From the album The Consistent Brutal Bullshit Gong out April 29, 2022 on Western Vinyl.
Pre-order / Listen: https://lnk.to/XHoJYpp2

On their debut for Western Vinyl, recording engineer and multi-instrumentalist Nate Mendelsohn and his band use lyrical maximalism for the powers of good. Where Market’s previous home recorded releases shifted genre restlessly, on The Consistent Brutal Bullshit Gong Mendelsohn took a core band of longtime collaborators to a house in rural Massachusetts where they carved out space for his words to speak through with humor and intensity. 

Though he comes from a background in experimental music, Mendelsohn’s ear for pop has prevailed. Certain moments on Bullshit Gong reveal his stranger side, as on the thundering bridge of “Scar,” which sounds like a more unhinged Parquet Courts, or the angular  “I Would Do That,” which takes cues from Cate Le Bon. On the whole, though, this band of close friends insists on directness, their arrangements clear despite the intricacies. Guitars and synthesizers tangle fluidly atop the rhythm section’s tight bedrock, evoking the tenderness and backbeat-centric qualities of Elliott Smith or Big Thief. 

After college, where he met most of the members of Market, Mendelsohn became an engineer and producer at the Brooklyn studio Figure 8 Recording. Through that community he’s recorded artists like Frankie Cosmos and Wendy Eisenberg, and played with Yaeji, Vagabon, Katie Von Schleicher (who co-produced Bullshit Gong with him), and Sam Evian, who mixed the album. 

While writing Bullshit Gong, Mendelsohn grappled with long-gestating OCD, watched a formative relationship dissolve, and experienced a mental health crisis that lasted a full year. During this turbulent time, Mendelsohn began to consider the ways he has approached friendship, partnership, and especially family. Those observations and partial conclusions make their way into the songs in an essential capacity, as he mixes the small with the very big on a dogged search for empathy. On “Control” he sings “I heard a kid ask a teacher today / ‘What is a memory?’ / Man, sometimes life is great / At 4:15 I was awake and a mess / My mind’s a broke machine.” 

The words flow in much the same way as Mendelsohn’s thoughts, with observation and memory giving way to moments of profound anxiety. This emotional heft is met in crucial ways by his band. On the tender “Watergate,” a love song set against both the Watergate scandal and James Comey’s senate testimony, the arrangement is simple and trusting, adding depth and intimacy to each word as he compares his life, love, and temperament to that of his parents. 

While recording “Old,” the band sat around an omnidirectional microphone shaking percussion instruments and singing out certain lines. In the background, you can hear Mendelsohn pick up his clarinet and eke out a few notes, a spontaneous act of playfulness that made the final cut. These tonal shifts matter deeply, as the words he sings could be interpreted differently in a darker setting: “Half of these feelings aren’t my feelings anymore / But I guess I could still enjoy the notes and chords / Maybe that’s just the way it goes / We always sing about things that are old.”

Creating intimacy out of manic self-reflection requires a delicate balancing act, one Mendelsohn tackles with abandon. His words never skew too poetic or grandiose, and when he invokes the ugly it’s met with a sonic tonality that sets him right again. In tender moments, his voice is often flanked by bandmates Natasha Thweatt or Von Schleicher, who help skew his words toward the universal. Still, Bullshit Gong is an obsessive look inward, one in which Mendelsohn simply asks himself if he is good to those he loves. It’s an act of trust between the artist and the imagined listener he takes with him.

The Consistent Brutal Bullshit Gong

Market - "Scar"

Check out Skence's newest track: "Babi Guling" !
His EP "Mayestic Park" is also available on all streaming platforms !
Listen/Download the EP :  https://lnk.to/skence-mayesticpark

Follow Skence: 
@skence
https://www.instagram.com/skence
https://www.facebook.com/skencema

Follow Nowadays Records:
@nowadays-records
www.nowadaysrecords.com
www.instagram.com/nowadaysrecords
www.facebook.com/nowadaysrecords
www.twitter.com/nowadaysrecords

#NWDS

Listen/Download

Skence - Babi Guling

No One Ever Tells You

"Lilac in Hand" appears on Love, out now. 

LP/CD: http://www.sacredbonesrecords.com/products/sbr113-amen-dunes-love
iTunes: https://itunes.apple.com/us/album/love/id820487768?ign-mpt=uo%3D4

Facebook: https://www.facebook.com/amendunes/
Bandcamp: https://amendunes.bandcamp.com/
Instagram: https://www.instagram.com/amendunes/?hl=en
Twitter: https://twitter.com/amendunes

Tourdates: https://www.facebook.com/amendunes/app/123966167614127/


iTunes

Amen Dunes - Lilac In Hand

Line In The Sand

Line In The Sand (Alt Mix) [feat. Goddess]

O Yinne!

A Lemine Me

White Noise Sound - Sunset

Now we can heal

"Under The Blood Red Moon" explores the transformative power of the night, a time when hidden desires emerge and inner selves are revealed. It's a song about shedding inhibitions, embracing the unknown, and surrendering to the primal forces that lie dormant within us. It's a journey of self-discovery guided by the eerie glow of the blood red moon.

Under The Blood Red Moon.mp3

„Reinfressen“ ist einer der rohesten Songs des Albums.
Hier sprichst du aus, was jahrelang unausgesprochen geblieben ist:
Dass du Dinge geschluckt hast,
statt sie rauszulassen.
Dass du Erwartungen, Sätze, Druck, Angst, Nähe und Einsamkeit
in dich reingepresst hast,
bis der Körper nicht mehr konnte.

Der Song ist keine Anklage
und kein Rückblick voller Wut.
Es ist die Erkenntnis:
„Ich hab mich selbst gefüllt mit Dingen,
die mich klein gemacht haben.
Und ich will das nicht mehr.“

„Reinfressen“ legt offen,
wo alte Lasten herkommen
– und dass sie im Körper bleiben,
wenn man sie nicht ans Licht holt.

Ein schwerer, ehrlicher, moderner Rocksong
mit klarer Haltung
und einer ersten bewussten Entscheidung:

Es muss anders werden.
Und es beginnt bei mir.

Reinfressen

From all of us at Studio Barnhus: Merry Xmas!!! 

Please accept this humble musical gift and please, take care of each other - during these holidays and forever!

HNNY - Boy / KOKO - Yob is out on white label early next year. As are Studio Barnhus releases from USIO, Lukas Nystrand, Boska/Pedrodollar and Baba Stiltz.

KOKO = @Kornel

KOKO - Yob (Xmas Dub) - Studio Barnhus Xmas Special 2012 - Free Download!

This is the Soundcloud account for Hot Chip feautring DJ mixes & podcasts from the band as well as exclusive tracks, remixes, edits and assorted bits and bobs whenever we get around to uploading them. 