DEEP TECHNO

"Xarjwoki sior Kailxa mor mearhi" was tattooed in their tongue during Rihaixonar, "No one will pass or leave beyond your arm's reach". If your human physical body is in one place but your heart and mind is not there? The Custodian built a world exactly for your kind, mainly of technicalities and higher powers playing cosmic tennis to show who has a bigger dick? The Prisinthian World of The Gjorvak is made of mercinaries trained from birth, they are left blank by their makers and thrown, misplaced whether intentional or as a trap, they are thrown out in the open to fend for themselves, unprotected, until they get picked up by anyone who will take them in their wings. They are called 'The Interlopers',  raised to compete with the finest man-skinners of the Prisinth. They will use every part of their body, blood, tooth, nails and claws to complete their mission. The Custodian holds the key to all Prisinth, he lives in Gjorvak where the world's melt into one gigantic temporariness of not now. All in transit in a waiting room that leads to nowhere. Who trafficks them? Who tells them how they should act like? speak? what language? jarxacha? pxsavoma? When you have seen many worlds? Where is home? Elkanaihiamahjsrankofi is the last of the Custodians, he is technically, irreplaceable, if he perish like Gortyharswihro Xovi, Heuresaworkawa, and the fieircest of all, Xarwackinayagarpa Warr, Elka will take everyone with him. But even  Elkanaihiamahjsrankofi can't live forever too, his experiences can't be also  transfered to anyone, he is a Rihaixonare after all, their human bodies  disemboweled and clipped not to repeat, all the thousand Custodians before Elka lost 'The Taking' and their Xwrahitjxo Sakliza continues, age plays a role in the Custodian World, age not of the skin, they can still live for all eternity if they choose, they where Rihaixonared at the prime of their life. But Elka can still be killed, with one thing.... his Xwrahitjxo Sakliza. But with real love the only chance for a Custodian to continue is to free one of the Interlopers and let them take the Prisinth from him if they choose to go back. They can live inside the Harqoz body as a Mawqsayitk, and see everything.  Gorty Xovi, Heures, Xarwack Warr and thousands of the Tehulxamechons lives in Prisinthian World of The Elkanaihiamahjsrankofi, and never make any mistakes, he will take everyone and everything with him. No more second chances for the in-betweeners, the homeless, and no one ever goes back to Prisinth.

The Custodian

@simasokas
nosejob.bandcamp.com/album/plexihog
Simas Okas, hidden away in the depths of a murky swamp, is trying to create a new species - a combination of natural and synthetic, capable of adapting and thriving in the harshest conditions. He becomes subject of his own creation and is transformed . . . Chasing down a magical, mystical, non-defined apparition, like a ghost or a shadow, not necessarily evil, but certainly other-worldly. From reeds to smudge, everything's a dream. Much beauty in the swamp, if only you look...

Mastering • Carsten Dämbkes
Drawing • Gvidas Pakarklis
Boogie School Sans/Boogie School Serif • Or Type
Kupole • Studio Cryo
Graphic Design • Rick Shiver

A1 Simas Okas - Mallards

Voices From The Lake are Donato Dozzy and Neel, a duo that has redefined techno in both the live arena and the album format. Their debut full-length album for Prologue was widely heralded as a masterpiece for the way it displayed an incredible ear for sound design while painting vivid, multi-layered landscapes of slowly unfolding rhythm and texture. When playing live in serene environments like Japan's Labyrinth Festival, the pair explore experimental underwater sounds, African drumming, and minimalism while keeping the dancefloor in motion. 
 
In July of 2012, Voices From The Lake came from Rome to Brooklyn to present a special night of music at The Bunker in the back room of Public Assembly.  This was one of the greatest nights of music in the history of The Bunker.  Their tremendous six-hour set consisted of two separate live sets, and back-to-back DJ sets.  None of the music from the either of the hour-long live sets had been released, so we immediately got on them about their plans for the tracks.  We agreed on our favorite segments, and they produced live studio tracks based on those excerpts.  A few Voices From The Lake tracks have come out since the album, but this is their first full release since 2012. 

