great sounds! must be listened with a certain loudness, then it is fantastic!

from 'Heavy Light' [CD|LP|DIGITAL]
Denovali Records · den368
available on all formats at denovali.com/orsonhentschel

Three years after his last studio album, Orson Hentschel returns with a multi-outputted visual album. Heavy Light, the title of his fourth album project, consists of three parts - a 3-channel film installation, a visual live-performance and the album itself. Hentschel expands the format of the conventional album to an audiovisual experience by merging elements of film, dance and music in a synthesis of arts. The project evolved in the time of Corona, which first affected him visually when the city (Berlin) turned into a ghost town during the first lockdown. Light became the most vibrant element in the city, which influenced both picture and sound. Metallic, sometimes harsh and electrifying, surroundings of the urban life are landscaped into eclectic pulses.

Heavy Light

Antenna Window

Orson Hentschel - Antenna Window

This is an excerpt of the concert I made in London with Alessio Natalizia's Not Waving and Pye Corner Audio.

The original version of this piece can be found here:
https://abulmogard.bandcamp.com/album/abul-mogard

The Purpose Of Peace - Live in London 17 July 2014

We are happy to present two pieces of ambient music, and two artists already seen on our page.

two songs to transport us to all sides of the mountain, day and night, to feel in the place we like.

Artists:
Inner / Yenaldooshi

NAIND AR-31 A2 Yeenaldooshi - Spiritsgrief

Pre-Order from the fabric website:         http://www.fabriclondon.com/store/save-fabric.html 
Pre-Order from Bandcamp: http://found.ee/savefabric-BC

artist: Various
title: #savefabric
label: fabric Records & Houndstooth
date: 4th November 2016
cat.#: FABHTH001
format: 111 track - Digital Compilation

The closure of fabric has seen a reaction that has been completely humbling and overwhelming to all of us on the team here, from over 150,000 signing a petition of support to raising in excess of £300,000 in donations to help our legal fight. 

Support has come from every corner of the industry, with fundraising events at a number of different venues being held up and down the UK. This response perfectly encapsulates everything the electronic music community represents.

Both fabric Records and our artist led label Houndstooth decided a release that embodies this spirit would be a further powerful way to demonstrate the collective power of our community. We asked artists associated with both labels to donate a track to the cause, needing to act fast we gave a deadline of just 3 weeks in total, from inception to final master. The brief was simple, we asked for a previously unreleased track, either brand new or an alternative version of an old classic.

The response has been far greater than we could have ever anticipated, with an array of amazing artists delivering stunning tracks. Given this generosity every track that has been submitted is featured on the release, meaning an incredible 111 tracks make up the final running order, presented in alphabetical order.

Due to touring and time constraints many more artists could and would have like to have been involved, and we can’t give enough thanks to all the labels that have generously allowed their artists to contribute.

In the era of the playlist, this compilation represents a comprehensive overview of electronic music from the outer fringes of experimental explorations right through to music aimed squarely at the dancefloor.

Ahead of the court date which will determine the long term future of fabric nightclub we’d like to present this compilation as a document of this moment in time but also as the perfect embodiment of everything fabric is and stands for.

FABHTH001. ℗ & © 2016 fabric Records / Houndstooth. The copyright in this sound recording and artwork is owned by fabric Records.

Abul Mogard - Patterns Of Our Own Times [#savefabric]

Sublime escape in ambient territory by https://soundcloud.com/abul-mogard

Taken from Versus Remixes vol2 out May 4th 
http://www.infine-music.com/news/3099/carl-craig-versus-get-remixed

Check out the other remixes : https://soundcloud.com/infine-music/sets/carl-craig-versus-remixes

Carl Craig

Carl Craig - At Les (Abul Mogard Remix)

excerpt from a live tape loop, percussion, guitar + modular synth performance at S1, Portland.

180812

Remix album for Warmth's latest work 'Parallel'. Including remixes by Shuta Yasukochi, Warmth, Pepo Galán, Purl, The Green Kingdom, David Cordero, Powlos and SVLBRD.

Written and Produced by Agus Mena
Remixes by Shuta Yasukochi, Warmth, Pepo Galán, Purl, The Green Kingdom, David Cordero, Powlos and SVLBRD.
Mastering by Taylor Deupree
Photography by Alexander Kopatz
www.go70north.com
Archives52 // ArchivesCD33
Archives / 2019

parallel remixes

Buy CD/Digital

Warmth - Saros (SVLBRD Remix)

~ blip Vol.6 ~

01000111

Having recently signed to FatCat’s 130701 imprint, and following closely on from Deutsche Gramophon’s release of Jóhann Jóhannsson’s ‘Last and First Men’ project which Yair co-composed, Yair Elazar Glotman & Mats Erlandsson’s sophomore album ‘Emanate’ is a powerful and stunningly executed extended duration work that utilises a fantastic ensemble cast and continues to explore their ideas of a 'displaced sound’ - combining electronic and acoustic sound sources through both analogue and digital means to create an ambiguous composite work, a music that sounds neither clearly electronic or acoustic, existing instead in some in-between space.

In many ways, the idea of a longform music is unsuited to and out of phase with our times. And yet, there is recent evidence of a reaction against this – witness the rise of the practise of mindfulness and the cultural elements of a ‘slow living’ movement; the huge success of Max Richter’s marathon 'Sleep’ project; and the emergence of an expansive musical niche that draws from drone, electroacoustic and classical traditions and prioritises a more immersive, durational sound worlds - see artists like Kali Malone, Ellen Arkbro, Clarice Jensen, Abul Mogard, William Basinski, Claire M Singer, and labels like Longform Editions and XKatedral. Music here is intended to function not as ambient backdrop to other activities but as a deep listening, intensive immersion.

Aligned with these approaches, Glotman & Erlandsson’s work is suffused with a chromatic density and a tendency towards an edgy darkness that puts it closer to Hildur Guðnadóttir’s ‘Chernobyl’ score or Jóhannsson’s ‘The Miner’s Hymns’. It shares that same brassy, bass heavy weight and glowering, simmering sense of tension as well as a similar, sliding feeling of instability. Its authors cite the influence of  Renaissance vocal polyphony; Giacinto Scelsi’s ‘Pranam II’; György Ligeti’s 1967 piece ‘Lontano’ (heard on the soundtrack to Kubrick’s ‘The Shining’ and Scorcese’s ‘Shutter Island’); as well as American composer Ingram Marshall, and Iceland’s Valgier Sigurdsson. Gorgeously recorded, beautifully focused and measured throughout, ‘Emanate’ is a texturally rich, deep spectrum exploration that flows and unfolds almost seamlessly throughout its fifty-minute span to create an energy field which feels simultaneously static and yet continually shifting.

Emanate

pre-order

Yair Elazar Glotman & Mats Erlandsson - Procession

from the album Shards of Distant Times released on LP and CD by Karlrecords

Mastered by Helmut Erler at D&M, Berlin
Artwork by kaidoh based on a photography by Giulio Aldinucci

Shards Of Distant Times

Every Forgotten Word

ILUITEQ - A Sylvan Elegy

UK record label based at fabric, East London. Run in part by Rob Booth (Electronic Explorations)

Abul Mogard - Patterns Of Our Own Times [#savefabric]

Houndstooth

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