You told me.
Love was a simple thing.
Don't need, to worry about everything.
Won't leave.
I'm sure we'll figure things out.
We can work it out.

You told me.
Life was a simple thing.
Hold me back from the precipice.
Lonely, some days I'd do anything.
Just leave on the light.
To keep out the night.

You warned me.
Life is a simple thing 
I cared, too much for anything.
No sleep, no space for simple things.
Things will work out right.
Until they don't one time. 

You told me.
You wanted simple things. 
Mostly, effort above everything.
Ghostly, the thoughts at the back of my mind.
Though things seem fine.

You say.
Your loves a simple thing.
You are happy without a ring 
Don't have to be kinda anything. 
If you could just be mine. 
If you could just be mine. 

Car crash, the state of union.
Gas on, life's like an onion.
Electrons smashing into the other side.
But then divide....

Our song.
Started as a simple thing.
I go and complicate everything.
Key change, off on another whim.
It'll be alright.
It'll be alright.








Simple Thing

05 Relation

UNA LACRIMA SUL VISO 
Da una lacrima sul viso
Ho capito molte cose
Dopo tanti e tanti mesi, ora so
Cosa sono per te
Uno sguardo ed un sorriso
M'han svelato il tuo segreto
Che sei stata innamorata di me
Ed ancora lo sei
Non ho mai capito
Non sapevo che
Che tu, che tu
Tu mi amavi, ma come me
Non trovavi mai
Il coraggio di dirlo, ma poi
Quella lacrima sul viso
È un miracolo d'amore
Che si avvera in questo istante per me
Che non amo che te
Non ho mai capito
Non sapevo che
Che tu, che tu
Tu mi amavi, ma come me
Non trovavi mai
Il coraggio di dirlo, ma poi
Quella lacrima sul viso
È un miracolo d'amore
Che si avvera in questo istante per me
Che non amo che te

Una lacrima sul viso (Bobby Solo cover)

Over The Rainbow By Robin Quinlan(2)

Space Ambient Music - Through the Wormhole

Video link here: https://youtu.be/Jzri8CDQr80

Through The Wormhole

Play on Spotify

Forget Your Sorrows

Stonewall St Blues - Blind Blake 1927

Boris Rogowski – The Darkness of Future Past
(out on piano and coffee records on November 7, 2025)

Jonas Burgwinkel—drums
Viktorija Kukule—vocals
Roland Muenchow—flute
Boris Rogowski—keyboards, (bass) guitar, percussion, programming, vocals
David Schuette—cello
Isabelle Seemann—vocals

Press info:
Somehow, Boris Rogowski’s The Darkness of Future Past manages to go from Renaissance and Baroque influences and minimalist piano pieces via Ambient all the way to arena-sized pop music. It has no right to work, but it works perfectly. I don’t know how.
If I had only one word to describe its general mood, I would call it haunting. And the album itself is haunted, too, by the ghosts of the past, of classical composers (Orlando DiLasso, Eric Satie and Alfred Schnittke explicitly, many others lurk in the shadows) and more recent musical specters. It’s called The Darkness of Future Past, and yes, that’s a Twin Peaks reference… but let’s not make too much of it, there are no real connections (I think!) except for a general love of mystery, darkness and beauty.

In contrast to Rogowski’s 2023 album The Waste Land that was largely defined by a good amount of classical rigor, consistent chamber instrumentation and a complete lack of vocals, The Darkness of Future Past is almost loose: We have long, winding instrumental pieces that straddle Ambient (The Past, Like a Strange Bird), Minimalism (The Bloom and the Flutter) and Jazz noir (the title piece). They are humming with sounds and melodies that always seem in a state of either synthesis or decay, giving way to one another or sticking around in the form of eerie echo loops that build up a dreamlike musical structure always on the verge
of collapsing into itself.
Those long-form soundscapes, some of which feature ominous spoken Journal Entries, alternate with solo piano pieces that sound like at least three different instruments—but were, in fact, all recorded with an old upright built in 1906 by some regal German manufacture. The audaciously titled Gymnopedie No. 4 wears its influence on its sleeve—and delivers on its promise: Rogowski’s love, respect and understanding of the original works of Eric Satie shine through in every note. Similarly, the other piano pieces, from the tiptoeing Sleeping Dogs to the dreamy, improvisational One Lonely Autoresponder Message, feel a bit like memory palaces—reminiscent of music that has always been around, but at the same time very much their own beasts.
And then, of course, we have the songs: Nothing Wrong is strikingly beautiful, its sparse musical arrangement serving as the perfect bed for Rogowski’s falsetto and the ghostly choir backing it. breatheINbreatheOUT is downright scary, like a field recording of some strange initiation rite: The words ‘breathe in, breathe out, it’s all right/mankind is no longer your kind’ are delivered in a moody croon that seems to channel the later Scott Walker.
And then, just when you think you have finally figured out how this album works, it leaves you with Them!, a monolithic sound colossus that begins as a shoegaze-y electro pop song and develops over 6 minutes into an arena-sized hymn with an otherworldly female voice lamenting ‘What a lonely world’ over and over. Rogowski did much of the work on The Darkness of Future Past in a desert cabin near Joshua Tree—maybe he passed Coachella on his way back; that, at least, would be a good explanation of the sound of Them!

There is a very clear and distinct consciousness of the past, and there are projections into the future that are as nebulous as they are frightening. The Darkness of Future Past has the power to conjure up mysteries, to shed just the right amount of light on them and keep us intrigued—without ever giving them up or serving us easy explanations. The beauty of the music itself remains a secret, one that Boris Rogowski as its composer seems hell-bent on protecting. After all, no-one needs to know who killed Laura Palmer.

A Pane of Glass

5. Silent Courtyard

Another relentless fusion groove from Mrakobes & Gom Jabbar: a dark and meandering ethno-metal love song for the heavy of heart.

Follow Mrakobes at https://soundcloud.com/oligopod

Не си ми месечина
Не, не си ми блеснала
Най-вече си море безбрежно
Носиш ми само мрак и тъга

Не си ми месечина
И никак не си ми грейнала

Месечина
Месечина

You are not my moon
No, and you don’t glow like one
You are more like a shoreless sea
that brings me only darkness & sorrow

Support Gom

Mesechina

Composed for the short film - Fù (2018)by Sexy Rabbit Productions.
I think this track was initially inspired by my love for harmonic sounds on a classical guitar. I truly immersed myself into the scenery of the movie and took it from there. The music gives a sense of space and the principle of "less is more" applies greatly in this case. 

The soundtrack awarded " Best Soundtrack" by the Reale Film Festival - Monthly awards - February 2021.

Drifting

BothaFilm

Sean Botha builds music and has a deep love for the arts, music, sound and all forms of storytelling. He builds music and sound experiences for his listeners through improvisation and profound in-depth listening. Each piece is a fusion of different styles which means there is something for everyone. The music Sean creates is Immersive & Contemporary and ultimately an experience for the listener. Enjoy the music and as he always says, "there is always more music coming"...

Drifting

HSBothaMusic