ML'S

EDITING BY ERSIN GULTEKIN (DIGY)

http://www.myspace.com/digylectra 
http://www.facebook.com/digylectra (personal) 
http://www.facebook.com/pages/DIGYLECTRA-SoundprojectS/24186069771?v=box_3&ref=ts


DIGYLECTRA - BACHELORETTE (BJORK)

Out on iTunes: http://bit.ly/IHf9Bn

For all fans of the show, Armin now made a selection of Future Favourite picks, coming together on the 'Best of 2013' compilation. Including tunes by Andain, Solarstone, Dash Berlin, Ahmed Romel, W&W, Alexandre Bergheau, Wach, Aly & Fila, Alex M.O.R.P.H., Afternova and many more!

Armin van Buuren - A State Of Trance (Future Favorite - Best Of 2013)

Memories

Hior Chronik - Stop Drawing The Fear

Out on Beatport: http://bit.ly/EIFORYA_BP

EIFORYA is featured on A State Of Trance 2014 and now available as Instant Gratification on iTunes!
 
Pre-order on iTunes: smarturl.it/asot2014
Pre-order 2CD at ArmadaShop.com: bit.ly/ASOT2014_CD

Available March 28th.

To Armin van Buuren, the sound of music has become a natural high, a sanctuary, and the stimulus in life. With each year of his career passing, his role in electronic dance music has become more important. If anything, he inspires music lovers with his weekly radio show. Based on that show, is the annual compilation series, loved and anticipated by fans, music lovers and dance addicts. So here it is, A State of Trance 2014, mixed and compiled by no one less than Armin van Buuren.

2014 is going to be a year to remember for the Dutch DJ and his fans. Within the course of 6 weeks, he’ll celebrate the 650th episode of the A State of Trance radio show with no less than 9 events in cities all across the globe. Broadcast live, these celebrations reach out to millions of listeners. Next to that, Armin also hosts his ‘Armin Only – Intense’ world tour this year, with more than 20 dates in cities such as New York, Sydney, Johannesburg, Moscow and more. Next to touring the world, Armin also spends a great deal of time on the weekly A State of Trance radio show. Going strong for nearly 13 years, it was and still is one of the driving forces in his career. So is the award-winning A State of Trance compilation series.

A State of Trance 2014 features a great deal of brand new tracks, exclusive productions and remixes, mixed in only the way Armin van Buuren can. Setting forth the ‘On The Beach’ and ‘In The Club’ themes, Armin features a collab with Andrew Rayel, a brand new Gaia and tracks by Aly & Fila, Andrew Bayer, Gareth Emery, Protoculture, MarLo, Inge Bergmann, Allen Watts, Alexander Popov and many more. New found jewels of renowned names, brilliant discoveries by talents on the rise, you’ll find all of 2014 essentials in trance right on these two mixes. This is 2014, etched into music.

CD 1 On The Beach

01 Adam Szabo & Willem de Roo – Medusa (Intro Mix)
02 Tommy Johnson feat. Nanje Nowack – Burn The Sun
03 Alex M.O.R.P.H. feat. Natalie Gioia – My Heaven
04 Dart Rayne & Yura Moonlight – Athena
05 Andrew Bayer – Once Lydian
06 Aly & Fila feat. Jaren – End Of The Road (Hazem Beltagui Remix)
07 Bogdan Vix & Renee Stahl – Forever
08 Fabio XB & Liuck feat. Christina Novelli – Back To You (Wach Remix)
09 Andrew Rayel feat. Alexandra Badoi – Goodbye
10 MaRLo feat. Jano – Haunted
11 Soarsweep – Between Empires
12 Craig Connelly – Decibels
13 Gareth Emery feat. Bo Bruce – U (Bryan Kearney Remix)
14 Protoculture – Music Is More Than Mathematics
15 Max Graham vs Maarten de Jong – Lekker
16 Markus Schulz – Destino
17 RAM & Susana – RAMelia (Tribute To Amelia)

CD 2 In The Club

01 Armin van Buuren & Andrew Rayel – EIFORYA (Intro Mix)
02 Ørjan Nilsen – The Late Anthem (Way Too Late Mix)
03 Alexander Popov – Quantum
04 Eximinds – Phoenix
05 Gaia – Empire Of Hearts
06 RAM – Kingdom Of Dreams
07 Type 41 – Mythology (Dimension Remix)
08 MaRLo – Visions
09 Inge Bergmann – Oblivion
10 Wach – Carthage
11 Jorn van Deynhoven – New Horizons (A State Of Trance 650 Anthem)
12 Dart Rayne & Yura Moonlight and Katty Heath – Stole The Sun (Allen & Envy Remix)
13 Simon O’Shine & Adam Navel – Marathon (Simon O’Shine Remix)
14 Allen Watts – Blackout
15 James Dymond – Siren’s Song
16 John Askew – Shine
17 Armin van Buuren – Save My Night (Allen Watts Remix)
18 Armin van Buuren – Ping Pong

