ELECTRONIC/SYNTH

Rinse FM Podcasts

Hessle Audio feat. Venus Flytrap & Sun People - 7 October 2024

Rinse FM Podcast

Hessle Audio feat. Ben UFO - 03 February 2025

bristolian dj and producer, yushh delivers a relentless mix true to her signature signature dub infused and melodic club sound

yushh - 04.02.25 - foundation fm

Hessle Audio feat. Pearson Sound - 17 March 2025

The Berlin-based party starter wafts her energy our way for an hour a month. Colourful house & techno, vintage breaks, decontextualised bargain-bin club tracks & more in the mix... 
Find the full tracklist and related episodes on NTS: https://www.nts.live/shows/dj-fart-in-the-club/episodes/dj-fart-in-the-club-23rd-may-2025

DJ FART IN THE CLUB - LIVE FROM NOWADAYS NYC 230525

Interview:  https://truantsblog.com/2025/truancy-volume-350-facta-k-lone

Soundcloud: @facta @k-lone93

Access the download and full tracklist (Added) on our Patreon (patreon.com/truants). However if you need anything leave us a nice comment here with @facta @k-lone93 tagged and either of us will get back to you with an ID! Your support helps cover all our costs allows Truants to continue running as a non-profit and ad-free platform.

Truancy Volume 350: Facta & K-LONE

A rare club mix from the ever-evolving artist, with 90 minutes of shadowy, atmospheric pressure.

Music's therapeutic value is often linked to relaxation—gongs, singing bowls and the like. Dense passages of foggy droning and eerie static aren't traditionally considered restorative, but Laurel Halo makes a pretty good case for it.

The Detroit-born, Los Angeles-based musician's abstract, often improvised productions are heavy on sound design and emotional climax. Driven by atmosphere rather than rhythm, they push listeners to grapple with their innermost insecurities, fears and dreams. "I'm lucky my music has helped people through crises," Halo once told Discwoman. It's easy to see why.

Since her 2010 debut King Felix, Halo has built a stunningly diverse catalogue of classically-informed records. A multi-instrumentalist—piano, violin, guitar, keys—her sharpest instrument is arrangement. Inspired by the surrealism of Italo Calvino and Apichatpong Weerasethakul, her releases, from Atlas to Behind The Green Door, unfold with slow-burning narrative and dense emotional weight. Her soundworlds are layered and labyrinthine—an architectonic space where self-reflection happens almost by force.

Even in the club, the sought-after composer excels in immersion. Her sets extend the expressionist palette of her records, trading traditional rhythm for tension, space and surprise. It’s no wonder she takes a genre-agnostic approach to the dance floor—her deep roots in freeform radio began at WCBN-FM in Michigan, followed by Berlin Community Radio, Rinse FM, and now a regular show on NTS.

RA.992 stitches foggy ambient loops, propulsive techno, mutant percussion and heady left turns with care. Tracks from DJ Rush, Octave One and Eddie Fowlkes nod to her Midwestern heritage, balanced out by deeper, psychedelic fare from the likes of Polygonia and Cousin. It's the mark of an artist revealing both deep curiosity and a precise hand as a selector. Rare, indeed.

@laurelhalo

Find the full interview at ra.co/podcast/992

RA.992 Laurel Halo

Introspekt at Ring, Horst Arts & Music 2025

3024 boss Martyn with an hour of his signature genre bending bass mutations 

https://www.instagram.com/martyn3024
https://www.soundcloud.com/3024world



Martyn 3024 @ The Lot Radio 07-12-2025

London-based Oblig's (@djoblig) sound is closely intertwined with the rich DNA of UK club culture. Bass, garage, grime and techno all influence his robust rhythms, whether he's going dark at 140 bpm or hypnotising with sleek techno. His label Obligated Records and regular shows on Rinse FM are extensions of that, as are his razor-sharp DJ sets across the world.

Hot on the heels of Volume 2 of his label's latest compilation, he's put together an hour mix that smudges the lines between his go-to genres. The selections are punchy and uptempo while twisting through mysterious late-night grime, kinetic club cuts and pneumatic bass workouts, all with a constant low-end pressure that keeps lips curled and heads nodding. 

Dekmantel Mix 494 - Oblig

Apologies for the extended leave of absence. Bad health has clipped my musical wings a tad in 2015. Anyway, really proud to finally be able to give this a public airing, I'll let the promo blurb say the rest.