Mastered by Neel at EnissLab
Cut at Dubplates and Mastering
Pressed at Brooklyn Phono


Velo di Maya

A1 - Velo di Maya (Clip)

Buy/stream: https://kompakt.fm/releases/i_talk_to_water

I Talk To Water, the fifth album for Kompakt by Danish producer Kölsch, is the artist’s most personal statement yet. While all the trademarks that make his music so popular and powerful are still present – lush, melodic techno; swooping, trance-like figures; sensuous, shivery texturology – I Talk To Water is also a deep and intimate rapprochement with family and history, a beautiful, finely detailed document of loss and memory, and a tracing of the long, unbroken thread of grief that runs through our lives once we’ve lost those we loved.

The emotional core of I Talk To Water, then, is a cache of recordings by Kölsch’s father, Patrick Reilly, who passed away in 2003 from brain cancer. With time rendered elastic by the pandemic and its associated lockdowns, its sudden, alienating shifts in everyday living, Kölsch found himself reflecting on his father’s passing and ongoing spiritual presence, thinking about how best to memorialise such a significant figure in his own life. Those recordings opened a gateway, of sorts, for Kölsch to move through – a way to bring past and present together and entwine them in a sensitive, poetic manner.

I Talk To Water

Hands Of Time	

Kölsch - Hands Of Time

Listen to 3 Hour Version: https://youtu.be/IKuepjyVS-Q

Reach the highest spiritual vibrations with the transcendent 999 Hz frequency. Elevate your consciousness through this ambient sound bath.

Copyright © 2022 Meditative Mind®

⌘ TRACK INFO ⌘
Track: 999Hz - Crown Chakra Angelic Healing
ISRC: AUTMZ2310160
SKU: IKuepjyVS-Q
Music: Dilpreet Bhatia

999Hz | Crown Chakra Angelic Healing

Listen 3Hr Version ▶

999 Hz: Highest Spiritual Vibration | Transcendence Frequency Sound Bath

Voices From the Lake Donato Dozzy & Neel - Drop 1

Voices From the Lake Donato Dozzy & Neel - Drop 3

Voices From the Lake Donato Dozzy & Neel - Drop 4

A. Sleepless (Voices From The Lake Remix)

A brand new 30min ambient track by Moby, included as part of the 'Small Room' DJ mix on the 'Destroyed Remixed' album, out on May 1st

All Sides Gone

Last time we heard from the Growing Bin, Basso was sat at the water‘s edge, trousers rolled up, toes in the tide, savouring a Falanghina while Eleventeen Eston went with the wave. Now we move from the shoreline to the ocean shelf, led on an underwater adventure by young Parisian Shelter. Where previ- ous releases have seen the synth-obsessed Frenchman take his inspiration from Caribbean rhythms or Balearic attitudes, this marine missive sees Shelter turn to the lavish world of the library, creating his an alternate score to Jean Faurez’ 1960 documentary short.
More submersible than snorkel, our journey begins in the very dark of the deep, mystical harp trills echoing through the inky blackness, picking up the bioluminescent shimmer of an Abraliopsis Squid. Gradually we make our way into the light, cruising past shoals of silver scales and underwater forests. ‚Immersion’ offers a placid, percolating rhythm and billowing pads, providing sonic symmetry for the dancing leaves, while the spheric soundscape of ‘La Vie A L’Ombre’ bubbles away like an underwater volcano. The optimistic ambience of ‘Plenitude Azotee’, brimming with delicate melody and glistening sequences, perfectly captures the wide-eyed wonder of a reef dive, before drifting into the serenity of ‘Parade’, an aquatic acquaintance of A.R.T. Wilson’s ‘Overworld’. A brief foray into shark fin funk sees out the A-side, before we’re back amid the beauty of the ocean floor; ‘Variation Abyssale II’ echoing the album opener but with even more poetry. The exotic and otherworldly sine waves of ‘Dans La Jungle De Varech’ simultaneously sound like a rainforest canopy, alien landscape and coral microcosm, expanding our horizons nicely ahead of the adrenaline rush of ‘Hors D’Haleine’. Shelter then sets us at ease with the tidal tonality and subtle shuffle of ‘Fumeurs Noirs’, a sublime synthetic suite, then leaves us to marvel at the soft focus splendour of ‘Synthii Outro’.
This is Jules Verne by way of Vangelis, just grab your goggles and take the plunge... 
(words by Patrick Ryder)

Profondeur 4000 (GBR016)

Shelter - Dans la Jungle de Varech

Antipodean Anomalies

Rainbow Generator - City Of The Sun

"Görünmez Hava" is the first track taken from Anadol's "Uzun Havalar".

