Name: 08 Xango by Henry Schroy
Duration: 3 min
Description: Jorge Amorim (percussion, voice); Hank (cavaquinho, bass, voice); Gustavo Dantas (guitar); Micah Gaugh (sax); Jay Rodriguez (flutes, wurlitzer); Leon (cz-101); Reine Sophie Acadine (voice); DK Dyson (voice)

"The piece is a sonic web of works recorded by Via App mainly over the course of 2020 and 2021 that maps and digs into sites of collective and personal psychic terrain traversed during the pandemic and correspondent dimensions opened by it."

Φ
https://soundcloud.com/viaapp7
https://viaapp.bandcamp.com

SI055 - VIA APP live

Jorge Amorim (percussion, voice); Hank (cavaquinho, bass, voice); Gustavo Dantas (guitar); Micah Gaugh (sax); Jay Rodriguez (flutes, wurlitzer); Leon (cz-101); Reine Sophie Acadine (voice); DK Dyson (voice) 

08 Xango

Na escala antidiatônica Mavila [7] 16-EDO.
Vocais por Löis Lancaster, sineta por Tonanti Deathstar

Ó minha bola de natal, és a única testemunha
Do fim do turno do Papai noel, quando bebe uísque e se acabrunha.

Ó minha bola espelhada, semblantes que se vêem balões
Bananas lembrando melões, visões da vaidade fracassada.

Bola de Natal - música natalina em Mavila 16-EDO

Manny - I'M Faded

For an interview. Image copyright: Marcela Lucatelli.

Marcela & James improvising

Interspecifics(MX) @lessnullvoid
Wednesday August 22, 2018 – Studio Hydro-Québec (Basement)
Mastered by @pheek
 
Who: composer-creators at the intersection of music, installation and science Leslie García and Paloma López
Labels: Umor Rex, Hylé Tapes
Latest: 80X Speculative Communications (2018) Speculative Communications (2018)
More: Leslie García and Paloma López work as composer-creators at the intersection of music, installation and science. They're observers and transformers of physical phenomenon, bringing several artistic and scientific disciplines together to craft a living, hybrid art that uses DIY and custom-made sets of hardware they call “ontological machines.” 
 
Interspecifics taps into the vibrational links between species, using sound frequencies to link usually unseen worlds, from bacteria and slime mold to human brain waves and measurable data. What that sounds like: unearthed ambient soundscapes, a patterned language of signal communication, the sonic intrigue of what Interspecifics calls “Non-Human Rhythms.”
 
Full bio: https://bit.ly/2GL6JvJ

MUTEKLIVE189 - Interspecifics

From Corrupted Data孤独死(2019)

cadutenorio.bandcamp.com/album/corrupted-data-2

Even If We Were To Become Separated Let's Both Think Of Each Other.

My new mix is called "XXXX" and it was made for the Chicago-based nonprofit Open the Circle (tag). I made this mix in celebration of Open the Circle's  "footwork summer camp" for youth in Chicago. Once you breath Footwork it will never leave your side, focus and let it become one with you! Thanks for inviting me to make the mix #Wills and #Lightbulb. Support Open the Circle at otcprojects.org #footworksaveslives

"XXXX" (CLEAN)Mix..

True False

Negativland - Discernment

"For George Lewis" is a pensive work that first drew inspiration primarily from a spontaneously composed, drone-based "Autoschediams" that I conducted in 2017 at the Banff Center, during which I employed only three gestures for the work's entirety. Additionally, this piece is heavily inspired by Lewis' work for large ensemble "The Will To Adorn" (2011). 

Adornment is a theme that runs central to all three aforementioned works, and yet adornment as a COMPOSITIONAL attitude is expressed in very different ways - in concept, sound, and scale. While Lewis' "Adorn" is an expression of adornment through unconventional use of instruments and an abundance of activity, the contrastingly static "For George Lewis" slowly unfolds and is expressed through layers, movement, and a very intense awareness and shifting/"decoration" of time. There is great attention to detail given to its temporal, formal, and harmonic construction, as well as precision, digression, layering, and expressive timing in groups situated within the ensemble. Both the Lewis piece and my composition are indeed very demanding for the performers and require a great degree of concentration on the part of everyone involved in these experiences.

This piece was commissioned and performed by Alarm Will Sound (16 players) on November 9, 2019 at Desmond Lee Concert Hall, St. Louis MO.

For George Lewis

SEM TÍTULO (sub)

Henry Schroy is a Brazilian-born musician, composer, and producer.
A selected discography:
with Micah Gaugh - Stars are a Harem (2017)
with Micah Gaugh - pêssego do verão (2016)
with Roswell Rudd - The Incredible Honk (2011)
with Jorge Amorim - Orixás (2004)
with Roswell Rudd and Toumani Diabate - MaliCool (2003)
with Vernon Reid - Mistaken Identity (1996), Yohimbe Brothers (2002), Known Unknown (2004), Other True Self (2006)
with Salif Keita - Papa (1999)
with No Walls (eponymous) (1992)

www.newritual.com

08 Xango

Henry Schroy

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