More on this 590th weekly Disquiet Junto project, Concrète Roots (The Assignment: Make music combining field recordings and feedback), at: https://disquiet.com/0590/

About the Disquiet Junto: https://disquiet.com/junto/

Subscribe to project announcements: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0590-concrete-roots/

Field Recording Of Man In Man Cave #3 (disquiet0590)

next to my city studio there is a great construction site... field recordings from there, SOMA ENNER takes care of the feedback

concrète construction site(disquiet0590)

Field recording and feedback.

More on this 590th weekly Disquiet Junto project, Concrète Roots (The Assignment: Make music combining field recordings and feedback), at: https://disquiet.com/0590/

About the Disquiet Junto: https://disquiet.com/junto/

Subscribe to project announcements: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0590-concrete-roots/

bird song [disquiet0590]

Participation in the "Disquiet Junto" project led by Marc Weidenbaum: Concrète Roots.
The Assignment: Make music combining field recordings and feedback.
https://disquiet.com/0590/

The field recording: Cave1 
During a guided tour of the caves of Han sur Lesse in Belgium (8-4-2018).
https://soundcloud.com/gerard-paresys/cave1
This cave has a natural feedback.
The guide speaks in Flemish and French.
With a Pure Data patch (Based on Tom Erbe's "+delay~"):
https://github.com/gerardparesys/ARGOPd/tree/master/ExMM/ExMM193-+delay
The duration of the feedback is 5 seconds.
Edition with Audacity.

... with the sound of Eliane Radigue in mind.

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Participation au projet "Disquiet Junto" de Marc Weidenbaum: Racines concrètes.
Faire une musique qui combine enregistrement de terrain et rétroaction.
L'enregistrement de terrain : Cave1
Lors d'une visite guidée des grottes de Han sur Lesse en Belgique (8-4-2018).
https://soundcloud.com/gerard-paresys/cave1
Cette grotte a une rétroaction naturelle.
Le guide parle flamand et français.
Avec un patch Pure Data (basé sur "+delay~" de Tom Erbe) :
https://github.com/gerardparesys/ARGOPd/tree/master/ExMM/ExMM193-+delay
La durée du retard de la rétroaction est de 5 secondes.
Édition avec Audacity.

... en pensant au son d'Eliane Radigue.

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Project discussion takes place on llllllll.co: 
https://llllllll.co/t/disquiet-junto-project-0590-concrete-roots/

Cave - Disquiet0590

palette sources — sampled feedback from moogerfooger delay (various channel inputs from lapsteel, mother32, dfam)sampled into MPC3K. The field recording is of a trip to a coffee shop where four young teenagers were trying to keep each other laughing for approximately 1m30s.

concept — creating a foundation with the delay feedback from a bass-y synth segment, and layering sampled phrases on top of that developed around feedback swells.

More on this 590th weekly Disquiet Junto project, Concrète Roots (The Assignment: Make music combining field recordings and feedback), at: disquiet.com/0590/ About the Disquiet Junto: disquiet.com/junto/ Subscribe to project

DeAmaral [disquiet0590]

The source recording is of birds playing in air bubbles made by a swimming pool filter. The recording is played through a feedback loop involving a phaser and a Serge Resonant EQ. I rerecorded this feedback loop multiple times, re-tuning the EQ on each iteration to create a shimmering resonance on the verge of oscillation.

Disquiet0590 Bubblegong

Water Works Part 3 v2.0 Disquiet0590
Assignment: Make music combining field recordings and feedback

I have had an Ableton set filled with my field recordings of WATER in all its forms liquid, vapor(hard to record) , solid(ice) since 2010 with a plan to complete a record OF water. An homage to the magic stuff that makes us and makes our (formerly) garden planet. Finally 12 years later I am adapting the concept to the 40th anniversary IOS performance at Elastic Chicago on 11/4/23 on their Cleat 16 channel sound system. Full version will also be a Cd on Full Spectrum Records later this year.  Timely considering the state of the planet and our water resources. Life giving and a potentially very destructive force, perfect fodder for Illusion of Safety matter...
The sound sources are mountain river California, Pacific Ocean, thunder and rain outside my window in Schaumburg Il, underwater while scuba diving, walking on ice on my driveway, waterfall at Yellowstone, & a dripping sink These are the only sound sources, processed in ableton, and in this Part of the Suite collages/ cut and paste in the musique concrete style of Pierre Schaeffer begin the piece, sporadic use of feedback to complement the sounds and finally a bit more feedback overload and durational flow at the end.
I added 4 return tracks with reverbs, resonators, and a chopping effect, all with their own sends enabled to allow feedback as if in a matrix. I used the usual technique of drawing in envelopes and levels by hand. I used to beat myself up about not running automation by playing with knobs and pots in real time but have realized it is best to just draw the perfect automation and levels and tweak until its the way it needs to be. Critical of course in working with feedback, another favorite technique, so thanks again for the wonderful disquiet assignment bringing my love and use of field recording and feedback into play to move along this long overdue project into fruition.

For context, when posting the track online, please be sure to include this following information:
More on this 590th weekly Disquiet Junto project, Concrète Roots (The Assignment: Make music combining field recordings and feedback), at: https://disquiet.com/0590/ 2
About the Disquiet Junto: https://disquiet.com/junto/ 1
Subscribe to project announcements: https://tinyletter.com/disquiet-junto/
Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0590-concrete-roots/

Illusion of Safety Water Works Part 3 Ver 2.0 Disquiet 0590

Disquiet Junto Project 0590: Concrète Roots
The Assignment: Make music combining field recordings and feedback

I wanted to have a track that contains traditional music, the feedback should just be rococo flourishes. I started with two field recordings and made them rhythmic. I added three instruments. Both field recordings and one of the instruments got a Valhalla Delay with a manually painted feedback curve. I wanted the feedback to be a little bit, but not too annoying.

Submission officially to late, but I had finished it sunday, I just forget to upload it on monday ...  

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Cover: DALL·E "a photo of cello quartet multiple playing feedback pedals amidst a noisy crowd"

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More on this 590th weekly Disquiet Junto project, Concrète Roots (The Assignment: Make music combining field recordings and feedback), at: https://disquiet.com/0590/

About the Disquiet Junto: https://disquiet.com/junto/

Subscribe to project announcements: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0590-concrete-roots/

Field Recording Of Man In Man Cave #3 (disquiet0590)

Hughgtwattii