We feel honoured to release this extraordinary beautiful music on vinyl. Release date is May 17, pre-order is up: https://anadol.bandcamp.com/

Now do yourself a favour and buy this record!

Anadol (@altinkasetcilik) is a psychedelic synth folk project by Gözen Atila, a Turkish sound artist and photographer based in Berlin. Her third album Uzun Havalar is based on collective improvisations of middle eastern folk songs called „uzun hava“. They turn out as rich, atmospheric synth ballads. A diverse roster of improvising musicians creates their fascinating complexity. Anadol recorded them during extensive sessions in Istanbul. You can hear drummers laughing and playing guitars, composers howling, announcements in French and screams in no language, record collectors playing oscillators, and trumpets through spacious echoes.
Anadol represents Gözen Atila’s liberation from a rather academic approach to electronic composition which she pursued during her music technology studies in Istanbul. She calls her education the „darkness of serious music“ where she first tried to belong, then to break free with the help of lo-fi synth pop. As a producer of radio plays and an expert field recording artist, she has developed a distinct sense of timing, editing and sound design. Her Anadol project walks in the footsteps of lone synth experimentalists like Bruce Haack and The Space Lady with their childlike curiosity for electronic sounds, pushing the boundaries of minimal equipment. On Uzun Havalar she translates her experimental background into these floating folk ballads.

Uzun Havalar

Görünmez Hava

Buy LP/digital album

A1 Anadol - Görünmez Hava [Pingipung 065/KS04]

Written and recorded over a period of more than two years, “Paraphrases” is a collection of chamber music compositions performed, recorded and layered through numerous recording sessions in a small room in northern Germany near the Baltic Sea.

Christoph Berg scores the history of eight narrow worlds, carved only from wood – violin, piano and double bass. The initial composition “Quiet times at the library” defines the tone, but the album also sees many shades; the solo piece “Poems written by an old (prepared) piano”, the crow haunted field recordings of “Interlude” and reverent remixes provided by Yasuhiko Fukuzono (aus) and P Jørgensen specially for the CD edition.

The direct intimacy of the material is a stark counterpoint to the sweeping cinematic grandeur and electronic sound manipulation of previous releases as Field Rotation, and is also the logical progression from 2011 releases ‘Acoustic Tales’ and ‘And Tomorrow I Will Sleep”; the former a tribute to literature, and the latter a paean to hibernation after exhaustion. Completed in the brief escapes allowed by gaps in graduate study, “Paraphrases” is a recontextualisation of the experience of exhaustion, written in other words.

Mastered with precise weight by Ian Hawgood, the 250 run limited edition 180gm vinyl is packaged inside heavy gatefold four panel sleeves, wrapped within an A1 double-sided poster. The package also includes a double sided 12 x 12 hand numbered print along with a hand numbered embossed letter-pressed CD with fold-out booklet featuring striking photography by Aela Labbe. Extras as always will include scent, card and download code containing audio and PDFs. The album is a treasure of both talent and soul, and the extraordinary packaging from the label and considered art design by Ian Hazeldine reflects the classic nature of the material.

Release date: 30.11.12

Pre-orders this weekend through the Facture mailing list.

www.fac-ture.co.uk

Christoph Berg - Buildings At Night

Clear Path Ensemble is the neu project and brainchild of Wellington jazz and sonic arts graduate Cory Champion. Also producing left field house and techno under the name Borrowed CS, Clear Path Ensemble is Cory’s first offering to the jazz gods. Having spent many years playing drums alongside some of New Zealand’s most talented musicians in the revered Wellington jam session scene this release is an amalgamation of the energy & spirit that the Wellington scene encompasses.
Walking over the blurred lines of psychedelia and spiritual jazz and taking cues from planetary rhythms and celestial oddities, CPE invokes a higher sense of self through the transformative power of sound. In it’s truest essence these are a collection of cosmic compositions and a release that in our opinion is one of the heaviest to ever emerge from the New Zealand neo-jazz scene.

Clear Path Ensemble

Clear Path Ensemble - Inner Space

Taken from Storytelling #1 - Reminiscences Of Inner Scenery [HOROEX34]
Limited cassette and digital - https://horo.lnk.to/horoex34

https://www.facebook.com/lemnamusic/
https://soundcloud.com/lemnamusic

Lemna - Spring Night With A Hazy Crescent Moon

Horo