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NeverLand

My Favorite Songs

Hunting Grounds

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last

Howl

Mayday

Best

Produced - Michael Belsar
Mastered - Jarrod Ferguson
Artwork - Scott Leonard

Drunk

iTunes: http://smarturl.it/StolenYouthiT
Big Dada Shop: http://bit.ly/stolenyouthBD 
Amazon: http://smarturl.it/StolenYouthAM

His work was featured on the very first series of Skins and now, five years on, Roots Manuva turns his hand to a compose a new track exclusively for the very final episode.

http://rootsmanuva.co.uk
http://bigdada.com/

Stolen Youth

Stolen Youth (Radio Edit)

Order on iTunes

Never Expire

Out now 'Crossing Borders' Feat. Fritz Kalkbrenner at iTunes: http://smarturl.it/crossingbordersit

New Album - 'Eve' Out Now: 
iTunes: http://smarturl.it/evealbumitunes
Amazon: http://smarturl.it/bookashadecdalbum
Beatport: http://smarturl.it/ztmhal
Google Play: http://bit.ly/1f8xnr4

Booka Shade Online:
http://www.bookashade.com
https://www.facebook.com/bookashade
https://twitter.com/BookaShade
https://plus.google.com/+BookaShadeOfficial
http://instagram.com/bookashade

Beatport

Love Inc

Miss Teen Massachusetts

Undertow

Recorded &amp; Written by Future People &amp; Spank Rock
Mixed by Danny Kalb &amp; Future People
Contact: futurepeoplemusics@gmail.com

Science of God [con Spank Rock]

Track 04 from RUFUS EP (BLUE)
Available on itunes or from the below link:
http://www.junodownload.com/products/rufus-ep-blue/1951058-02/

Selena

From Last Dinosaurs' debut album 'In A Million Years'

In A Million Years

Andy

© 2012 Words and Music by Jonathan Bowden / Jordan Sturdee
Performed by Battleships

Your Words

I Can Talk

Tourist History

Undercover Martyn

IN COLOUR is the first song divulged under the Hunting Grounds moniker, and the first single to be released from debut album 'In Hindsight'. Brash relentless beats, heavy keys, heady vocals, it is all there but bigger, brighter, and more ass-kicking than ever. ‘In Colour’ is a tune destined for the dancefloor. But you can decide that for yourself; listen to it here.

In Colour

triple j Unearthed High winning sextet HUNTING GROUNDS follow up their 2011 radio favourite IN COLOUR with hypnotic single FLAWS. The second single lifted from forthcoming debut album In Hindsight, FLAWS invokes grand imagery, all reverby vocals, staccato synth sounds and the customary Hunting Grounds hip-shaking swagger. Hunting Grounds present one very haunting hook to ingratiate itself into listeners’ minds and repeat, replay. 

Flaws

Star Shards (Album Version)

Star Shards (Radio Edit)

Listen to tracks from Ed's debut album '+' out now!

iTunes: http://atlre.co.uk/r1Qybn 
iTunes Deluxe Version: http://atlre.co.uk/rjrmBJ 
Play: http://atlre.co.uk/qvO50K 
Amazon: http://atlre.co.uk/kDOh38 
HMV: http://atlre.co.uk/jI2rGR 
Tesco: http://atlre.co.uk/rrLznw

The A Team

Give Me Love

A new mastered mix from RÜFÜS' upcoming debut EP...

Paris Collides

Future People - "Little Gold Chain"

Ohio is the latest release from the Kingswood machine. A tale of lost opportunities, a tale of 'the one that got away', a tale of a mexican intervention and above all, a tale of deep burning love. Delivered with the subtleties of highly electrified guitars, distorting bass and drums of doom, this expression of delicacy and youth lust was captured at Woodstock studios by Cameron Trewin and mastered where it should be mastered, in Ohio, by the master, Brian Lucey. Best served with banana and eggplant layer cake. 


Ohio

'Evil Friends' available June 4th.
Produced by Danger Mouse

Pre-order the album http://smarturl.it/evilfriends

Evil Friends

Evil Friends http://smarturl.it/evilfriends 
Now Available Everywhere 
Produced by Danger Mouse 

Purple Yellow Red and Blue

DOWNLOAD HERE: http://olliemckendrickness.bandcamp.com/track/betwixt
hope you enjoy.
check out my facebook if you're into that sort of thing - https://www.facebook.com/olliemckendricknessmusic

Betwixt

Pre-order Evil Friends http://smarturl.it/evilfriends 
Available Everywhere June 4th 
Produced by Danger Mouse

Atomic Man

HUNTING GROUNDS are in it for the long haul. Their debut album may be be titled IN HINDSIGHT, but here is a sextet that is looking ahead with a firm grasp on the realities and possibilities of past and present. There is a degree of dramatic irony buried within the concise title of this very vast album. 