Connect with Armada Music:
https://soundcloud.com/armadamusic

EIFORYA

EIFORYA (Original Mix)

Download

Format: CD, LP, Download | Releasedate: 05.09.2014

TRACKLISTING CD:

01.	So-Called Lover
02.	Care
03.	Oedland 
04.	You
05.	Jungholz
06.	Masquerade
07.	Walk On
08.	Dance To The Mallet feat. Lisa Bassenge
09.	Ein Engel Verschwand
10.	Dawning
11.	Gone
12.	Selfie

iTunes: geni.us/KasariTunes
Amazon: geni.us/KasarAMAZON

Arnold Kasar is a musical jack of all trades: in countless projects around the Berlin based label Sonar Kollektiv, the musician grown in the southern area of the picturesque Black Forest left his traces, among them Nylon, AtomHockey or with Volksbühne-player and latest Internet-Hype Friedrich Liechtenstein („Supergeil“). 
However, the trained sound-engineer is also capable of going solo, as he proved with his solo debut „The Piano Has Been Smoking“ in 2012. Now he returned to his first instrument and his timing couldn't be better, since the piano returned to new strength in the music world, as the numerous releases of pianists in the past few years have shown.

„I really hope that the timing is good, but I can't influence it. At last I do it for my own. When I started doing music as Kasar back in 2010, I just didn't know Nils Frahm or Brandt Brauer Frick. All these people weren't on the spot by then. I listened to Gonzales and of course Hauschka and Craig Armstrong were there, too. Yann Tiersen was totally famous at that time“, the pianist explains his view on his colleagues when he started making music by himself. But, with releasing his second album „Walk On“ at this point, he didn't intend to flirt with a hype. The piano, which has accompanied Arnold Kasar from his childhood on, always just fell out of the recordings in the past. Due to this enduring relationship to his first instrument he got bored of it. Instead, he preferred to dedicate himself to sample-based electronic music with his friend Friedrich Liechtenstein or making Nu Jazz in several musical projects around the world-famous Berlin based Sonar Kollektiv (home to Jazzanova, The Black Seeds or Solomun). But sooner or later the piano had to return to the centre of attention.

That was in 2010: at that point the work on the new LP „The Piano Has Been Smoking“ had started, being released in 2012 and fully concentrating around the piano. By then Kasar already used the technique of the prepared piano, which once was introduced by John Cage and nowadays is excessively used by Hauschka, among others. For this Kasar used erasers, tea bags or patches to manipulate the sound of the piano and to bring out unheard and exciting tones of his instrument. Only one song, the designated single „Put A Light On Me“, was supposed to have a vocal track, but after he didn't find the right voice for it, he simply sang it himself. Like this, for the first time the world got to hear the dark and melancholic timbre of Arnold Kasar. The desired airplay (i.a. Austrian „FM4“ or Berlin's „RBB RadioEins“) was achieved easily and from that moment on Kasar was delighted by the idea of singing on his own productions, since he had closed the chapter of producing an album on a prepared piano anyway. For this reason the comparison with an artist such as Hauschka, who made this technique the concept of his own creative work, is merely adequate. Kasar rather walks on, restless and always willing to try something new.

But this doesn't mean that he has to quit it completely: also on „Walk On“ one finds a few pieces with the support of the prepared piano, but this time the singing is clearly in the foreground. Like this, the whole vibe of the record changes: „I'd say the last record was way more a city record“ referring to the by then used techno-elements, for example, „and the new one is a record for the countryside.“, especially inspired by Arthur Russell's most intimate album „World Of Echo“. On this record the composer who rose to cult status in the past years leaves the disco era behind him and presents a fragile artist using voice, cello and a lot of reverb only: „A song like „So Called Lover“ mainly emerged from Arthur Russell listening sessions“, Kasar tells full of admiration for the musician who died of AIDS in 1992.

Other role models are surprising as well as comprehensible: „I like singers like the early Manfred Krug a lot, this warm and tender voice – of course, in German, but the way he sang – or Japan's singer David Sylvian, those were the things I acted on. Much songwriting-inspiration came from Wilco, Nick Drake, Aimée Mann or also Bill Callahan.

