Ru-Bix vs Jester present a regular dose of their podcast mixes, radio shows, live streams & more! 

Join us for a variety of techno, trance, psytrance, goa & downtempo ...

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music for the soul 🕊
independent multi-grammy nominated record label.

always looking to work with new peeps and expand my abilities

ohhhh I got stories. Boy do I ever. Like the time my mates and I infiltrated an outdoor party masquerading as a covert black ops strike team. Complete with bitchin' trenchcoat and camoflage face paint that made me look all underworld n shit, I proceeded to shoot Carl Cox with my super soaker during his set, to which then Security tracked me down and in a fantastic conflagration that covered two-thirds of the party in a run-n-gun struggle for power, they kicked most of my mates out of the party and personally tackled me to the ground and confiscated my boom stick. Undaunted, I escaped from their grasp and quickly retreated to my camp, deputized a new krew as "Ishkur's Elite Squad of Fighting Assassins", and recoded a new mission known as "Operation Brute Force n Ignorance" or BnI for short, to which we sacked the security tent in waves, and in the ensuing confusion liberated my super soaker from the evil clutches of the tyrannic party demons.

The rest of the night I had to lay low, since I was on Security's most wanted list, but my new kru and I made mayhem our primary purpose. Especially to the go-go dancers. I hate go-go dancers. Except when they're wet.
If you like what you hear than LIKE me on FB!

Bookings: matt@thepool-london.com 
Promos: promo@gregwilson.co.uk 
DJ Dates: https://blog.gregwilson.co.uk/upcoming-dj-dates/
Greg began DJing in 1975 and is regarded as one of the most important figures on the UK dance scene. He enjoyed hugely popular residencies in the early eighties at Wigan Pier and Manchester’s majorly influential Legend, having originally started out in his hometown, New Brighton. A pioneer of mixing in the UK, he became the first ‘dance music’ specialist hired for a regular weekly session at Manchester’s now legendary Haçienda club in 1983. Greg was instrumental in breaking the new electronic, post-disco records coming out of New York, a sound he has dubbed ‘Electro-Funk’.

In 2003 he set up electrofunkroots, a website documenting this crucial era in the evolution of dance culture. After a two decade hiatus from the booth, he returned to DJing and soon welcomed bookings throughout Europe and, subsequently, worldwide.

Greg was the first DJ to mix live on British TV, putting together the first UK radio mixes of their type for Piccadilly 261 in Manchester and showing a certain Norman Cook (later Fatboy Slim) how to scratch.

Nominated by DJ Magazine for outstanding contribution, and also named amongst their top twenty remixers of all-time, Greg’s remix credits include Grace Jones, The XX, Groove Armada, Bryan Ferry, Confidence Man, Gilberto Gil and Simian Mobile Disco, whilst he’s edited tracks by A Guy Called Gerald, Talking Heads, O.M.D., Electronic, Imagination and Missy Elliot.

In January 2009 Greg’s reputation was further enhanced when his Essential Mix on BBC Radio 1 received almost universal acclaim and was selected as one of 10 classics that spanned the show’s near 17 year history.

Greg’s Blog, ‘Being A DJ’, was launched in June 2010 for observations on various aspects of club culture now an online touchstone for an ever-increasing amount of dance enthusiasts and aficionados.

In August 2010 he co-curated areas at the inaugural Vintage Festival at Goodwood, which was named ‘Best New Festival’ at the UK Festival Awards.

He has produced a series of documentary podcasts, Time Capsule, Random Influences and Early 80’s Floorfillers, as well as the long-running blog series, Living To Music.

Greg has given talks on music and DJ culture at a number events at venues The Tate Gallery in Liverpool and London's Southbank and Institute Of Contemporary Arts, whilst in 2013 he was invited onto a panel alongside legendary figures Nile Rodgers and Giorgio Moroder @ ADE in Amsterdam. 

In 2014 he unveiled the multi-media label Super Weird Substance, focusing on recording and live events. In 2015, the label released 8 vinyl singles, brought together in the 2 CD comp, 'Greg Wilson Presents Super Weird Substance'. September 2015 saw a memorable Festival No.6 Happening in Portmeirion and Greg rounded off the year with the Liverpool-based celebration of the 40th anniversary of his first club date in 1975 as well as being presented with DJ Magazine's Industry Icon award.

Greg launched his Credit To The Edit club collective at 2016's Festival No.6 and since then has taken it to Liverpool, Berlin, Brixton, Bethnal Green and finally back to Portmeirion for Festival No.6 2017.

2017 saw his label host the epic 14 Hour Super Weird Happening at Liverpool's Florrie, following a mixtape collaboration with Alan Moore, who also appeared at the Happening, whilst it also saw the digital release of The Super Weird Society's 'Gone With The Vibe', released the following year on the first Substance Select 12" vinyl alongside 'The Ghosts Of Watling Street', 'The Best Is Yet To Come' and 'Summer Came My Way'. 2018 also saw the release of Vol.3 in Greg's long-running Credit To The Edit compilation series.

After a handful of further releases, the label was put into hibernation with the onset of covid. Diversifying, ‘Greg Wilson’s Discotheque Archives’ was issued during 2020 lockdown as a limited run paperback, with more books, both Wilson’s own projects and by other authors, now planned.

Henrique Abrantes também conhecido por GLAM D. desde sempre ligado à música, inicia a sua carreira como DJ no ano de 2005.
Como músico de muitos anos, torna a sua sensibilidade musical como DJ em níveis consideráveis, onde o mais pequeno pormenor faz a diferença.
Passando por vários bares e clubs da zona centro, definiu uma nova marca na música electrónica, onde a técnica e perfeição é inconfundível em cada actuação, que é capaz de levar qualquer “dancefloor” a grandes momentos...
Afirma-se em 2009, actua na Queima das Fitas de Coimbra e no mesmo ano vence o concurso de Djs Espíritos Club, em 2010 é convidado pela gerência do mesmo para assumir a residência da cabine deste espaço.

Define o seu estilo musical como sexy & funky, dentro de todas as vertentes house, tendo sempre em conta todas as mais recentes influências da música electrónica!

Dando os primeiros passos na produção, a formação musical que teve até agora não o vai deixar ficar apenas pelos projectos, tendo já alguns temas produzidos, espera pelo momento certo...

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