lighthouse

SLEEP ANGEL TINY TOON COVER

cassettes: https://bodydropuk.bigcartel.com/product/crimson-chaos-frail-ep-limited-edition-cassette

lights low, a glance thats colder than death,
the candle light bubbles stress, on ur beautiful smile, 
oh i wonder if the dinner knife can carve through bone
carve through flesh, the coldest of stares,
im sinking into a depth fathoms deeper than your eyeline
meet mine, do it worse, justify 
such as this such a cold shade of red
 
it burns
it burns
it carves my smile
i ache, i spill everywhere
tripping over my inards, i never felt more alive

i laze, inanimate, im golden

irredescent, the brightest light,
i love you all, i wave from the night sky   


loved , cleansed, asleep, at home

Forever Gold Now I Can Paint The Night Sky

:]

Art by Madison Slater

www.instagram.com/madisonslat3r/

Tiny Insignificant Man

Recorded and mixed in March 2014 at Duna Studio (Russi, Italy).
Artwork by Cristina Portolano (recidif.tumblr.com).

http://shesaiddestroy.bandcamp.com
E-mail: shesaiddestroyy@gmail.com

I Hate The Sun

ARTWORK DONE BY THE FANTASTIC @guddlegump

Dreamy Piano

"I discover the cosmos through music while the cosmos reveals music to me.​​ Sound and Space form a coherent whole. Their mystical strength and energy together form the indissoluble unity of the universe.​​

The album “Space in Between” is based on my concept, in which I have collected several compositions written by various modern composers. Most of these compositions are in a mantric and minimalistic style. It is all connected with an ambient and three­dimensional “spacey” character.​​I also built a few of these arrangements with beautiful neo­classic sounding melodies on two instruments ­­ a Rhodes and a piano (Manuel de Falla: “Asturiana”, Joaquin Rodrigo: “En Aranjuez con tu amor”). 

Between the pieces, we hear sounds of the planets. Even these sounds alone, create a wonderful and unique musical space.​​I have dedicated one track­ connecting “atmosphere” from the album to each of the composers. The main hero on this album is, in fact, the piano ­­ often prepared and treated with electronic effects. It takes me on a cosmic journey"

Katarzyna Borek
www.katarzynaborek.eu

The audio recordings from the cosmos (except the last piece - Planet X by Katarzyna Borek & Vojto Monteur) that are found between the songs on this album were recorded by the NASA Space Voyager. NASA has made these recordings available to the public.

Full CD album available at: www.katarzynaborek.bandcamp.com

Katarzyna Borek - Piano Folio To A Disappeared Pleiade (Takashi Yoshimatsu)

Home Alone 2

anbuback

ur in the middle of the ride!

Video by Kenshi Robert:
https://www.youtube.com/watch?v=uRnuvyqUfws

Evenings / Metoronori 2020.12.4
https://metoronori.bandcamp.com/album/evenings

車の軋りに(To the squeaking of cars) from album "Evenings"

2014.10.08
3rd EP"Method of slow motion"
Will br released.
￥2,000-(Tax in)

RELEASED BY KIWIPORT / SPACE SHOWER MUSIC
DISTRIBUTED BY SPACE SHOWER NETWORKS INC

1, idyllic
2, idyllic landscape
3, swimming pool
4, parade
5, news paper
6, balance 
7, an association game＋1
8, mathematics;re 
9, time goes by

---
Release tour info.

How to count one to ten×Elephant gym(from Taiwan)
Double release tour.


2014年10月17日（金）
渋谷TSUTAYA O-NEST
OPEN 18:00 / START 18:30
前売り2,500円 / 当日3000円（共にDrink別）

How to count one to ten 
elephant gym 
skillkills
a picture of her 
hue

---
2014年10月18日（土）
大阪　難波Rockets
OPEN 17:30 / START 18:00
前売り2,500円 / 当日3000円（共にDrink別）

出演
How to count one to ten 
elephant gym 
cloud nine(9)
card
and more

---
2014年10月19日（日）
名古屋　spazio rita
OPEN 17:30 / START 18:00
前売り2,500円 / 当日3000円（1Drink込み）

出演
How to count one to ten 
elephant gym 
slavedriver
palitextdestroy

---
How to count one to ten『Method of slow motion』
Release tour final.
11月8日（土）六本木 Super deluxe
『間、或いは行間』

LIVE/
How to count one to ten
落語家 : 立川吉笑
興幻◎し : 本名竜也
 
---
[ALBUM INTRODUCTION]
Two years after the release of their remarkably long-selling "Blue Building Blocks", How to count one to ten releases nationwide their new and awaited 3rd EP "Method of slow motion" on October 8th, 2014 from their independent label kiwiport. Still following in the genre of post-rock, yet their use of odd time signatures, pop chord progression, and distortion free clean guitar sound is even more sophisticated to make new experimentations while containing their style within the category.