"Leftside Wobble delivers an absolute monster that has been doing some serious damage with the few jocks who have fandangled a copy. Bill Brewster dropped it in his closing Wildlife set and Chris Duckenfield has been pressing the launch button. We’re talking a warehouse vibe with an arp riffed bass, plenty of reverb and the filtered, plaintive vocal giving it that emotional depth that all the best house music has. Make no mistake, this is one heavy remix."

Due out very soon, with excellent remixes from Peza, Sleazy McQueen, and Fingerman on the package (as well as the glorious original).

Leon Sweet - Sunny Bigler (Leftside Wobble Remix)

Dap'd Out With Dap Hound

Dap Hound - (Dap'd Out) By The Pool

Israel’s hottest export follow up excellent EPs on Hivern and I’m A Cliché with a 3-tracker for the global psychedelic cult of Multi Culti.

Tel Aviv’s Red Axes are one of the most exciting new acts in dance music, with rich sound that is musical, deep, trippy and organic, while remaining precise and lethally effective in the club. The range in their sound is impressive, their talent unmistakeable. They are one of our favourite artists of the year, and this latest record is one of their best yet.

Lead track 'Waiting for a Surprise’ builds around a mid-tempo disco bassline, with tough percussion, and rugged synth stabs, but it’s the eerie and unique sounding vocals of Brazilian collaborator Abrao that bring everything together. This one is a guaranteed bomb for building up, tearing down, peak time or chilling out… an outstanding track in every sense, the kind that force trainspotters to the DJ booth to discover what’s playing. Next up, ‘Hope’ kicks off with resonant, delayed toms, adding a haunting howl and synths before dropping into a wild, clanging, carnivalesque frenzy. It’s understated, but advanced, with an interesting arrangement that really opens up in the second half. Finally, 'The Metal Bender’ slows the tempo but ups the vibe into an elated, slow-burning space-disco anthem. Fantastic stuff!

Melbourne’s Kris Baha, fresh from launching his Power Station imprint, offers a stripped down remix of ‘Waiting for a Surprise,’ with a heavy, industrial-influenced groove that wanders into the deep, dark end of party strasse.

Red Axes - Waiting For A Surprise

psychedelic cult of Multi Culti.

Tel Aviv’s Red Axes are one of the most exciting new acts in dance music, with rich sound that is musical, deep, trippy and organic, while remaining precise and lethally effective in the club. The range in their sound is impressive, their talent unmistakeable. They are one of our favourite artists of the year, and this latest record is one of their best yet.

Red Axes - Hope

The Bicep boys are absolutely smashing it at the moment.

Their last release on Aus included 'Just' and the spacey banger has been smashed on pretty much every soundsystem around the globe.

For their next release they return to their own Feel My Bicep imprint, alongside fellow Northern Irishman Hammer, for a rework of that very same banger. The 'Go' (Flanger mix) is a different edit of the track that's been causing a stir (born in the same studio session as 'Just' believe it or not) and we've got the premiere.

More exclusive music

Premiere: Bicep & Hammer 'Go' (Flanger Mix)

Buy 12" from Houndstooth store & get free WAVS: store.houndstoothlabel.com/document-ii.html
iTunes / Google Play: found.ee/DocumentIIDL
Spotify: found.ee/DocumentIISP
Beatport: found.ee/DocumentIISP
Bandcamp: found.ee/DocumentIIBC

Shift Work (@shiftworking) are an electronic duo who have previously released on JD Twitch’s Glasgow label Optimo Music. They debut on Houndstooth with ‘Document II’, an EP developed from live jams on outboard analogue gear. ‘Abandoned Hands’ is lean and raw, an angular bassline and indecipherable vox punctuating the relentless 4/4 kick drum and pattering percussion. ‘SBFM’ is fuller-bodied, with the modulating bassline taking centre stage, draped in loose synths and topped with a deadpan vocal refrain.

Shift Work invited remixes from their associates, and the results are impressive, with DVA Damas (@dvadamasdvadamas) dialling down the tempo and stripping back ‘Abandoned Hands’ further still, whilst Factory Floor (@factory-floor) return to remix duty on Houndstooth with a typically subtle yet infectious building take on 'SBFM'.

Order your 12” vinyl (cut & mastered by Matt Colton) from this store and receive free WAV files upon release. Pre-order vinyl at a discounted rate.

Document II

SBFM

Buy 12" + free WAVs

Shift Work - SBFM

UK record label based at fabric, East London. Run in part by Rob Booth (Electronic Explorations)

Shift Work - SBFM

Houndstooth

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