World of MuSiC!

For DJ TLR & Creme Organization BOOKINGS (worldwide) ~ Zest (Joris Hoefnagel): joris@zestzest.net

This is the home of Creme Organization, a RECORD LABEL based in The Hague, Netherlands. Here you will find updates about our latest releases, upcoming stuff, podcasts by various related artists and DJ's and goodies from back in the days.

DEMO FAQQQ::: Yes, we will listen to your demos but we do get a lot of stuff and cannot always give indepth comments about everything we listen to. And yes, there is a specific sound & feeling we're looking for but its impossible to describe. Checking the stuff we have uploaded might give you an idea though. Also it will take us some time to process your request. Asking us repeatedly if we had a chance to listen sadly cannot speed up this process! But if we like what we hear we'll surely let you know in no uncertain terms! Now that we laid out these simple parameters I think we'll get along just fine, so umm, thanks in advance and keep em coming!

DEMOS FOR BUNKER RECORDS can be sent to www.facebook.com/bunkerdh

MUSICFORTHEMUTED IS A DUO INFERNALE

consisting of


MAXIMUS
&
DAEDALUS


who share the following common interests: heavy drilling machinery, talkin'bout what they saw on YouTube, languages like tlhlngan Hol as well as sign language and the tactile alphabet, secluded drinking spots, hairdress lounges, livin' la vida loca, the nightsky, Portal 1+2, Asia and the Grammy Awards.

We're available for birthday parties, entertaining performances, ecclesiastical positions, interviews and certain guest vocalists.




“Music for the Muted” is an experiment with the sensory perception of acoustic signals. These signals are created without even touching the the evoked instruments – electric guitar as well as bass – let alone playing them in the classical sense. The sounds are produced and modulated by experimentally operating effect pedals to playfully let musical structures take a back seat to sensations in the face of “droozing” sound waves. Although intuition plays a key role in composition, our “pieces” are by no means works of improvisation, as they are the fruit of a complicated process of selectively approaching and then evolving ideas into increasingly complex runs. In this way we attempt to perceive each individual element with a different sense – like a bass line, for instance, which might be tweaked by sensing the vibrations emitted from the amplifiers; another example would be the modulation of background-white noise (Störgeräusche) via exclusively tactile operation of the effect knobs, thus approaching the final desired form by literally fidgeting our way there. This results in multi-facetted soundscapes that challenge all senses in creation and perception.

The first serious collection of material thematically revolves around the notion of time and, more particularly, the measuring of time. The logic and reasoning behind this was determined in a similarly playful and intuitive manner as the method used for molding our sounds, always maintaining a limited range of sensory perception. The individual pieces were created with the focus on interlocking units of time in the western world. Step by step, we get to the bottom of how, why, and at what one point human beings become limited by these units of time, ultimately denying them the ability to treasure individual moments and leaving their lives void of meaning in the face of their own mortality. 

♕ ℱluffy ℳaster ♕ 
♡ ᕠ∀joя Ɖᴉsɔöмɟoяł ♡ 
✄ ½ нմლɑncentipad ✄ 
https://soundcloud.com/major-disco
https://soundcloud.com/humancentipad

NATE  YOUNG

  (b.  1977,  Mansfield,  MO)  is  a  

Detroit-based  musician  working  in  experimental  

electronic  sound  for  over  twenty  years.  In  

1998,  Young  founded  legendary  noise  group  

Wolf  Eyes.  Solo  and  as  Wolf  Eyes,  Young  has  

toured  the  world,  released  countless  records,  

collaborated  with  Anthony  Braxton  and  Marshall  

Allen,  and  inspired  a  generation  of  electronic  

musicians.  Recent  accomplishments  include  

performing  his  compositions  with  the  BBC  

Scottish  Symphony  Orchestra,  and  creating  Trip  

Metal  Fest,  an  annual  free  experimental  music  

festival  in  Detroit  that  has  brought  luminaries  

such  as  Morton  Subotnick  and  the  Art  Ensemble  

of  Chicago  to  Detroit.  In  2016,  Young  co-created  

(with  John  Olson)  the  record  label  Lower  Floor  

Music,  an  imprint  of  Warp  Records.

In  the  Regression  series–

Regression

  (2009),  

Stay  Asleep

  (2011),  

Other  Days

  (2012),  

Blinding  

Confusion

  (2013)–Young  drew  a  compositional  

aesthetic  from  Italian  library  music  and  

musique  concrète.

HUMANCENTiPAD is following