But how Kasar came to the definition „countryside record“ is a story of its own: „It is way more singing this time, that's a huge leap, it's much less electronics and there's more space. It's less town and much more landscape and for me it really is this countryside record. „Jungholz“ for example is the name of a village in the southern Black Forest, „Ödland“ is the name of the highest mountain in that area and „Ein Engel Verschwand“ is an adaptation of another village's name there called „Engelschwand“. „So Called Lover“ takes place in „a shady town in the shore“, which in a way is a reference to the Rhine, which could be the mentioned river, and this „whipping willow“, all these are things coming out of my memories, since I originate from that area. It's not autobiographic but I simply imagined how it was back then, sitting under the willow by the river. Partly I recorded the songs right there: „Ein Engel Verschwand“, „Jungholz“ and „Ödland“ and nearly all playbacks were recorded on the piano on which I practiced when I was a child. I always hated it to play this piano: a Hohner, awful sound, but once you used the felt pedal it got such an odd sound, really strange – that's not the sound of a great Steinway, but small and odd.“ So all of this isn't supposed to be autobiographic but without all these experiences Kasar gained in the depths of the southern Black Forest, „Walk On“ probably would never have come into being.

The song that gave the album its title was the first Kasar had written for „Walk On“, right after the release of his debut record. At this stage the theatre art graduate was in a downright stream of composing. Many songs were quickly outlined, however he took ages to get to the finished product. The production phase lasted – with interruptions – from spring 2012 to fall 2013. And since February this year the record is waiting to be thrown onto the market, but haste makes waste. Songs like those you find on „Walk On“, where the piano sounds like raindrops rolling down the scale, while there's an electronic tempest in the background („Ödland“), or which are so fragile they bring tears to your eyes („Care“) simply have to be released in the dying season.

But who thinks that everything on this album is melancholic and sad is proven wrong by „Dawning“, which isn't at all like the rest of the LP: with a jagged new wave beat, a sexy 80s sounding sax and an optimistic chorus, Kasar also shows his up-tempo side and gives some unmissable signs towards radio airplay.

A whole lot slower is the collaboration with long-time friend Lisa Bassenge, singer of Nu Jazz outfit Micatone and Kasar's colleague at Nylon. Together they sing the hypnotic „Dance To The Mallet“, which starts off jazzy, but also offers itself – with its electronic substructure – as a huge playground for remixers. However, the way this liaison came up is rather unspectacular: „One time we went out for dinner and I told her about the album I was working on and there she immediately offered her help if I needed some. So a few months later I called her and played the song to her and she instantly liked it. She wrote the lyrics to it and then we quickly recorded it in one take. Her musical director Paul Kleber is also involved in the song „You“ and Sebastian Borkowski from Jazzanova plays sax in another song. So it's sort of all around the Sonar Kollektiv and Micatone”. It stays all in the family.

www.kasarmusic.de | www.sonarkollektiv.com

Walk On

Oedland

iTunes

Kasar - Oedland

"first love" prod.jreampierre

From the album 'Music For Falling From Trees' by Peter Broderick released in 2009 on Western Vinyl.  Available soon as a limited edition 180 gram 45 rpm vinyl EP.

Vinyl:http://westernvinyl.com/shop/wv62
iTunes: https://itunes.apple.com/us/album/music-for-falling-from-trees/id377393049

Artist Page: http://westernvinyl.com/artists/peter-broderick
Website: http://www.peterbroderick.net/


2009’s Music for Falling From Trees, a 30-minute piece in seven sections, was created for a contemporary dance by London-based choreographer Adrienne Hart at Neon Dance. Adrienne was looking for a score of piano and strings, so Peter left the guitar and his voice aside and focused entirely on those two timbres.

The dance tells the story of a man in a psychiatric hospital, and his struggle to maintain his identity. The music is sometimes melancholic, sometimes playful, sometimes chaotic, but with the combination of piano and strings, full of beauty, reverence and awe.

“In late 2008, Adrienne Hart contacted me about scoring her new work, Falling From Trees. In Adrienne's words, ‘the piece is set in a psychiatric hospital and centered around one man's struggle to retain his identity in the most extreme of circumstances.’ There are four dancers in the piece. One male playing the patient, and three female hospital workers.

I had been making music for a variety of film projects, but the thought of scoring a dance was very exciting to me. I was on tour at the time, so I wasn't able to start writing the music until I had a break in early January. The dance premiered on January 21st, so I had about three weeks to create the score. I camped out up in the top of my father's barn with some minimal recording equipment, my violin and viola, and an old broken piano.

Given the time constraints, I approached the music in a very open way. Rather than sit down and try to compose something, I just set up a microphone and started playing. After coming up with a couple of themes on the piano, I started recording, using those small themes and improvising around them. Most of the sections have a small core that is composed, and then the rest is improvised. Luckily for me this method seemed to work. I would work all day and then send a sketch over to Adrienne, and every time her response was positive. So in this way we worked very well together. I give my hugest thanks to Adrienne for trusting me to create the music for her wonderful work.

