TELLAIRRES - Has been immersed in the east coast music scene since 1992.  Hailing from Strong Island, NY, Tellairres was heavily influenced by the Brooklyn Storm Raves, NY NASA parties, & Caffeine's club.  Having amassed well over 16,000 vinyl records through the years has given this DJ's ear a wide dynamic range of styles and sounds to cultivate and play from Electro, House, Techno, Trance, Breaks, Progressive, Hardcore, and beyond.  Primarily DJing under his "DJ J-Form" moniker in venues up & down the east coast in NY, CT, GA, FL.  

Tellairres currently resides in Florida where he has performed and held residencies at such clubs as Nocturnal (Miami), X-it (Hollywood), Prestige (Miami) , Onda Lounge (Miami), The Womb Radio (Miami), Senior Frogs (Miami), Pressure Radio (UK), and many other clubs & events such as underground warehouse parties.

Tellairres' DJ style can be summed up as off the cuff / grab-n-go style and on the edge, giving both himself and the crowd the true live experience that is deserving of the music he plays. Tellairres is the current owner of Underground Dance Movements productions (U.D.M) & is currently working on producing and releasing tracks by himself and in collaboration with his studio partner, which go by "Sound Descent".

You know Dirtybird for dropping basslines and creating smiles on the dance floor since January 2005.

The fun family vibe of the Dirtybird label can be traced back to a free event started in Golden Gate Park, San Francisco. This new kind of house music went against the smooth vocal house that was popular at the time and derived its influences mostly from hip-hop, drum n bass, and American funk. The free outdoor BBQ party was very rough around the edges but eventually became legendary amongst the people of San Francisco. This event was also a very influential factor in the decision by Claude VonStroke to start the record label in 2005.

Today, Dirtybird has offices in San Francisco and Los Angeles and has expanded into events and tour production. As it grows, the brand continues to expand beyond music into merchandise, licensing and artist management. In 2015, Dirtybird launched the inaugural Dirtybird Campout festival, which has been dubbed “Summer Camp For Adults”, and Dirtybird has been recognized from their achievements by being awarded "Underground Label of the Year" at the International Dance Music Awards, “Label of the Decade” by Mixmag, “Best North American Label” by DJ Mag, and Billboard’s "Top 5 Independent Dance Labels".

Faceless Junkies Deluxe
Fuck the System & all other shit cunts.

A few years from now we’re going to look back on this era of Bandcamp fondly. The craziest motherfuckers in the world are dumping the craziest tracks you’ve ever heard on there and it’s the closest thing I’ve found that replicates the real, tactile experience of crate digging. Some days you get up early and spend all day flipping through shitty “easy listening” records and come up empty. Sometimes you drop in for five seconds and the first record you see is an absolute gem.

It’s all gonna go to shit soon, some people will scoff it already has but they didn’t just stumble across this 10 track album of songs without titles, made by people (I assume…) I’ve never heard of and released without promotion or fanfare – just lurking in the tall weeds and ready to strike.

These border on the experimental side but it’s experiments with acid and I don’t think you can go wrong with that. Acid on Acid is Heaven on Earth Vol 6 is a follow up on albums with titles like Acid Against Police Part 3 and Acid Against Opportunism and most of them take the opportunity to say fuck the system and call people bitches in the liner notes too.

I don’t know – maybe it’s me, maybe you have to grow up spending your time in canvas tents and mud up to your ankles waiting for Hyperactive to come on and pop your fucking eardrums rather than going to school and getting good grades but I could listen to this shit all day long without pause. Tracks like “Untitled 2” and “Untitled 5” sound like a grimy & improvised recording from a live PA; “Untitled 3” and some of the other tracks feel more like clean and thought out studio work. The whole package is dope. These folks have uploaded a huge amount of material; I know what I’m doing this weekend.
Terry Matthew
https://5mag.net/

Booking Black Cadmium, Joginda or collab w/ GLXY Recs: 
NL: black.cadmium@gmail.com
Rest of world: toon@e314.agency

Rotterdam based record label run by Joginda // Black Cadmium
TECHNO, HOUSE, UKG & BASS DRIVEN RHYTHMS

I was raised on Chicago House Since Birth. Just another Old Soul born in 93"

I am here to capture a culture and put my own spin on it. I was exposed to DJ's like Julian "Jumpin" Perez, Mickey Oliver, Bobby D and Bad Boy Bill. 

