Outlines V.A.

Premiere: Domenico Sanna & Gio Iacovelli Ft. Shalka Mani - Evidente (SofaTalk Rework)

Between producing landmark albums with the likes of Azymuth, Marcos Valle, and Sabrina Malheiros, recent years have seen Daniel Maunick flourishing as a solo artist with acclaimed releases on Eglo Records, Mother Tongue, Visions, AKO Beatz (under his Dokta Venom alias), and of course, Far Out Recordings. His sophomore solo album Persistence is an exemplary culmination of the momentum Maunick has built since his 2019 debut Macumba Quebrada, which earned support from Moodymann, Benji B, Gilles Peterson, Ron Trent, Palms Trax, Derrick Carter and Moxie to name just a few.

Since collaborating with Shy FX for his first ever release at the age of fifteen (a now impossible to find single sided jungle acetate), Maunick has remained embedded in the fabric of the culture, from early work for the legendary Talkin’ Loud label to notching credits with Terry Caliier, Paul Weller, Ski Oakenfull, Brenda Russell, and his father’s legendary brit-funk outfit Incognito. And for almost two decades he’s served as producer for a long string of classic and future-classic Far Out albums, most recently Alex Malheiros' Tempos Futuros.

As on his previous Far Out opuses (most recently the Musica Encantada EP),
Persistence sees Maunick continue to playfully use foundations of traditional afro-brazilian rhythms, heard in the sultry samba swing of 'Arraiá', the pulsating batucada enveloping the bassy synth stabs in “Remnants of Joy”, and spectral cuicas throughout the blissfully bumping ‘Illusions’. But going beyond his trademark nods to Brazil, he reflects on his junglist roots with the emotionally charged ‘Love Is Gone’, and flexes his deep house muscles with the late night magic of ‘Just Deserts’ and ‘Addicted’.

The sheer variety on show is testament to the wide scope of influences and experiences Maunick has accumulated and absorbed in his career to date. It’s also evident that after years spent with jazz funk masters like Azymuth and Incognito, as well as hitmakers like Marcos Valle, Maunick has reached a new calibre with his compositional prowess alongside his astoundingly accomplished studio skills. Persistence is a modern classic by a veteran at the peak of their powers.

Daniel Maunick - Illusions

Song In To EP album,Wake Up In A Fairy Tale


Dj MisterX
 

Artist Name-Dmitry Vozniuk


Link For EP

#https://on.soundcloud.com/B8BunbDED8eGezwC9

One For All And All For One

Kxta - After The Carnival

Slothboogie favourite Strip Steve takes on Broke One's latest release on Playlabel Records, and with astonishing acid jazz results. A little different from our usual fare, but it's compelling listening all the same.
It'll be available primarily as a vinyl release with a limited digital release via the label's band camp. Link above...

https://soundcloud.com/play-label-records
https://soundcloud.com/broke-one
https://soundcloud.com/stripsteve

SB PREMIERE: Broke One - Chord Memories (Strip Steve AI Jazz Retake)[Play Label]

Horatio Luna + Ziggy Zeitgeist = Luna Exchange

Fresh from their international tour, the bad boys from 30/70 Collective are back with a brand new D&B inspired collaboration featuring Bristol's Holysseus Fly.

Horatio Luna - Bass/Synths/Production
Ziggy Zeitgeist - Drums/FX
Holly Wellington - Vocals
Mixa - Mastering

Luna Exchange - Make Me Love You (Ft. Holysseus Fly)

Honoured to have fucking crazy legends around to learn with, hang with and do remix’s for. Woohoo !

Matthew Hayes With Joel Trigg’s debut release, “Elegant Universe”, is on the dope local-selectors label Ken Oath Records. It is an autochthonous yoke of house, jazz and ambient beauty… Elegance.

Alien by origin, it’s an album that you could hang too, make love too or impress your sophista-friends as a backdrop to an introspective cuddle puddle…. the ending to an MDMA cap after a night out in Berlin comes to mind!

When I moved to the city and was first year uni at the victorian college of the arts, i remember people telling me about this amazing third year bassist from monash University, Matthew Hayes. I had to see it to believe it, no one plays bass like matthew hayes he is a standalone genius in the Melbourne improvisational music scene. A constant source of admiration, inspiration and someone I look up too.

We both affectionately share the same nickname “Hazy” or “Hayesy”. Matt because of his last name and me because of… well if you know me then know ;-)

Joel Trigg is an absolute legend ! One of the most kindest, gentlest and caring people that i’ve had the great pleasure of shared many times in performance and in beat-making/production. 

One of my fondest memories is the conception of “A Brother Scratch” beat tape. Which came about as an improvising hip-hop game.

Here’s what i did with “Kenny’s Chats”, thanks guys much love x

Matthew Hayes With Joel Trigg (Horatio Luna Remix)

Voodoo Shakedown

Bubbly (Dufresne Remix)

it def. needs a video: #contest #2KbBeatsTheSearch?

wanderlust again

To kick off the dawn of a new decade and their first release of 2020 in fine style, Phuture Shock Musik very proudly present ‘La Búsqueda’ - the debut album from Barcelona-based producer and multi-skilled musician Damián Botigué aka Karmasound.

Having released his first 12” ‘Probabalidades’ EP on the Bristol imprint to wide acclaim in 2018, followed by a solid sophomore effort ‘Can See Thru You’ one year later; whilst also contributing to recent projects by label mate Cyclonix and Wolf Music signee Pedro, Karmasound has steadily gained momentum to graduate to the long player format.

Comprised of ten tracks steeped in existential themes, ‘La Búsqueda’ stands out as the producer’s most personal and accomplished work to date, where jazz - particularly of the 70’s Latin fusion/funk variety – is a key source of its inspiration in terms of sound, yet with a contemporary electronic-infused spin and loosely within a broken beat context.
Besides taking cues from the above styles, each composition is informed by Botigué’s soulful, interstellar sound that combines live instrumentation with analogue studio gadgetry and a vast range of influences; including hip hop, soul, Afro-Latin, electronica and the forward-thinking sensibilities of the early 00’s West London sound. This rich musical diversity running throughout the LP, strikes a fitting balance between the past and the future that aligns with Phuture Shock’s sonic vision.

Label: Phuture Shock Musik
Cat #: PSMLP002
Format: 12” Vinyl/Digital
Release date: 28th February 2020

Pre-order: phutureshockmusik.bandcamp.com/album/la-b-squeda

**PSMLP002 Press kit: bit.ly/PSMLP002-presskit

E: info@phutureshockmusik.co.uk

@phutureshockmusik
www.facebook.com/phutureshockmusik

Exclusive Premiere: Karmasound "Lo Único Que Quiero"

Live cuts, beats and lifts from cassette/vinyl releases.

horatiolunamelbourne@gmail.com
https://horatioluna.bandcamp.com/

Matthew Hayes With Joel Trigg (Horatio Luna Remix)

Horatio Luna

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