Musician, researcher in music, and digital content creator. Teaches music theory at universities, occasionally performs in public as a pianist, passionately talks and writes about music, and advocates for the interests of freelance musicians.

Macarena Rosmanich, a Chilean composer based in Germany, is one of the most active international voices of a growing scene of Latin American female composers. Although her career has developed mainly in Europe, her eagerness to motivate future female composers in her country of origin, makes her have permanent contact with the contemporary Chilean scene. 
The concept of intertextuality is at the center of her work. Each piece is linked to other pieces, through elements that are then developed in a new context, generating a universe that interacts and evolves internally. This universe is not isolated, but also discusses or is inspired by narrative literature, poetry, art, as well as social and political events.  All this works as an engine that triggers a flow of sound relationships that give rise to her work. 
"The close relationship between compositional work and literature, has led me to conceive spaces that complement each other and merge into a unity through music. My approach seeks to provide the poetic form with a new temporal dimension, a sort of collaboration between sound and word that transcends conventional boundaries. In essence, my purpose is to blur the boundaries of pre-existing form and structure in a work, rearranging them in such a way as to configure a new work, thus redefining the essence of the original. This process not only involves a stylistic transformation, but also seeks to open up new routes of interpretation, allowing the musical composition to dialogue in a unique way with the poetry and, in turn, establish a richer and more dynamic connection with time."
Her work ranges from chamber and vocal music to works for orchestra and musical theatre. She has worked with numerous international soloists, orchestras and ensembles, such as Musikfabrik, Kommas, Via Nova, Mosaik, Recherche, Multilatérale, United Instruments of Lucilin, KNM Berlin, Vertixe Sonora, L'ART POUR L'ART, Reflexion K, Broken Frames Syndicate, among others. 
Her works have been performed in Latin America, Germany, France, Italy, England, Spain and Luxembourg. 
She studied at the University of Chile where she graduated with distinction and continued her postgraduate studies with composer José María Sánchez Verdú at the Robert Schumann Musikhochschule in Düsseldorf and later a master's degree in composition at the University of Freiburg with Johannes Schöllhorn.
Macarena Rosmanich lives and works in Cologne, Germany.

https://rosmanich.com/

Contact: macarosmanich@gmail.com

composer. orchestrator. music theorist.
------------------------------------------
"If a composer could say what he had to say in words he would not bother trying to say it in music." - Gustav Mahler
------------------------------------------
You need a score for your project and you like the music on my soundcloud page? Send me a message or send an email to contact@pascalhorn.com.

I would also get excited about feedback. So please let me know what you think about my music!
------------------------------------------
Computer:
Windows 10 Pro 64 Bit
Intel Core i7 7820X CPU 3,6GHz
64GB RAM
8TB HDD, 2TB SDD

Soundlibraries:
East West/Quantum Leap CCC2 (Symphonic Orchestra Gold, Symphonic Choirs, Goliath, Stormdrum 2 PRO, Pianos Gold, Ra, Voices of Passion), East West Hollywood Series (Hollywood Strings, Hollywood Brass, Hollywood Woodwinds, Hollywood Percussions), Native Instruments Komplete 11 Ultimate, Ethno World 6, Cinesamples Dulcimer, Zither and Viola da Gamba, Keep Forest Evolotion, Evolution and Evolution Atlantica, Performance Samples Oceania, Embertone Shire Whistle and Shan Bawu, Spectatronics Omnisphere 2, Synthogy Ivory 2 American Concert D, Soundiron Voice of Gaia and Venus, Acoustic Samples

Instruments:
Korg M3
Kawai VPC
Behringer UMX490
M-Audio Keystation 61es
AKAI LPD8&#13;
Ibanez SR506-BM
Epiphone Les Paul Gothic Style
Ibanez V72ECE Black

Amps, Mixer, DAW & Monitoring:
Steinberg Cubase 9.5 Pro
Focusrite Saffire Pro 24
Tannoy Reveal 601A

Credits:
WDR, WDR Funkhausorchester, BLACK:TRI Audio, ERGO
------------------------------------------

Martin Grünewald ist Pianist, Komponist und Tonmeister.
Nach diversen Projekten als Klavierbegleiter in verschiedenen Genres präsentiert er nun sein Solo-Projekt "Greener than Grey": 12 eigene Songs, die er auch selbst singt - und die er nahezu im Alleingang produziert hat.

Die Musik des Wahlberliners zeichnet sich durch zeitloses, stimmungsvolles Songwriting und ausgefeilte Klavierarrangements aus. Mit seiner Ausdrucksstärke und seinem virtuosen Spiel schafft er immer neue Klangfarben.

Er kombiniert Elemente aus dem traditionellen Singer-Songwriter-Genre, Klassik und Jazz und bietet alles von der klassischen Klavierballade bis zum eher experimentell inszenierten Piano-Pop.

Inspiriert wurde der gebürtige Hamburger von Legenden wie Randy Newman, Brian Wilson, Van Dyke Parks, Steely Dan und Billy Joel.

www.jan-masanetz.de
Leipzig -based composer JM
studied composition with Manfred Trojahn and Wolfgang Rihm.

German composer/arranger/music theory teacher. I am torn between the love for classical music from the middle ages to the late romantics, the admiration for the music of the 20th/21st century and the need to express myself sometimes directly through pop and comedy. Although my career as a pop comedian is limping a little at the moment due to my teaching career I still intend to write new pop songs.
But mostly I want to use this forum to document my "serious" compositions which are mostly microtonal. Influences are process oriented music, my teacher György Ligeti, my colleagues Manfred Stahnke, Mari Takano and Hubertus Dreyer (here: hdathome) and others.

Hans Peter Reutter is following