Their musical selection and delivery on mixtapes really gave me a passion for the Underground Dance Scene. It was Original and Raw! in my eyes.  and that spawned a life time of joy for me digging for Record's and Rare Mixtapes! 
I want to capture that same time and energy and put my own spin on it!

"My style is very raw and in your face! with a dash of sexual tension for all the Jacker's on the Floor"  

Armed with "The Jacker" (TR-909)

Blasting onto the Chicago House scene in 2019, ilana quickly grew a fan base from a notoriously tough Chicago dance floor as well as approval from many of the architects of the sound. She prides herself on being a meticulous student of the foundation of House, her dedication bordering on what some may say is an obsession. Her pleasure comes from playing the cuts that have been seldom heard or long forgotten about. 

Her vinyl collection is one of the shining stars of her DJ repertoire and is thrilled anytime she can share them with a discerning audience. 

Although a dancer and a DJ first, she has also found time to get into the studio with several releases under her belt. Her label, Cheap Talk, launched in Spring of 2023, highlights the raw Chicago House sound, seeing support from 5Magazine and DJ Heather among notable others. Her label mate, Shmoo, is a frequent collaborator/co-conspirator.  Their talents combined have proven that this generation of Chicago artist is ready to take the reigns while simultaneously honoring those that came before.

Catch her wherever good vibes and good tunes are the requirement.

Choobe Soundsystem - Spawned from the illegal free party movement.
Likes = 
Synths n shit.
            8 bit fun
            Analog twiddling
            VINYL 
            Pop art
            Clever design
            Wearing my heart on my sleeve

Noises = 
Chicago 
               808 beats
               Garage 2 step 
               Face squinters
               DEEPNESS 

Frowns = 
Plastic People
               Pretend EDM
               Hair Product ads
               Laptop (ahem) Dj's

Go and check out my new album 

https://djemoe.bandcamp.com/album/i-am-chicago-footwork-the-album

please visit http://www.mixcloud.com/tonybadea/ for DJ Tony Badea aka "Boom Boom" dj sets

Tony first touched a turntable in 1981, a Technics SL1600. His cousin Louie Rivera introduced him to dance music when my family moved to Chicago from Puerto Rico in 1979. He listened to the top disco/dance radio station at the time WDAI and was hooked instantly. Tony would record he’s DJ idols on WBMX, djs like Ralphi "The Razz" Rosario and Mickey "Mixin" Oliver. Before long, that's how he developed a unique style of mixing described as "Speed Mixing". Mickey Oliver was instrumental in Tony’s DJ career by providing him with his first radio break as a guest on WBMX's "SATURDAY NIGHT LIVE AIN'T NO JIVE" mix show in 1984 and later on WGCI.

In 1981 Tony met Harv Roman a fellow dj who was happy to borrow his speakers but, didn't want Tony to accompany them. He later became Tony’s biggest fan and most importantly his best friend. Charlie Martinez promoted Tony and helped develop and guide him throughout the 80s and early 90s. In the 90s Julian "Jumpin" Perez gave Tony the opportunity to showcase his skills during a Sunday mix show on B96 called "Street Flavor." Throughout the 80s and 90s Tony had the honor of DJing along side legends like Kool Rock Steady, Bad Boy Bill, The Hot Mix 5, Tyree Cooper, Fast Eddie, Bear WHO?, Dj Sneak, just to name a few.

“The reason I became a popular dj besides my passion and hard work was because there was always someone willing to give me a chance. So, I want to thank those who gave me that opportunity: My family, Harv Roman, Mickey Oliver, Charlie Martinez, Julian Perez, ZeZe, Sunset Records, Matt Warren, Tony Bitoy, Georgie Porge, My Cousin Luis Rivera, Terry Hunter, Roberto C for driving me everywhere and many more, but most importantly everyone who enjoyed my mixes.” — Tony Badea


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