12th street

Instagram: @highfooldox👤‼️
🩸🅱️4L🩸
OLDSCHOOL RAP/HIPHOP 🇺🇲🇧🇦💿🔊‼️

HBmusic Waves is a collective of people who are passionate about music, born with the intention of spreading and promoting the sound and artists we like.
From this passion in 2024, Craft Radio Lounge was born
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Craft Radio Lounge is a web radio dedicated to Ambient Chill, Organic House, Progressive House, and Deep House sounds, crafted for those seeking deep emotions and immersive atmospheres. We curate and broadcast only high-quality mixes, providing a unique platform for emerging and established DJs alike.

Discover our world: 
linktr.ee/craftradiolounge

R12G Doze, também conhecido como simplesmente Doze, é um rapper e artista underground brasileiro que está chamando a atenção com seu estilo de música inovador e autêntico. Atualmente, é um dos nomes mais proeminentes no cenário do drill plug e trap.

I share what I like.
you can follow me on my other social media to (Mathéo Fauré)
thanks!

I am a developing musician willing to reach a professional level. I like almost all kinds of music but my favorite genres are Electronic, Synth pop, Techno, Dance, Rock, Ballads.

Soy músico en desarrollo dispuesto a llegar a nivel profesional. Me gusta casi todo tipo de música pero mis géneros preferidos son Electrónica, Synth pop, Techno, Dance, Rock, Baladas.

Puedes seguirme en:  (You can follow me on)

I am a hobby guitarist. I share some of my almost finished songs. I hope you like them as much as I do.

Listen to HoodyLoops - Bass In Your Face (FREE DOWNLOAD) by Bunshin Records on #SoundCloud
https://on.soundcloud.com/SNLUt


Check out our new EP on Microgarden Deep

https://microgardendeep.bandcamp.com/album/island-in-the-sky-ep-incl-a9000-remix


https://hoodyloops.bandcamp.com/releases

https://www.instagram.com/hoodyloopscrew/

Beats on Traktrain :

https://traktrain.com/hoodyloops

Youtube channel 

https://youtube.com/channel/UC2ZHmgdmifTbEjtzEL3MA8w

Spotify 
https://spotify.link/aNLavIcuPyb

Check out our collab with DeuceLikePoop on Spotify

https://spotify.link/UkWeSXiuPyb

Growing up in Saskatoon he discovered electronic music at the age of 16 and was hooked. Years ripping up the dance floor at festivals and parties led to him finally producing his own tracks at age 20.

I have played and recorded in international settings, a multitude of percussion instruments, guitar, bass, harmonica, some flutes, keyboard, and if you push me - a very fine jaw harp.

In fact, if I break it down.... I just love to offer-up music, in a living room, a bar, a concert hall or an intercontinental, interactive satellite coordinated concert. 
  
I became fascinated with percussive sounds from around the world… especially African and Latin American rhythms. I fanatically traveled the world collecting anything that you could bang, scrape or hit.
What I learned? Border customs people really don’t appreciate the true value of handmade African caxixi shakers or a Brazilian berimbau. They just want the serial number.
More importantly, a single clicking or ringing sound in a song can make or break that song.
  
I toured Canada, USA and Europe and recorded many “world music” albums (before it was called that), with my late, musical soul mate, Dario Domingues. We played in grand churches, the water reservoirs under Munich, on an island where 100,000 doves were released at the climax of our performance, the first-ever “simulcast”, live satellite, intercontinental concert and then, the humbling experience of being involved in Berlin, in front of 500,000 people, for a series of anti-apartheid concerts featuring ‘Sting’.  For our 'world music' efforts, we were awarded the Deutscher Schallplattenpreisan (1983) accolade by the Deutsche Phono-Akademie, an association of recording companies of Germany that recognizes outstanding achievement in the music industry.  
What I learned? Music is truly a universal language. Around the world people are drawn to music. Of course, different strokes for different folks! 
Whether you play in front of a half-million people in a field, or 10 people in a bar, your role as a musician never changes.  
 
“Dream of the Drum” – I was commissioned to compose and conduct a score for 40+ percussionists from all corners of the world... Jamaican fire dancers, Trinidadian steel drummers, Japanese kodo drummers, African djembe players, military drummers,... the list goes on.
What I learned? The language of music respects no geographic borders. 
Also, never start your outdoor concert, with a lone Native Elder's rain drum song. The drum's magic works!
 
I helped build three innovative recording studios plus, my current production studio. I academically taught musical acoustics and production for several years.
What I learned? All the mathematics and physics in the world can’t replace a good ear.
 
As a producer, I've had the wonderful opportunity to work in great studios in NYC and Nashville with amazing session musicians such as: Eric "Roscoe" Ambel - best known as lead guitarist of Steve Earle’s band the Dukes; Dan Baird of the chart-topping 'Georgia Satellites'; guitarist extraordinaire, Warner E. Hodges, founding member of 'Jason and the Scorchers'.
What I learned? Great musicians tend to be humble but they sure have opinions! In Nashville, I was bluntly told -"No, I won't raise the tom level - in country music, we use toms for holding our bourbon glass." I never did get the toms louder.
 
I spent many years as President of the Ottawa International Jazz Festival and met some of the greatest musical geniuses in the world.
What I learned? "Man, if you have to ask what jazz is, you'll never know."
 
Music for jingles on radio and TV. Documentaries.
My personal favourite was coming up with suitable music for the mating rituals of pigs or, how to create 60 minutes of Arctic wind sounds for the movie 'Never Cry Wolf'.  
What I learned?  You can tell an entire story in a 29.5 second radio jingle and music is the glue that holds a great video together.