from upcoming "Seed" album available April on Spectrum Spools.

"Luau" by Brett Naucke

The B side of Dissolution. LP/digital release on Glistening Examples, November 11th, 2016.  25 LPs were special edition, with 35 mm slides embedded in the clear vinyl. Copies of the regular LPs are still available on Forced Exposure
https://www.forcedexposure.com/SearchResult.html?SearchType=Basic&Type=artist&Key=olivia%20block

DISSOLUTION B

snf06 : richard francis "combinations (3)" part 6

from KR046 AUDREY CHEN - Runt Vigor (180gr LP / DL)
https://karlrecords.bandcamp.com/album/runt-vigor


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Heavy In The Hand 00:00 / 21:30
	
	

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1.
	
Heavy 02:32
	
	
	
2.
	
In The 10:04
	
	
	
3.
	
Mouth 07:21
	
	
	
4.
	
Heavy In The Hand 21:30
	
	
about
"...an incredible montage of what’s humanly possible in contemporary experimental music." TJ Norris / Toneshift.net

"...an uncompromising and idiosyncratic music, tightly disciplined yet acoustically wild and heavy with implication." Julian Cowley / The Wire

Runt Vigor

Mouth

AUDREY CHEN - Mouth

Taken from album 'Contrée' released as LP and Download.

Regis Renouard Larivière 'Contrée' (excerpt) (REGRM 021)

From the upcoming Album "Vegetal Negatives"
Release Date 29 March 2019
Hallowground.com
HG1901
Vinyl / Digital

”Let us unfold the animal outward: the bronchia will become a thick foliage, keeping its respiratory function, but in reverse, naturally (CO2 absorption), reversed also concerning color, from the tint of calves’ lungs to its complementary cabbage green. The digestive system will become roots, maintaining its role of drawing in nourishment from the outside environment. […] for each animal form there exists a corresponding vegetal form. The man who would find his vegetal negative and unite with it would restore the integrity of the cosmos.”

Vegetal Negatives is a game of sonic mutations, mimicry, inversions, and association inspired by a text called "On pataphotograms", by the French writer René Daumal – a quasi-metaphysical essay that toys with breaking the conceived separateness of natural forms through poetic imagination.

Marja Ahti (b. 1981) is a Swedish-born artist living and working in Turku, Finland. She has been an active part of the Finnish experimental music scene for more than ten years. Now arriving at her debut LP under her own name, Ahti explores a new formal language and sonic palette that ventures far from the path of her earlier work.

The four electroacoustic compositions on the album combine and arrange field recordings, electronic feedback, Buchla and ARP synthesizers, bowl gong and harmonium, textures of detailed acoustic sound, and sustained tones with gentle microtonal beating into a precise musical narrative. She juxtaposes recordings of rooms and empty vessels, natural and artificial climates, spontaneous and staged events. Ahti draws upon Annea Lockwood's ideas about associative movements between sounds based on shared characteristics and sonic energy. Her approach to field recordings is neither diaristic, documentaristic, nor purely acousmatic, but rather it starts out from somewhere in between these notions: the sounds hover between abstraction and the deeply familiar, moving into a realm of poetic metaphor where they are set in relation to each other, fleetingly mirroring or shadow-dancing. Acoustic environments mutate into synthetically derived shadow forms.

The opening track, "Coastal Inversion”, moves from a seemingly familiar seascape into an ocean of wavelike synthetic staccato patterns, turning itself inside-out on the shore, before diving back into a sea of resonance. ”Rooftop gardens” arranges a series of largely unprocessed field recordings into a dream-logic sequence of upward movement towards the clouds. On the other side, ”Symbiogenesis” brews a slow evolution of wet, airy and earthy sounds and resonant friction. The closing track, ”Chora”, imagines a meditative space of breath: filter resonance posing as organ pipes against a backdrop of breezy industrial hoovers merges halfway with a harmonium improvisation that foregrounds the frictions of the wooden instrument itself, just before filtering out into resonant harmony.

Tracklist:
A1) Coastal Inversion (12:14)		B1) Symbiogenesis (07:22)
A2) Rooftop Gardens (05:44)		B2) Chora (10:47)

Credits:
Marja Ahti: composition, production, field recording, Buchla 200 and ARP 2600
Recorded at EMS, Stockholm, WORM, Rotterdam, and on locations in Greece, Alaska, Finland and Sweden.
Mastered by Giuseppe Ielasi
Designed by Ruth Stofer

Vegetal Negatives

BUY VINYL/DL

MARJA AHTI - Symbiogenesis (HG1901)

"Figures / Ground" is a commission for the „Untraining the Ear“ series, produced in collaboration between @savvy-contemporary, @deutschlandfunkkultur and @ctm-festival. For the radio feature, the two parts are interspersed by a conversation in german with Jan Rohlf (Co-founder and artistic director of CTM / Disk agency).
Premiere on 29.03.2019, the piece is from now on available for free on-demand streaming under the following link:
https://www.deutschlandfunkkultur.de/klangkunst-abschied-von-den-hoergewohnheiten-figures-ground.3685.de.html?dram%3Aarticle_id=437789

Figures / Ground (extracts - link in text)

from KR080:  MESIAS MAIGUASHCA - Oeldorf 8.  LP / CD / DL out on october 23rd 2020

Oeldorf 8

MESIAS MAIGUASHCA - Oeldorf 8 (excerpt)

The Duo Ludwig Wittbrodt, that‘s Emily Wittbrodt on cello and Edis Ludwig on laptop and drums. The two develop a thicket of sounds and melodies that absorbs us in a completely unpretentious way and fills us with associations and warmth. Sometimes in the jungle, sometimes under water in the desert, we are reminded of the achievements of both Krautrock and Neue Musik, of early electronic music as well as Drone and Ambient.

At first glance, Emily and Edis seem to be an unequal couple. She has an academic background as a cellist, he is self-taught with his main instrument being computer and programming. She is active in Free Jazz, he drums with the rock band Düsseldorf Düsterboys. On the other hand, both have been active in the Free Improv scene in the German Rhine-Ruhr region for years - for example in ensembles such as The Dorf or Hilde (Emily) and Nasssau or Transport (Edis).

After some concerts and a first tour now is the time for the release of the group‘s debut album. Ludwig Wittbrodt will be released on cassette (yes, on real music cassette) and of course digitally. These four tracks, which evolved from a mixture of improvisation and joint composing, show the musical communication between Edis and Emily, but also the fun of combining moods, styles and instruments, which, according to our dusty listening habits, are surprising and irritating in a pleasant way.

Ludwig Wittbrodt

Ludwig Wittbrodt - Prélude, All Deserts Filled With Water

TR073 - Kelly Jayne Jones - 'a fire that had to burn forever'

jiarmn

mailto: gusding.thing@gmail.com

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