who knows where battle with the strumming of white-hot guitar strings. But there's a whole host of distinct techniques and sonorities at work here: seamless attacks, amplified scrap metal, just-caught feedbacks, provoked chances, melodies that invite themselves in but don't stay for dinner, rhythmic sketches and glimpsed zones of beauty, built-up and cracked materials, expected and unexpected counterpoints. The intensities vary from start to finish: howling, eruptive bursts of harsh noise microswitchs, shapeless feedback whining and growling, but also more meditative harmonics and resonances.

This is reinforced by the didactic and generous structure of the record, which first methodically exposes the takes played in the studio through ‘horizontal’ sequencing (A1), before repeating the same material ‘vertically’ in a meticulous work of hollowing out and elisions. Autotunes manifests a distinctive ability to maintain an astonishing dynamic in the depths of the post-industrial cavern left by Throbbing Gristle (‘Slug Bait’ period), Maurizio Bianchi and all. 

With Autoreverse, it's no longer time to marvel at our various abilities and tactics, but to tighten the mesh. In the way it coolly reviews the possibilities, in its peaceful radicalism, in its attitude of less noise, more impact, this record helps us to conceive what a comrade called once ‘an ethic of our violence’.

Autoreverse - A1. HI-SPEED DUB indicator

TRACKS IN THE MUD – Retreat Radio's first-ever compilation of original music drops on April 20, 2025! Available as a double CD, on a wrench-shaped USB, digitally, and across multiple streaming platforms. Listen to the first 4 tracks and pre-order: retreatradio.bandcamp.com/album/tracks-in-the-mud

Tracklist:
SAATANS KVINNA - I have a lot to say (intro)
HOS - Jorn
Prins Emanuel & Rivet - Umarel
Klofink - Triple Tundric Vision
Goaty - Drear
Thomas Bush - Loneliness Remembers
DJ Sandylion - Look Out!
Moonilena - Solarna
Sofftronic - Metallic Dub
Oklo Gabon - The Theoretical
Jonte Prippz - Nomore
Digge Shim - Dawn 2 Dusk
East Moon - Soloflight (Ecover Version)
Miranda Magdalena - Polly Pocket (Rivet Scrub)
CYSP - Farever
tala drum corps - conc
Aircode - Came Back
Oblinof - KK2 Corp
Rumina - Rezillik
Ceqi - Fog Juice
tZimtZum - Re-Koil
towLie - taLk to me
Five o'clock Traffic - double refusal
2Lanes - Tadpole Prime

The online radio station Retreat Radio has acted as a unifying force on the underground scene in Malmö for close to a decade and now offers its first compilation of original music from its vast community.

A community grown exponentially like a virus, with Retreat Radio as the source of infection, comprised of artists in various stages of despair revelling in hazy ambient, angular industrial rhythms and post-dub influences. Now bringing you 24 tracks of frog-induced head music made for a sad generation that wanted to be club kids but had no club to go to.

Many - if not all - of the names behind this mammoth of a compilation are Retreat residents with current or past monthly shows on the programme. Many of whom have walked the stark lit street at the outskirts of town at night to climb a spiral staircase above a carwash to play their shows.

Loosely centered around the interpretation of dub as a genre, the compilation hand-picks a curation of tracks which nonetheless point to a coherent vision: that of dub as a vital cornerstone in the development of new music reflecting on an urban post-capitalist environment.

releases April 20, 2025

Mastered by: Martin Blomberg & Jonatan Bergsman
Artwork by: Oda Haugerud
Design by: FETIDGRUPPE©
Words by: Simon Eliasson