Adrienne told me from the beginning she was looking for a score of piano and strings. So I decided to take this literally and make a rule not to use any other instruments. In the script it called for the sound of a ticking clock. I made this sound by tapping on the body of the violin with my fingernails. The sound of an electric shock given to the patient is depicted by a quick, distorted piano chord. And all other droning and bass tones were made by extending and processing violin and/or piano tones, etc. Thank you very much for listening.” – Peter Broderick, March 2009

Peter Broderick - "The Dream"

More info: https://www.xlr8r.com/news/2016/05/premiere-hear-a-new-track-from-johann-johannsson/

@johannjohannsson

More info

Premiere: Johann Johannsson - They Being Dead Yet Speaketh (Live)

Artist: Eluvium
Title: Rorschach Pavan
Album: False Readings On
Release Date: September 2, 2016

Order: store.temporaryresidence.com/products/trr265

Cognitive dissonance is, at this point, an everyday part of modern society. The difference between belief and reality is blurrier than ever, and there is often sufficient manipulation to both so as to make the distinction intentionally unclear. The source of those manipulations can either be external, or deceptively internal.

False Readings On is the new album from renowned experimental composer, Eluvium. Its creation was originally inspired by themes of cognitive dissonance in modern society. By its conclusion it had become a mirror rather than a magnifying glass, evolving into an hour-long meditation on self-doubt, anxiety, and separation from one's self.

There is an emotional lucidity and melodic ingenuity to Eluvium's music that has made him increasingly stand out from the sea of ambient artists that his earlier albums no doubt helped inspire. Sounding like an orchestra ceaselessly performing even as it sinks beneath an ocean of distortions and tape noise – with the occasional operatic voice piercing the surface – False Readings On is assuredly the most daring, dynamic, and distinct album of his luminous career.

TRACK LISTING
1. Strangeworks
2. Fugue State
3. Drowning Tone
4. Regenerative Being
5. Washer Logistics
6. Movie Night Revisited
7. Beyond The Moon For Someone In Reverse
8. False Readings On
9. Rorschach Pavan
10. Individuation
11. Posturing Through Metaphysical Collapse

© 2016 Temporary Residence Ltd.

False Readings On

Eluvium – Rorschach Pavan

Oi Va Voi — Every Time

"Lamentation" by The White Birch is taken from the highly rated feature film "Oslo, August 31st" made by Joachim Trier.
"Lamentation" will also appear on The White Birch next album, however in a different version.

Lamentation ("Oslo, 31. august" version)

Amber Opening

Dmitry Evgrafov returns with his fourth career album. His most accomplished work to date, ‘Surrender’ is a broad and dramatic record that expands the Moscow-based artist’s palette and reaches beyond the usual post-classical range. Revealing an ambitious scope across the twelve-track span, it is bold in conception and beautifully recorded. With Dmitry playing piano, marimba, xylophone, glockenspiel, bass guitar and synths and including sessions with an eight-piece string orchestra, a drummer and contributions from several instrumentalist peers, ‘Surrender’ was mixed and mastered by Martyn Heyne at Lichte Studio in Berlin.

** 'Surrender' will be released on July 31st on digital formats, with a limited edition vinyl issue (500 copies) released on August 28th. Anyone preordering the vinyl through the FatCat webstore or Bandcamp will receive a full download of the album on its release date.

Surrender

pre-order

Dmitry Evgrafov - Sparkle


http://www.blackchambermusic.com/
Black Chamber is:

      Brian McCauley – drums
      Chris Gustafson – upright bass
      David Binnig – trumpet and samples

The band filters the sounds of classic post-bop jazz through their own post-rock, post-hip-hop musical experiences, blending live improvisation with scratchy samples. With no traditional chordal instrument, the group focuses on deep rhythms, expansive melodies, and atmospheric textures, while using electronic processing to expand the harmonic possibilities of the trumpet. 

Black Chamber-Other Days

Listen on Spotify: http://open.spotify.com/album/7a3lY1SJc0w56OXyCBFNWK
iTunes: http://bit.ly/12pEwMe 
CD / LP: http://bit.ly/ZI5pcH 

http://www.snowghosts.net https://www.facebook.com/SnowGhosts https://twitter.com/snow_ghosts
http://www.houndstoothlabel.com https://www.facebook.com/HoundstoothLBL https://twitter.com/houndstoothlbl 

Buy from iTunes

Snow Ghosts - Secret Garden

UK record label based at fabric, East London. Run in part by Rob Booth (Electronic Explorations)

Snow Ghosts - Secret Garden

Houndstooth

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