Composer for #AvatarTheLastAirbender, #LegendOfKorra, #ScreamTVSeries, etc. Founding member of @TheEchoSociety composer collective.

Hello! I'm Gabriel, I make silly songs for the Internets and sometimes even serious ones :D

I'm always looking for stuff to work on

Contact: EspantoMusic at Gmail

▼ Links to all the crap below.

Bookings: 
simon@primarytalent.com
laetitia@primarytalent.com

MGMT: 
james@purplewall.com
abi@hannahwants.com

Hangover Carillon Desolat SCI+TEC 8bit Leftroom Monique



Doctor Jekyll and mr Hyde,a mix between an eclctic dj/producer and a party animal. This is Giuseppe Cennamo, born in Naples in 1980; he formed his musical roots, first playing a piano when he was a child, and later on spinning his records at teenagers parties. After taking some time off to dedicate to his studies,he started again to play to city parties. During this time, on 2004, he met Danilo Vigorito who introduced him to serious productions. From December 2004 to September 2008 Giuseppe has been constantly working in studio; his first record out VIR 2,2 happened to be released on February 2009 on Minisketch, Davide Squillace's label. The major following up Ep were: Mujeres (Leftroom), Borderline (Kammer) and El Gitano (Moniquè Speciale) played all over the world by top djs such as Loco Dice, Marco Carola , Luciano and Carl Cox; El Gitano was Giuseppe Cennamo’s first breakthrough, bringing him great success and popularity in club scene.On November 2010 Giuseppe signed two tracks in a VA on 8bit, label of his friend Nick Curly. On January 2010 Giuseppe founded his personal record label Carillon;the first release on Carillon Records was Break my Carillon, vynil sold out just in two weeks. After the first release few international artists became part of his project like Matteo Spedicati, Aldo Cadiz, Mendo, Alex Celler, Alessio Mereu, Larsson and Salvatore Freda. Actually the label is on fire with a lot's of forthcoming releases.On July 2010 Giuseppe sent some tracks to Desolat Records and after one month they took Giuseppe in the Desolat family, and his first release, Amanecer ep, was published on Desolat x 009. In the beginning of 2011 Cennamo released a lot's of remixes and another ep on Carillon, Human Feelings.
At the end of 2011 he released a follow-up: A Single in the Jungle ep on 8bit! Giuseppe had a great year on 2011 playing all around and making new music, so he decided to close this amazing time with a special release on his Carillon, so in dicember 2011 came out Imprints in my Mind, the track that all the clubbers and the djs want, played by Loco Dice at the Amnesia Closing 2010...out on Carillon Records as Limited serie.
The 2012 is again in his name, he released the second Desolat, Dance Till Tomorrow, a great Ep with four tracks of different styles! So the Napolitan Talent is on fire, like is career, but if you don't see Giuseppe in the dj booth for sure you can catch him on the dancefloor, mr Hyde.

Miami Nights 1984 is Michael Glover from Victoria, BC, Canada. His obsession with the 1980s has led to the founding of Rosso Corsa Records and a revival of synthesizer music. With Rosso Corsa he is championing many artists such as Mitch Murder, Lazerhawk, Jordan F and Lost years to make 1980s-inspired music with modern fidelity.

Being among the pioneers of this revival, Mike’s first project Actrazer initially defined the Rosso Corsa sound together with output from label co-founder Lazerhawk. They coined their music Outrun, a genre of soundtrack music with epic leads and arpeggiated synths. At the same time, Kavinsky, the Outrunners and the Valerie Collective were all contributing to this new sound.

Since 2010 Michael Glover has been ecstatic about the success of his second project known as Miami Nights 1984 (MN84). Characterized by smooth synthesizers and nostalgic solos, this new sound accentuates the carefree feel of the 1980s.

The Miami Nights sound garnered support on an international scale with the official remix of ‘Somebody I Used To Know.’ by Gotye. It infuses 1980s charm with Gotye’s powerful voices and moody lyrics. Rollings Stone says it’s an “eighties-inspired synth-pop remix, inspired by [mike's] love of old John Hughes films” while VH1 says “It’s a synth-led 80s redux, and it’s pretty rad”

When asked about influences, Mike says he obviously takes from the 80s: “The music, movies, shows, cars and girls are all running through my imagination when I write a piece of music. I’m not happy with a piece of music unless I can imagine it as the soundtrack to a film or show. Ever since I was a child I enjoyed synth-based music like Tangerine Dream, Jean Michael Jarre and Ray Lynch.” His name coincides with the original run of the Miami Vice TV show on September 28, 1984.

In creating his sound he uses “a variation of analogue synths and virtual instruments in Abelton Live. I’ve been using more virtual instruments for convenience and ability to leave a project without worrying about getting the same sound again.” Many of the parts are first recorded from live instrumentation and tweaked afterward in Ableton.

Building on the successes of Rosso Corsa Records and an official Gotye remix, Mike released the second Miami Nights 1984 full length album Tubulence. Spanning 12 tracks, Turbulence builds upon the synth-pop charms and synthesizer solos from Miami’s first album with more character: orchestra stabs, percussive rushes, slow motion bends and epic interludes distinguish the album. So does the album’s more intense moments which promote the Outrun electro sound we have championed for many years.


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