4-channel collage of sounds recorded and collected 2006-2014. 

minim (stereo version 2014)

Celebrating its third season, the Boston University Center for New Music is honored to host a number of artists-in-residence, including Italian composer, Pierluigi Billone, for a three-week residency. A student of lauded Italian composer of avant-garde music, Salvatore Sciarinno, Billone views composition as a relationship between composer, object, and sound, and experiments through the exploration of acoustic possibilities, the means of their production, and the manual exploration of the instrument. A three-part series, Billone’s residency will include weeklong residencies with Italian violinist, Marco Fusi, bassoonist Christopher Watford, Boston-based sinofonietta-sized new music ensemble, Sound Icon. Other residencies include a variety of visiting artists and ensembles including a two-day residency with Mario Caroli, one of the most remarkable flutist of his generation and soprano, as well as performances with Tony Arnold, a luminary in the world of contemporary music, the JACK Quartet, and Talea Ensemble.

Contact and subscribe: bucnm.info@gmail.com

Marco Buongiorno Nardelli is Regents Professor at the University of North Texas, a  composer, flutist, a computational materials physicist, and a member of CEMI, The Center for Experimental Music and Intermedia, and of iARTA, the Initiative for Advanced Research in Technology and the Arts. He is a Fellow of the American Physical Society and of the Institute of Physics, a founding member of the AFLOW Consortium and a Parma Recordings artist. 
materialssoundmusic is a new computer-aided data-driven composition (CADDC) environment based on the sonification and remix of scientific data streams.

Visit www.ralphlewismusic.com for more information and upcoming projects.

Ralph Lewis (b. 1986) is a composer whose work seeks meeting points between sonorous music and arresting noise, alternative tunings and timbre, and the roles of performer and audience. Because he is often pursuing the nuance of individual performers, his frequent collaborators include bass trombonist Jack Alexander Madden, composer/multi-instrumentalist Jacob A. Barton, and historical performance clarinetist/conductor Thomas Carroll.

Presently, he is pursuing a degree of Doctor of Musical Arts in Music Composition at the University of Illinois at Urbana-Champaign studying with Erik Lund. Recent performances include YWDN, a live electronics solo, at Wendy Reid’s Save The Frogs Benefit and blowviato and Thereminnards at the 17th Annual Music for People and Thingamajigs Festival in Oakland, California.

Previous honors include commissions from the Xenharmonic Praxis Summer Camp, Willie Winant for the Mills College Percussion Ensemble, the Crowthers Award for Lessons, and an Artist Residency at the Banff Art Center. He has participated in Master Classes with composers including Alvin Lucier, Christian Wolff, Julia Wolfe, and David Lang, as well as readings with the Eclipse Quartet.

Nicolás Alexander Kretz



Spielte in verschiedensten Bands Gitarre und Elektronik.
Studierte Elektronische Komposition an der Folkwang Universität der Künste in Essen. Arbeitete dort viel im Bereich Physical Theater. 
Gitarre + Synths bei MÅRTHA
Lichttechnik+ bei Kammerelektronik.
Komposition und Live Performance für Montserrat Gardó Castillo und Petr Hastik
Gewesen:
Elektronik bei SINTAKT
Einer von Dreien bei The Sanity Were leaving Gods.
Engagiert bei Stromspiesser, 

Born 1980 near Karlsruhe, South Germany, guitar&electronics in several bands.
Since 2011 student in Electronic composition at Folkwang University of Arts, Essen. Doing a lot Physical Theatre.
Sound at Neuer Tanz Düsseldorf
One of Three in The Sanity were Leaving Gods.
Maker in Stromspiesser.
Lighting+ at Kammerelektronik.

Siehe auch:
https://soundcloud.com/thesanity
https://soundcloud.com/stromspiesser
http://kammerelektronik.tumblr.com/
https://soundcloud.com/kammerelektronik

Hier:
Eigenes und Kollaborationen

Argosound = Früher
Jason und die Argonauten = Noch Früher

minim (stereo version 2014)

heather stebbins