Operagoer working as volunteer @LaMonnaieDeMunt, @OperaEuropa and @qeimcbelgium ...The jobs of my dreams :-) Without OPERA, life would be a mistake!!!

One of the world’s leading opera houses: The Bayerische Staatsoper (Bavarian State Opera) can look back proudly on a cultural history of over 350 years.

Founded in 1963, Seattle Opera is a leading American opera company. The company presents the classics of the European repertoire as well as new works of American opera. Frequent productions of Wagner's RING, beginning in 1975, established the company's worldwide reputation. Seattle Opera usually presents five opera productions each year.

An organization for the development of visual arts, music and performing arts from Flanders & Brussels.

Sinds 1937 is het Vlaams Radiokoor een referentie voor vocale muziek in Vlaanderen en Europa. De stem is de ultieme vertolker van onze emoties, en het Vlaams Radiokoor is een van haar grootste ambassadeurs.

Zingen is net zo organisch als het leven zelf. Wie zingt, geeft letterlijk zuurstof aan muziek. Wie zang beluistert, hoort de klank van zijn gevoelens. Daarom vinden we de relatie tussen zangers en publiek zo belangrijk. De stem brengt hen dichter bij elkaar. Iedereen heeft een stem, dus iedereen kan zich herkennen in zang. Het is de meest directe expressie die er bestaat.

Tijdens onze concerten zijn stemartiesten en publiek even verenigd door een emotionele band: tijdelijk en vluchtig, maar de indruk is permanent – als een tatoeage op de ziel.

Schubert’s Winterreise: Jonas Kaufmann’s new album

If he wanted to, Jonas Kaufmann could easily fill his calendar with Verdi and Wagner, Puccini and Massenet, but, however much he loves opera, he cannot live without lieder. For the German tenor, interpreting the classical lieder repertory is “the haute école of singing”. It demands far more detailed work than any other vocal discipline, more colour, more nuances, a greater range of dynamics and a more subtle approach to the music and words.

And if there is an acid test for any lieder singer, it is undoubtedly Schubert’s Winterreise, a cycle of twenty-four settings of poems by Wilhelm Müller that is generally regarded as the pinnacle of lieder singing, a sequence of songs as thrilling for listeners as it is for the performer.

“Against the background of all the horror stories that bombard us today, we are undoubtedly rather more hardened than Schubert’s contemporaries, and yet even today’s listeners can still find this cycle affecting,” Kaufmann describes his experience of the work. “Even as interpreters we always find ourselves sucked into the emotional undertow of these songs, although we know perfectly well what to expect. I think that Winterreise has the same sort of cathartic effect as a Greek drama: the emotional experience purges the soul. On me, the work has an almost meditative effect because Schubert expressed these emotional depths with clarity and simplicity that I ultimately find consoling and that allows me to regain my own inner balance.”

After working together closely for many years and giving a number of recitals of Schubert’s great song cycles, Jonas Kaufmann and Helmut Deutsch have now made their first recording of Winterreise. The recording was made in October last year in the August Everding Hall in Grünwald in Munich and documents the current state of a very special partnership that began many years ago at the Munich Academy of Music and Theatre. Over the years the initial teacher-pupil relationship has been transformed into a wonderful example of artistic communication that has found expression not only in the recording studio but also at countless song recitals, most notably at the Metropolitan Opera in New York on 30 October 2011, the first solo recital heard at the Met since Luciano Pavarotti’s recital in 1994. The performance was greeted with the sort of acclaim that is normally reserved for a major operatic concert.


After innumerable international successes in Italian, German and French operas, Jonas Kaufmann is now universally acclaimed as the “King of Tenors”. He sings at all the major international opera houses from the Met and La Scala to the Vienna State Opera, the Paris Opéra and London’s Royal Opera House. He also appears annually at the Salzburg Festival and reaches an audience of millions through his opera broadcasts in the cinema and on television. He is also in international demand as a concert artist and lieder recitalist. His regular accompanist is Helmut Deutsch, with whom he has worked ever since he was a student in Munich. In 2011 he won the Opera News Award in New York and was appointed a Chevalier de l’Ordre des Arts et des Lettres in France. Specialist journals such as Opernwelt, Diapason and Musical America as well as the ECHO Klassik jury have named him Singer of the Year, a title additionally bestowed on him at the first International Opera Awards in London in April 2013, when he also received the Readers’ Award.


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