Good bye

Fateh

good

harp

listening"!! :')

world music

vonte

countrywoman

just musuc



Taken from the forthcoming debut album by Matthew and the Atlas // www.matthewandtheatlas.com // www.facebook.com/matthewandtheatlas // www.youtube.com/user/matthewandtheatlas

PHOTO BY wattsdave.com


Other Rivers

Everything That Dies

Download/stream: https://Atlantic.lnk.to/NorthernLightsSO

Twitter: https://twitter.com/jaymesyng
Instagram: https://instagram.com/jaymesyng
YouTube: https://youtube.com/JaymesYoung
Facebook: https://facebook.com/jaymesyoungmusic

Download

Northern Lights

Raat jawaan mast samaa (The Bilz and Kashif)- Tera Nasha

The debut album 'Chaos And The Calm' is available to download now:
iTunes - http://po.st/CATCi 
Amazon - http://po.st/CATCa 
Google Play - http://po.st/CATCg

Listen/Share on Spotify: http://po.st/JamesBaySpotify


Let It Go (demo)

Suzanne Belaubre : https://www.facebook.com/pages/Suzanne-Belaubre/256357444405014

SpaceSheep : https://www.facebook.com/spacesheepmusic?fref=ts

Easy download ;)

Robbie Williams_Feel (SpaceSheep Edit & Suzanne Belaubre Cover)

Houston's poet-in-residence for 35 years, Hopkins recorded more albums than any other bluesman.  His New York Times obituary named him as one of the great country blues musicians and perhaps the greatest single influence on rock guitar players.

Hopkins' style was born from spending many hours playing informally without a backing band. His distinctive fingerstyle playing often included playing, in effect, bass, rhythm, lead, percussion, and vocals, all at the same time. He played both "alternating" and "monotonic" bass styles incorporating imaginative, often chromatic turnarounds and single-note lead lines. Tapping or slapping the body of his guitar added rhythmic accompaniment.

Much of Hopkins' music follows the standard 12-bar blues template but his phrasing was very free and loose. Many of his songs were in the talking blues style, but he was a powerful and confident singer. Lyrically his songs chronicled the problems of life in the segregated south, bad luck in love and other usual subjects of the blues idiom. He did however deal with these subjects with humor and good nature. Many of his songs are filled with double entendres and he was known for his humorous introductions


Lightnin' Hopkins- Where Did You Stay Last Night? (Jack Frost's Extended Blues Edit)


BARBARA MORRISON
I Love You, Yes I Do
Savant Records SCD 2136
Barbara Morrison, vocals
With Houston Person, tenor saxophone
Stuart Elster, piano • Richard Simon, bass • Lee Spath, drums

Track Listing: Save Your Love For Me • Canadian Sunset • I Had a Talk With My Man Last Night • Trust in Me • I Didn't Know What Time It Was • Who Can I Turn To? • If It's the Last Thing I Do • Black Eyed Blues • I Love You, Yes I Do • And I Love Him • For the Love of You • Blow Top Blues

Barbara Morrison has been featured on over 20 recordings choosing her repertoire from a wide array of genres from traditional jazz and blues to gospel and pop. Her powerful voice, with its two-and-a-half-octave range, allows Ms. Morrison to belt out down-home, soul-stirring blues in a manner which places her firmly in the tradition of Etta Jones, Helen Humes, Irene Reid, and Dinah Washington. Her impassioned renditions of favorite torch songs reveal a consummate musicianship and a firm grasp of a song’s deepest meaning. Over the years, Ms. Morrison has performed with legends such as Gerald Wilson, Dizzy Gillespie, Ray Charles, James Moody, Ron Carter, Etta James, Esther Phillips, Jimmy Smith, Dr. John, Kenny Burrell, Terence Blanchard, Joe Sample, Cedar Walton, Tony Bennett, and Keb’ Mo. On “I Love You, Yes I Do,” Ms. Morrison is once again partnered by the soulful tenor saxophone of Houston Person who brings his own unique brand of bluesy exuberance to the proceedings.

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Blow Top Blues

Jay Yar Na Miley

Doe (Trappin Pt 2) Ft. Tbam & Trill Sammy Prod. by Jay$eus

A Little Drunk

In Quiet Rooms

Buy on iTunes

Do You Remember

Lyrics:
Everything's alone, it's just the way I left
I can't even trace where this other life began
Driving down the same old street
Sometimes I forget to breathe
But you won't ever hear me sing this one again

Far back in my memory I hear your words
But somehow someone's poisoned me and now they're cursed
Father, Son, and Holy Ghost
I would never let you go
The only way it'd work is if I were provoked

O you had control
O so long ago

As hard as you can try this heart of mine won't break
Go ahead and knock me down there's so much I can take
I know that you wish me well
But darling I can never tell
It's tricky when your love is just some cry for help

O you had control
O so long ago
O you had control
O so long ago

Our pieces lingering in my head
Like rotten leaves you're choking me with the stench
Now I see so far down this road ahead
It doesn't mean whatever the hell we said

Rain is falling here on this other side of town 
I'm sure that it's clear wherever you are right now
Say you don't believe in me
Just so I can finally leave
'Cos you're the only thing that's keeping me around

O you had control
O so long ago
O you had control
O so long ago

********************

Music and Lyrics by Kevin Garrett
Produced by Jeremy McDonald
Co-Produced by Kevin Garrett
Additional Production by Greg Barbone 
Engineered by Oliver Straus
Assisted by Isaac Câmara
Mixed by Ryan Gilligan
Mastered by Joe LaPorta
Artwork by Kelly Garrett

