e. sabato_resistir
d. lynch _absurda
 
sound // video _nina_sin_money


vXiXdXeXo @ https://vimeo.com/670235637

_resistir

live set + videtart 30'
@ALKEMYR FRAKTUR @Arroz Estúdios

can you hear me? (intro)

Buddy (Native Tongue Decision)

Buddy (Native Tongue Decision) [feat. Jungle Brothers, A Tribe Called Quest, Queen Latifah & Monie Love]

Released by Música Vulcânica - musicavulcanica.bandcamp.com/track/subterranean-marching-band-in-dub

Produção: Miguel Ribeiro
Fantasmas: Bandas Marciais do Peso da Régua e da Vila de Cambres
Master: Tomé Silva
Capa: Óscar Ferreira

Em honra do Nosso Senhor da Aflição

Subterranean Marching Band in Dub

Fico triste mas aproximo-me de Deus

PEARL HARVEST AT SUN SOURCE comprises two separate albums:

Disc 2, SUN SOURCE, addresses my love of Japanese music, from classical Gagaku to contemporary noise and psychedelia; i imagined myself as a culturally challenged Japanese musician, trying to create within a simultaneously alien and native tradition.

WRITTEN | PRODUCED | PERFORMED BY HOMO ON: Acoustic & Electric Guitar, Bass, Bell, Drum Synthesis, Electronics, Metal Box, Organ, Piano, Samples, Synth, Woodblock, Zither.
Recorded June 30 - July 6 2023. Dedicated To Henri Rousseau And His Hungry Lion.

WHO IS NEGATIVE SPACE?

Composed by Jinsei
Produced by Jinsei and Filz
Mastered by Filz

Photo and Artwork by Jinsei

(Rick Rubin's voice used on track 3 Humanity)

Dedicated to my son João

Once The Bullet Leaves, It's Never Coming Back

Running

— Não sei...

Uran

2025 wrapped 
꩜ ⋆˚ ༘ .ᐟ . ݁*ੈ✩‧₊˚
bedroom mix 

꩜ ⋆˚ ༘ .ᐟ . ݁*ੈ✩‧₊˚

que sejamos 
resistência e força e liberdade
e que aceitemos de forma suave,
tudo o que nos leve a esse caminho.

|| intro les convoyeurs attendent ||
sound _o_phe_lia
video: https://vimeo.com/406550039

K I III E R A

HOMO is, since 1995, the vehicle for the solo work of Filipe Silva, also a member of Porto-based SOOPA Collective & the Skull Dub ensemble HHY & The Macumbas, among other musical, intermedia & teaching projects.
HOMO explores the potential of sound in its physical & physiological manifestations, namely as a tool for reconfiguring the perception of space-time; the evocative, invocative, mnemonic & devotional power of music; & the frail & uncertain balance between song structures and the innefable, transhuman architecture of Reality, the great Fourth Wall demolisher.