psychedelic

Classic Rock

dead

live dead

Grateful Dead

Grateful Dead Family

Sleep Please

He's Gone
Jack Straw
Bird Song
Greatest Story Ever Told

Veneta, OR 8/27/72: The Complete Sunshine Daydream Concert

He's Gone (Live in Veneta, Oregon 8/27/72)

Terrapin Station>

In Memory of Elizabeth Reed - Bustle In Your Hedgerow

1-3Hz is in the Delta range. For deep meditation or sleep. I used my guitar for all the sounds (no electronic sounds), although I did use some effects like time-stretching and lots of reverb and delay.

The 1Hz tone is associated with 
deep, dreamless sleep, trance state, profound 
relaxation, restorative sleep, feelings of tranquility and peace, if one can remain awake! 
[VUG via DW]

1.0 - Feeling of well-being, pituitary stimulation to release growth hormone; overall view 
of inter-relationships; harmony & balance [MB]

Isochronic Tone 1Hz (Guitar Based)

Pink Floyd - Wish You Were Here

Dick's Picks Vol. 2: Ohio Theater, Columbus, OH 10/31/71

Dark Star (Live in Columbus, OH, October 31, 1971)

Garcia Live Vol. 3 - Legion Of Mary Captures the Garcia Band running through a selection of originals and covers. While it isn't as fluid or surprising as the double-disc 1991 set Jerry Garcia Band, it's nevertheless an entertaining set, especially for devoted fans, who will cherish previously unheard Garcia covers of songs like 'Think' and the How Sweet It Is."

How Sweet It Is (To Be Loved Be Loved By You)

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Il Volo - Un Amore Cosi' Grande

Il Volo - Painfully Beautiful

Il Volo - This Time

Here is a sample track from one of the Dead's EPIC shows in 1974, when Bear's Wall of Sound was fully operational and audiences were being blown away by the colossal sound waves emanating from its many towering speakers. But the Wall wasn't made simply to blow the roof off a joint; the Dead's most delicate and sublime musical moments could now be heard in all their acoustical glory, filling the room for people even in the back row to be able to hear and dance on every graceful note. Bold and courageous tapers, like Jerry Moore, were determined to get these legendary sounds on tape, and the glittering sonicscapes they captured was no simple task. / The fruits of Moore's labors can be heard here in a symbiotic relationship with the well-balanced soundboard recording, which together produce a unique aural experience that cannot be derived from either of the recordings alone. By being mixed together in a very specific way, a sonic chemical reaction occurs that produces a new aural creature to be reckoned with. This new audio form - the matrix - contains a heightened level of acoustical energy and resonance that reveals a depth and power to the live sound that was not quite experienced before, except perhaps if one was actually at the show. The matrix is thus a more accurate musical portrait of the band/audience relationship that was so integral to the life of a Grateful Dead concert event, where both parties literally fed off the energy of the other. This acoustical feeding frenzy, in relation to the sound dimensions of the actual room or space, is what the matrix seeks to embody and reproduce, and it touches more decisively on a sustained kind of ecstasy that would occur at a show between the Dead and their fans. / The track presented here, which is Robert Hunter and Jerry Garcia's "Ship of Fools" (on Hunter's birthday, no less), is unique in that it is preceded by a soft and lyrical "jam" that reflects the tones and textures of "Ship of Fools", but it is not a formal part of the song. This exquisite musical interlude, skillfully placed after Phil Lesh and Ned Lagin's otherworldly "Seastones" debut, has been quite appropriately called "Setting Sail". The jam, which is really more of a song in itself, conveys a languid feeling of casting off into gentle and cool waters at dawn, only to be met by a cautionary tale of paying allegiance to the wrong kinds of ships at sea.

Setting Sail -> Ship of Fools - 6/23/74 Jai-Alai Fronton - Miami, FL

Before "Fire on the Mountain" was introduced to Dead fans at Winterland on March 18, 1977, an earlier prototype of the song was known as "Happiness is Drumming", an instrumental composition by Mickey Hart that appears on his transcendental 1976 album, Diga Rhythm Band. Jerry Garcia makes a guest appearance on the album as lead guitar for the track. It was only a matter of time before Robert Hunter would compose the lyrics to create one of the Dead's most glorious and welcomed concert tunes. / "Happiness" debuted at the Auditorium Theatre in Chicago during the Dead's comeback tour in June of '76, after a short-lived hiatus in '75 that still produced four memorable shows. It was the first and last time the song would be played without Garcia singing the eventual lyrics to it. On a lesser known note, Phil Lesh teases "Happiness" during a "Playing in the Band" jam a week earlier at the Tower Theatre in Upper Darby, Pennsylvania, on June 22nd, but that leads to a "Drums with Phil" segment instead, before taking a turn on "The Wheel". / The matrix track here presents a rare audience recording by a Grateful Dead crew member. The Auditorium has a reputation for having an ideal acoustical space, and this is confirmed by the crew member's excellent pull of this magical night. What is interesting to hear is how dead silent the crowd is during the transition out of "Eyes of the World" into "Happiness", as though there is a collective awareness that something big is about to happen that requires their full attention - and once they know it has happened, the cheering ensues.

Happiness is Drumming - 6/28/76 Auditorium Theatre - Chicago, IL

Wharf Rat - Grateful Dead - Watkins Glen 1973

Behold! - the only performance of Crazy Fingers into Comes a Time.

Crazy Fingers -> Comes a Time - 6/22/76 Tower Theatre - Upper Darby, PA

06 Cream Puff War.mp3

Fire on the Mountain - 5/8/77 Barton Hall, Cornell U. - Ithaca, NY

This matrix track from August 2008 was resynced on 9/25/11 for the stream here. Wonderful Jerry ballad on acoustic guitar.

I've Been All Around This World - 10/3/80 Warfield Theatre - San Francisco, CA

Richie Havens - Freedom At Woodstock 1969 (HD)

Ripple - 10/26/80 Radio City Music Hall - New York, NY

Estimated Prophet - The Mosque in Richmond, VA 5/25/77

Grateful Dead (Skull & Roses)

Mama Tried (Live at Fillmore East, New York, NY, April 26, 1971)

Somewhere in the finger lakes region----really rocks in the springtime snowstorm happening outside at the time

Grateful Dead  Dancing in the Streets   1977

The '60s Music for Sync Licensing (Film & TV)
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Santana - Evil Ways

Me & My Uncle (Live at Fillmore East, New York, NY, April 29, 1971)

So Many Roads (1965 - 1995)

Way to Go Home (Live in Auburn Hills, July 31, 1994)

Man Smart, Woman Smarter

Grateful Dead
Mississippi Half-Step
Colt Park, Hartford, CT, 8/2/1976

Grateful Dead—Mississippi Half-Step

The Very Best of the Grateful Dead

The Golden Road (2001 Remaster)

Santana - Soul Sacrifice (Woodstock 1969)

Hartford Civic Center - Hartford, CT 5/28/77

To Terrapin: May 28, 1977 Hartford, CT

Sugaree (Live at Hartford, CT, May 28, 1977)

Thriftworks - Raki Taki - 03 Euphearia

A matrix is a recording of a live concert that combines the soundboard recording with an audience recording to produce a more ambient and dynamic soundscape.



Setting Sail -> Ship of Fools - 6/23/74 Jai-Alai Fronton - Miami, FL

Hunter's Trix