Control

IM JUST SAYIN ft Z RO ( prod by Happy Perez)

iTunes: http://itunes.apple.com/album/id959684825

Limited Edition Clear Vinyl: https://b3scirecords.bandcamp.com/album/chelsea-lankes-down-for-whatever-too-young-to-fall-in-love

www.facebook.com/ChelseaLankesMusic
twitter.com/ChelseaLankes
www.youtube.com/channel/UCDfHCcuwg3oF4z6_lSoxspw

Down for Whatever / Too Young to Fall in Love

Too Young to Fall in Love

pre-save my next single w/ K.Flay: vanic.ffm.to/soslow

▼ Follow Vanic
Megalink: solo.to/vanic
Discord: discord.gg/vanic
Spotify Playlist: open.spotify.com/playlist/4K4ScK7…zuQAqViAemtxVUgQ
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Vanic X Aquilo - Losing You

“Take Me To Church”
 
Written by Andrew Hozier-Byrne. Published by Sony / ATV Music Publishing
 
Vocals: Ellie Goulding
Produced by Sam Lewis
Vocals produced by Sam Lewis and Joe Kearns
Vocals recorded by Joe Kearns
Mixed by Sam Lewis
Mastered by Naweed at Whitfield Mastering, London
 
Vocals recorded at British Grove Studios, London
 
'Halcyon Days' Out Now!
DELUXE: http://ell.li/IghmuA
STANDARD: http://ell.li/qlcp0m

Sign up to Ellie's mailing list here: http://ell.li/Register

www.elliegoulding.com
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open.spotify.com/artist/0X2BH1fck6amBIoJhDVmmJ

Ellie Goulding - Take Me to Church (Hozier Cover)

'If I Was' Available Now (North America: March 31) http://thestaves.com/ifiwas

Facebook: http://www.facebook.com/TheStaves
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If I Was

Let Me Down

You And I

Mech Bounce

Money, Music, Fam

JPhelpz - Money, Music, Fam

Alison Krauss - Down To The River To Pray

Flo Rida - Whistle

Born Emmit Ellis, Jr. in Homer, Louisiana, His father was a pastor whose guitar and harmonica playing provided early musical influences. As a young child he began experimenting with music using a sugar-cane syrup-bucket and a broom-wire diddley bow. It was in the early 70s that his self-penned "Chicken Heads" cracked the Billboard R&B chart on Galaxy, after being picked up from a small label started by former Vee Jay Records producer, Calvin Carter (#34, 1971). He later recorded with leading black music label, Philadelphia International, releasing his first album, Rush Hour with one track, I Wanna Do The Do also charting in 1979.

Bobby Rush- Mary Jane (Jack Frost Edit)

The Be Good Tanyas - The Littlest Birds

Order on iTunes: http://smarturl.it/tbgtcan 


The Be Good Tanyas - Waiting Around To Die

Record Date: 1958
Location: Burien, Washington

This recording is from the Nelson Folk Music Collection at the University of Washington Libraries in Seattle (USA).

More information about the Nelson Folk Music Collection is available here: http://guides.lib.washington.edu/nelson

Sonny Terry, J.C. Burris | "Harmonica with Bones" (UW Nelson NRR006)

Any Port in a Storm

Lay Me Down

The Dirty Heads - Lay Me Down (Featuring Rome of Sublime With Rome)

Rabba Sacheya

Earl Scruggs & Steve Martin - Foggy Mountain Breakdown (Best

Carey Bell was born in Macon, Mississippi in 1936. As a child, Bell was intrigued by the music of Louis Jordan. Bell wanted a saxophone in order to be like his hero Jordan; however, Bell's family could not afford a saxophone so he had to settle for the harmonica, colloquially known as a "Mississippi saxophone." Soon Bell was attracted by the blues harmonica greats: DeFord Bailey, Big Walter Horton, Marion "Little Walter" Jacobs, and Sonny Boy Williamson I and II. Bell taught himself to play. By the time he was eight, he was quite proficient on the instrument. When he was thirteen, Bell joined his pianist godfather Lovie Lee's blues band.

In September 1956, Lovie Lee convinced Bell to go with him to Chicago. Not long after arriving, Bell went to the Club Zanzibar, where Little Walter was appearing. Bell met Walter and later learned some harp playing from him and his main Chicago teacher, Big Walter Horton.To help further his chances of employment as a musician, Bell learned how to play the electric bass (from Hound Dog Taylor).

In 1969, Delmark Records in Chicago released Bell's debut LP, Carey Bell's Blues Harp. Bell played with Muddy Waters in late 1970 and 1971 and later with Willie Dixon's Chicago Blues All-Stars. In 1972, Bell teamed up with Big Walter in the studio and released Big Walter Horton with Carey Bell for Alligator Records. A year later Bell released a solo project entitled Last Night for ABC Bluesway. Bell continued to play with Dixon as well as with his own groups, and in 1978, Bell was featured on the Grammy-nominated album Living Chicago Blues on Alligator. Also, in the 1970s, Bell appeared on two Bob Riedy Blues Band recordings.
 
During the 1980s Bell continued to record for various labels and to tour. In 1990, Bell teamed up with fellow harpists Junior Wells, James Cotton and Billy Branch to record Harp Attack!. A modern Blues classic, Harp Attack! became one of Alligator Records's best selling albums.


You And I

HONEYHONEY