Yo I did not know what to expect - this is fantastic!

"If you decide you want another
I will not be bothered
Darling, I can keep my cool"

 - This is the sort of nonsense that many of us, if we're honest, are guilty of uttering at some point in our lives. Does anyone ever actually feel this way?

Let Me Know

Orogeny

Come And Go

produced by Harry Teardrop
cowrtitten by Harrison Li and Justice Mirabal
vocals: justice and harry
art: Les parapluies de Cherbourg (1964)

SUGARBABY

Stream "Amy, Run For The Hills" on Spotify: https://spoti.fi/2OttWad

http://instagram.com/wearecourtship

Amy, Run For The Hills

Charge your airpods and take a jog to the good old days, maybe we can grab a coffee afterwards, let's say 2:45pm, yesterday?

Stream / Download 'yesterday': https://smarturl.it/yesterdayx

www.mypizzagirl.com
www.facebook.com/mypizzagirl
www.twitter.com/mypizzagirl
www.instagram.com/mypizzagirl

yesterday

Recorded by Nick Stola and Sophie Mullens in a Brooklyn apartment.
Mastered by Jesse Mangum at The Glow studio in Athens Georgia.

Thanks for listening! :)

My Friend

TRACK 1: “Garden of Eden”
All of the instrumentation and vocals in this track, apart from the live drums, were done by me. Each track on this EP is meant to represent a different stage of love. This track's intro is meant to reference the closing track to the album, transitioning from the end of the EP back to the beginning, representing the end of a love cycle repeating, similar to the way that perennial flowers go dormant and bloom again in the spring, hence the name "Flora". This song in particular is supposed to represent the early stage of love and a relationship, where you are idolizing your partner. The line "I'm after your garden of Eden" represents wanting to get to what you consider to be an ideal intimate relationship, setting your expectations too high and leading into the next track of the EP, "Four Leaf Clover".
TRACK 2: “Four Leaf Clover”
All of the instrumentation and vocals in this track were done by me. The transition between "Garden of Eden" and this song is the only transition in the EP that is jarring, and this is done on purpose. It is meant to represent a sudden change in mood, going from an idolization to a frustrated "reality". This song is about developing a distaste for someone, and beginning to believe that what you had was not as special as you had once thought. It is written in a minor key, and has a very angry and rash tone, contrasting the upbeat and hopeful feeling of "Garden of Eden". This song serves as a stage of denial in the EP, as it constantly claims that the person you thought you loved is very replaceable, even if that may not be true.
TRACK 3 “Evergreen”
All of the vocals and instrumentation besides the live drums were done by me. The intro to this track references melodic lines from "Four Leaf Clover", and eventually bleeds into this song's progression and melody. "Evergreen" is a song about the realization that you actually lost something of value. Coming out of the anger of "Four Leaf Clover", this song adopts a much more somber and sorrowful feel.  It is written at the same beats per minute as I would slowly walk, to give it a feeling of trudging along hopelessly. In the song, it is repeatedly said "I ain't ever coming home", referring to accepting that what you had is now gone, and you can never get it back. The outro of this song both entirely changes the feel of the song putting you in a much more clear and positive headspace, and changes the key to F major in order to prepare you for the final song of the EP,  titled "Lilac".
TRACK 4: “Lilac”
All of the instrumentation and vocals, besides the live drums, were done by me. It is also the closer to my EP, "Flora". Lilac is sometimes known as the flower of love. In this song, "cover me in lilac" is a metaphor for "love me anyways". This song is about the struggle of deciding whether or not to begin the cycle of love again, and eventually deciding to be loved and start over despite the possible consequence and hardship detailed previously in the EP.

Garden Of Eden

thanks for listening:)
honeywhippp@gmail.com
written/recorded at home by honeywhip
https://open.spotify.com/artist/1yyRuOZtns01N2hUtseLT0?si=9Go1u_HvRzuIMVXBuHs6eA
www.instagram.com/honeywhippppp/
http://music.apple.com/us/artist/honeywhip/1497204865
www.youtube.com/honeywhip
http://honeywhip.bandcamp.com/

Think About U

Originals by Rex Orange County and Easy Life.

Sunflower

Melbourne-based artist Market shares Potential, the second single from their upcoming EP 2. Effortlessly weaving lo-fi tape production with auto-tuned guitars and washed out synths, Potential features fellow Melbourne artist POPPONGENE on vocals and is a beautiful example of Market’s stunning pop sensibilities. 

Market’s upcoming release was written and recorded in the iconic Cairo Flats, an Art Deco 1930s residential complex in inner Melbourne, while being deeply locked down during the pandemic. Despite the grim circumstances, the lightness of the space is reflected on the EP through its use of breezy-jazz chords and cheap bright drum machines. 

Speaking on Potential, Market shared; “it’s about doing your best to communicate with someone and learn from your mistakes. I think it’s easy to ummm and ahhh and second guess your place or the reality of a situation when you’re not explicitly communicating / asking questions. I wrote it at a time that I felt pretty done with that back and forth.”

Potential (feat. Poppongene)

thx for listening <3
say hi @ honeywhippp@gmail.com
https://linktr.ee/honeywhip

Think About U

honeywhip

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