The songs in the album do not betray the structure of their earlier album, enabling the listener to appreciate the album as an easy listening piece, or as a complex text to be carefully unraveled.  Further notice should be made to the piece "mathematics;re" which is an fusion of rakugo and radio drama to post-rock.  Storytelling, almost like hip hop rapping, is converted into a radio drama form and constructs a fresh world view. 

The performers are Tatusya Honna, a kyogenmawashi that creates stories based only on the sense of hearing, and Kissho Tatekawa, known as a genius of the innovative Tatekawa-ryu.  The title is "Same-koshaku", established by Danshi Tatekawa and recognized as being highly musical within the large number of rakugo titles.  The rush of words ride on the grooves at 133 BPM combined with the meticulously calculated flow of math rock makes it an addictive number.  

[PROFILE]
There's no vocals to our music.  Neither is there a lead part.  It's not an exaggeration to say that there's no starring role to our music.  Each musical part plays a supporting role to create a melody that is the single theme.  Each part is made from the interpretation of the composition,  which means that deep thought is put into the point,  strength, and timing of the picking.  It is holding your breath as if to dive 2000 meters into the deep sea and gradually changing everything into pressure, namely, concentration.  The deeper you dive, the more obvious the displacement of the rhythm becomes, making you able to feel the ultra-delicate nuance between the notes.  Then, the sense of time is stretched out to make a second feel infinitely long.  Even the "gap" of a fraction of a second of a composition at 180 BPM feels long and bears importance.   We feel it is one of the important points of our music, to embody the "gap" that appears.  It is the spirit of feeling and sensing within this limited community of five, in other words, our music is about capturing the "gap".  If all five members can keep diving at the same depth, the result would be outstanding music, but it has yet to be realized.  This is, however, what we aim for.

 [アルバム紹介] 
異例のロングセラーとなった前作、2ndEP『Blue Building Blocks』から丁度 2 年、 How to count one to ten 待望の新作、3rdEP『Method of slow motion』を 2014 年 10 月 8 日に自主レーベル kiwiport から全国発売。 今作もあくまで postrock という既成ジャンルを踏襲し、彼らの得意とする変拍子、 ポップなコード進行、歪まないクリーンギターは更に洗練され、忠実にそのカテゴリー に収めつつも新たな試みを実践している。収録されている楽曲は前作を裏切らない構成 になっており、イージーリスニングとしても、複雑なテキストとして紐解くにしてもど ちらでも聞き込めるアルバムになっている。さらに注目すべきは postrock に落語とラ ジオドラマを融合させた一曲 "mathematics;re"。まるで HIPHOP のラップのような講 釈をまくしたてる演目をラジオドラマ仕立てに変換、新しい世界観を構築している。 演じるのは、聴覚にだけ焦点をあて物語をつくりあげる興幻師、本名竜也と、天才と呼び声が高い革新派立川流立川吉笑。 演目は故・立川談志が確立し得意とした、数ある噺の中での最も音楽的要素の高い『鮫講釈』。言葉を BPM133 のグルーヴに乗せ畳み掛け るような講釈と綿密に構築された流れる様なマスロックは癖になる一曲。 今作品は日本人なら一度は聴くべきと断言できる名盤だ。

[プロフィール]
僕らの音楽は歌がない。さらにはリードパートもない。主役がいない音楽といっても過言ではない。 各パートが脇役をこなし、ひとつの主題となるメロディを作り出す。各パートそれぞれが楽曲の解釈、すなわちピッキングのポイント、 強弱、タイミングを深く考察し、2000 メートルの深海に潜るように息を止め、集中という名の圧力に変えてゆく。潜れば潜る程、リズム のズレは明確になり、超繊細な音符間のニュアンスが体感できるようになってくる。すると時間の感覚がぐっと引き延ばされ、1 秒が限り なく遅く感じてくる。BPM180 の曲でも 0.1 秒の『間』がとても長く感じ、また重要性を帯びてくる。そこに生ずる『間』を体現するの が僕らの音楽の大切な 1 つの要素だと思っている。それは 5 人という限られたコミュニティにおいての察する精神、つまり、『間』を捉え る音楽であり、5 人が同じ深度で潜り続ければそれは素晴らしい音楽になるが、まだ実現はできていない。 しかし、目指しているのはそこである。

anbuback

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