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Today we have an exclusive freebie for you from Ben Gomori. His version to Marvin's amazing 'Inner City Blues' rebuilds some unmistakable vocals into a darker composition using them as an instrument, like you would a set of keys. It's less of a remix and more of an original sampling familiar moments. Support from Death On The Balcony, Droog, Shir Khan, Ralph Myerz and Melon.

Check out Ben's latest on Nurvous' new SAM Records Extended Play II compilation: http://www.beatport.com/track/hupendi-muziki-wangu-you-dont-like-my-music-ben-gomoris-blue-lotus-edit/5491660 

Deep House , Disco

Marvin Gaye - Inner City Blues (Ben Gomori's Chuggy Pug Edit)

Never Gonna Reach Me(Hot Toddy mix)-Crazy P

[Masterworks Music] Looks like Love [low quality]

Heavy Bassline - Original Trinity Mix - by Ryan Hattaway

Apologies for the extended leave of absence. Bad health has clipped my musical wings a tad in 2015. Anyway, really proud to finally be able to give this a public airing, I'll let the promo blurb say the rest.

"Leftside Wobble delivers an absolute monster that has been doing some serious damage with the few jocks who have fandangled a copy. Bill Brewster dropped it in his closing Wildlife set and Chris Duckenfield has been pressing the launch button. We’re talking a warehouse vibe with an arp riffed bass, plenty of reverb and the filtered, plaintive vocal giving it that emotional depth that all the best house music has. Make no mistake, this is one heavy remix."

Due out very soon, with excellent remixes from Peza, Sleazy McQueen, and Fingerman on the package (as well as the glorious original).

Leon Sweet - Sunny Bigler (Leftside Wobble Remix)

Bandcamp : 
https://clipez.bandcamp.com/track/could-heaven-ever-be-like-this-clipez-re-edit

Idris Muhammad - Could Heaven Ever Be Like This (CLIPEZ Re-Edit)

Shir Khan and the illusive Exploited crew reveal the first compilation of the cultishly adored Black Jukebox series. It includes the sunniest grooves you’ve heard this year. ’Shir Khan Presents Black Jukebox Disco Jam 01’ is a soundsystem-ready disco-house jam which tickles the subwoofers beautifully and seems purpose built for eyes-wide-shut Summer terrace play in big outdoor spaces. Black Jukebox is traversing the wide spectrum of ‘dancefloor’ music.  There’s much to excite: All four tracks are built for rooftop parties with the deep V crew.
From slo-mo housed up boogie-soul, to a loft-party future classic, to a feel-good, sun-blushed, druggy, late night electric jam, to main room filtered disco house and subbass-bugged R&B…it’s all there.  It’s no wonder the Black Jukebox Vinyl series became buy-on-sight and quick to disappear. Launched in late 2011 by Shir Khan, Black Jukebox was mainly focussed on Vinyl Releases. 13 Releases later, this is the first compilation which sums up some of the best moments and features 3 tracks that were digitally never available before. 
Black Jukebox Releases have put a smile on the face of various tastemakers such as Wolf&Lamb, Soul Clap, Tim Sweeney, Optimo, Axel Boman, Gerd Janson, Disclosure, Danny Krivit, Ewan Pearson, David August, Jesse Rose, Tiefschwarz, Matthew Dear, A-Trak, Huxley, Oliver $, Wareika, RubnTug, ND Baumecker, Acid Pauli, James Friedman, Mano Le Tough, Solomun, H.O.S.H., Daniel Bortz, Dyed Soundorom, Erol Alkan, Totally Enormous Extinct Dinosaurs, Deetron, Skream, Seth Troxler, Re.You, Keinemusik, Noir, Miss Kittin, Joakim, Munk, DJ Yoda, Hot Since 82, Pete Tong, Claptone, Karmon, Azari & III, Friendly Fires, Jazzanova, Drop Out Orchestra, El Txef, Maya Jane Coles, Till Von Sein, The Rapture, Peter Kruder, Arthur Baker, Miguel Campbell, Phil Weeks, Lee Foss, Maxxi Soundsystem, Luke Solomon, Mark Farina, Terranova, Pen Pearce, Acid Washed. 

Artist: Various Artists
Release: Shir Khan Presents Black Jukebox Disco Jam 01
Label: Exploited
Published by Exploited Ghetto Music Publishing
LC: 15799
Cat: BJDISCO01
Releasedate: 02.11.15

Shir Khan Presents Black Jukebox Disco Jam 01

Addict For Your Love

Death On The Balcony - Addict For Your Love | Exploited

No Dilemma

Patryk Molinari - No Dilemma | Exploited

Following on from 2008’s critically acclaimed Stop, Space, Return, Crazy P return for their fifth studio album When We On, released September 27th through Smoke N´Mirrors (North America).

Alongside the wealth of brilliant remixes they have served up recently, When We On shows how far Crazy P have come since 2008. Whether it’s the anthemic ‘Beatbox’, with its freeform acapella work, grinding Prince—style guitar and haunting strings, the reflective ‘Eruption’, driven on by a rave piano figure and lead singer Danielle Moore’s plaintive cry of “Let me be the one you run to” or, at the other end of the scale, the Detroit techno-esque ‘Sonar’, with its increasingly frenetic payoff, this is an album packed full of potential singles. They might be crazy, but they sure know where the tunes are located.

“With Stop Space Return we wrote the majority of that as a band,” explains Jim Baron. “For this, we decided to strip it back to me and Toddy (Chris Todd. Guitar/Keys) writing with Danielle. We gave Danielle the Loop Station and she’s really taken to it. You can layer vocals, you can hear harmonies immediately, so she can jam along with us now. It shaped a lot of the vocal sound for the album. There’s a tune called ‘We Can Only Be Who Are’ which has big vocal layering, and there’s a lot of that. It’s probably a bit more… grown-up.” 

Chris expands on the theme: “We had quite a big year last year for lots of different reasons and we had difficulties too and I think a lot of the writing came out of that. It’s a little bit more reflective and thoughtful than previous albums.” 

For Danielle, it’s been a revelation in the way they work. “It was back to basics,” she says. “I’d have a go on the keyboards using two fingers or I’d have a go on the drum machine. It was like being at school or in a huge sandpit where you’ve been given loads of buckets to muck about with. We had a loop station as well which I’ve always been nervous of and this time it was like right let me have a go of this and it allowed me to record my vocals.”

For Danielle, the album narrative is the camaraderie between its protagonists. “Their friendship came through in creating this album. The way we worked created a lot of intimacy between us and a definite warmth to the album.” 

Despite the suggestions of melancholy from the band, and they certainly know how to emote when the moment’s right, they haven’t forgotten how to party. “We’re open for service, we’re open for love,” sings Danielle. Crazy, but true. 

Never Gonna Reach Me(Hot Toddy mix)-Crazy P

hot toddy