! :) https://soundcloud.com/edouard-trolliet

désolé de ne pas avoir répondu à tes posts sur mes compositions, seul conseil, quand tu tag une de tes compositions, tag le style sinon tu seras mal répertorié dans soundcloud

This Soundtrack came exclusively with the William Ryan Fritch - Leave Me Sessions Subscription, which is now sold out.  However "The Old Believers (Extended Edition) is now available for the first time ever to the public here: https://williamryanfritch.bandcamp.com/album/the-old-believers-extended-edition

The Old Believers (Extended Edition)

We Fear Change

Buy Album

William Ryan Fritch - We Fear Change (from The Old Believers Extended Edition)

Original Track: Hossein Alizadeh & Djivan Gasparyan - Birds 


Download

Batu Ozer - Birds

starting on the Traktor s4, enjoyable moment....
so this is my remix of different tracks from different artists i really appreciate the work. here are the links of the original tracks... 
BIG UP to the creator of the artwork (found on internet) 
and BIG UP to the amazing people that made those songs !

https://www.youtube.com/watch?v=P8T7Pr0WEZE
https://soundcloud.com/dead_melodies/crypticoptimistic
https://soundcloud.com/dead_melodies/afternight-ft-wildsilences-1
https://soundcloud.com/edouard-trolliet/pylon-minimal-mix

y p t o r r i s t i c e r

I am always pleased to see morse code mentioned in the challenge. I started with the sketch which I have used for the image of this track and the moved to SuperCollider to make the track and then Reaper to edit it the recording down to a minute. This one is based on the rhythmic parts of the morse code [1,1,1,1,0,0,1,1,0,0] and I used weighted choose to control if a sound was made or not, this was a chance element. First the sounds where made and then time was spent playing with different rhythmic timing to see what works best. This one turned out as a big nod to Ryoji Ikeada, who's music I really enjoy and love. ENJOY!

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More on this 236th weekly Disquiet Junto project — “Say hi to the Juno Spacecraft by embedding Morse code in an original composition” — at:

http://disquiet.com/0236/

More on the Disquiet Junto at:

http://disquiet.com/junto/

Join the Disquiet Junto at:

http://soundcloud.com/groups/disquiet-junto/

Subscribe to project announcements here:

http://tinyletter.com/disquiet-junto/

Disquiet Junto general discussion takes place on a Slack (send your email address to twitter.com/disquiet for inclusion) and at this URL:

http://disquiet.com/forums/

More on the Juno Spacecraft technology at:

http://spaceflight101.com/juno/spacecraft-information/

More on the “Say ‘Hi’ to Juno” ham operator project here:

http://www.jpl.nasa.gov/video/details.php?id=1263


Saluton Jun(t)o [disquiet 0236]

Batu Ozer - Land Between The Rivers

Buy Album: https://seabuckthorn.bandcamp.com/album/i-could-see-the-smoke

Lost Tribe Sound releases ‘I Could See The Smoke', an EP from UK guitarist/multi-instrumentalist Seabuckthorn, the EP is available on a limited cassette tape edition and digital. Since the recent success of guitarist Western Skies Motel’s album ’Settlers’ in April, the tribe has hit the jackpot this year signing another of the most interesting guitarists around. Andy Cartwright who records under the name Seabuckthorn came to our attention last year, after a wise suggestion from composer William Ryan Fritch with his full-length album, ’They Haunted Most Thickly’ on the admirable French label, Bookmaker Records. After taking a deep listen, the awe set in. Could this be the missing link between the bombastic, world building intensity of William Ryan Fritch and the sublime, droning meditations of Western Skies Motel? 

Seabuckthorn’s unique breed of guitar-based compositions have the ability to shift gear with such natural ease. Cartwright wields his weapons wisely, choosing a minimal, yet powerful arsenal made up of various twelve string guitars, a well worn resonator guitar, and deep accents of percussion. We hesitate to single out a particular style in the case of Seabuckthorn, as it rests comfortably alongside many genres. Americana and British folk are easy tags. The music also borrows from modern classical and drone. At times, even subtle cues of the Middle East enter the picture. Yet something more ancient is at work here, that recalls the minstrels of old, or the seafaring hymns of a long forgotten civilization. At times, the music comes full force, like an intense hunt through darkened woods, unleashing the resonator like half-tamed hounds, wild and relentless, a sickly horn-like sound rises from haze, a claustrophobic dread setting in the mind of the prey. In other moments, Cartwright's music plays with subdued, visceral tones that immediately fill the mind with imagined, yet familiar scenes: the hushed ember-lit nocturne for a desert at dusk; or the weary basecamp reveries at the summit of impassible cloud-capped mountains. 

Cartwright notes in his own words that, "'I Could See The Smoke' is an arrangement of ideas gathered whilst on a European tour throughout June 2016, along with a couple of older songs I've been playing live for a year or so. After the tour, I returned home to Bristol eager to strike while the iron was hot and try to capture these compositions. Recorded & mixed over a period of two weeks whilst feeling the heat (both literally & politically) I opted for a threatening, even apocalyptic EP title. Saying that, I think most of these songs can offer up a tranquillity to counteract the gravity of these uncertain times, a calm inside the eye of a storm."

Mastered by William Ryan Fritch

I Could See The Smoke

Overgrown Courtyard

Seabuckthorn - Overgrown Courtyard (from I Could See The Smoke)

Keine Ruhe EP, Released by Foundation Audio (1st May 2017)
https://soundcloud.com/foundationaudio
https://www.facebook.com/gleb.choutov.sounds
https://foundationaudio.bandcamp.com/album/gleb-choutov-keine-ruhe-ep-fa028
http://www.junodownload.com/products/gleb-choutov-keine-ruhe/3394737-02/

Gleb Choutov - Mehr Platz (clip)  [Foundation Audio]

Vampyre

Ascent

Our friend @Tomanka from Paris mixed the 4th Tribute for our beloved master, the Sungod of Velika. Spiritual sounds, some even self composed, to soothe our souls. Thank you Tomanka!

Pic made by Lieutanent Dan at Zugvögelfestival Udenbreth
http://www.zugvoegelfestival.org/

And here the playlist, my friend:

Maya Lila - Lucid Picnic
Kurup - Xotedub para Orfeu
Nicola Noir ft. Mareen - Tonantzin
Thomash - راوي (Raoui)
EXZ - Cantã (Original Mix)
Susheela Raman - Trust In Me (Be Svendsen edit)
Tomanka - Tapis Volant 
PrΛ.Λ.H - Chamada (Ninze remix)
Nato - Sevina
Virginia Rodriguez - Noite de Temporal
Baden Power - Canto de Iemanjá 
Tomanka - Shroomlands
Samples are from "Dead man" movie by Jim Jarmush

Tribute to the Sungod of Velika ☀ Nr. 4 Tomanka

everything needs 
everything else 
to exist

artworks are made by me, http://hogundleau.tumblr.com/

y p t o r r i s t i c e r

Ho Gûnd Loo

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