Everything about In Hindsight is vast, the themes, the sounds, of course even the number of performers on it. Hunting Grounds is by nature a very cohesive, collaborative effort. There are multiple songwriters here, heaving and swaying against each other’s ideas and concepts, inspiring an eclectic and intelligent mix. Three vocalists now also revolve on Hunting Grounds’ stage: Lachlan Morrish, Michael Belsar and Galen Strachan. One might be forgiven for assuming that this is too much for one ambitious debut release, but it’s stitched together in a synth-heavy, hip-swaying cacophony that straddles beautiful and mesmerising. 

IN HINDSIGHT launches with the words ‘No idea, where we are from, its clear. Where we are going, I fear is nowhere’ It’s true that this is a needless fear but the perfect spacey catchall to introduce this album.  STAR SHARDS kicks with the throbbing bass of John Crawford that is so familiar to Hunting Grounds listeners, and embarks on a spacey journey of reverb drenched guitars and cleverly selected synth sounds.  Of FLAWS there is much to say. The one that almost got away; born from a more typical rock song structure and not really intended for the album. Reworked into a hypnotic pseudo-house track, FLAWS now invokes something far grander than the more direct Hunting Grounds of old.  Likewise, the middle of the album assaults listeners with LIQUID AIR; easily the ‘biggest’ song on the record. All soaring vocal melodies and uplifting keys, this song belongs in a stadium, or on the credits of your new favourite 80’s action film. 

But there are also older, solidly road-tested tunes on here. KILL MY FRIENDS and COLD FEET cleverly marry the unpredictable, wilder live elements of Hunting Grounds into the more controlled elements of the album. KILL MY FRIENDS has all the urgency of older Hunting Grounds tracks, plus the desperate, repetitive yelping of master vocalist Lachlan Morrish. ALL EYES, with its grand piano, driving bass line and the croon of Michael Belsar is a stunning testament to the rapid growth of the Hunting Grounds sound. Plus, there are those hip-swaying, hands-in-the-air rhythms again.  The sparse, heady groove of CLEARLY SEE is a pop jingle not so far from The Beatles more psychedelic wanderings. Fitting that the protagonist of the song is slowly losing his mind. 

Hunting Grounds endured the waiting game when it came to the fruition of this album. Dates were set, first single (In Colour) released to much radio play and general praise. Then; nothing. The writing process was long and cumbersome, but the sonic growth from the ‘Howl’ and ‘Brothers In Violence’ EPs to ‘In Hindsight’ is palpable; and thus the wait is justified. Dribs and drabs of demoing was at last coaxed together into an album when the band entered Melbourne’s Red Door Sounds with Brothers In Violence producer Paul ‘Woody’ Annison (Children Collide, Black Cab, Young Revelry). The luxury of several weeks with Annison helped the sextet craft tunes that previously seemed offcuts (like FLAWS) into shiny aural gems. 

Space is the crucial word here. In Hindsight is filled with it from wall to wall and the results are fabulous. There is a lot of space, every vocal hook and every sound in its place but there are no clinical elements.  A handful of tunes sprawl in past the 5-minute mark and most of them boast an ear boggling but very agreeable selection of vocal tracks. Lachlan Morrish’s previously harsh vocal tones have acquired a more melodious quality, but they remain raw, and jolting and retain their unsettling air of old, complimented by the warm tones of other vocalists Belsar and Strachan.  There are tips of the musical hat to Radiohead here of course, but the synths are at times a homage to the great man himself; Gary Newman. Older influences also shine through on the album, in the feverish guitar work of Tim Street and the neat, bang-on drumming of Daniel Marie.  The old and new collide on In Hindsight to create the wall of sound the band really desired to achieve. 

Each and every step of the journey towards the realization of IN HINDSIGHT has been a learning experience. The band’s winning stint as the triple j Unearthed High crown winners sent the band into a quality studio with experienced producers.  In fact, Hunting Grounds have really come good as the first Uneathed High winning band to release a full length. Furthermore, a touring schedule that hardened touring veterans would wince at saw them cut their teeth on unfamiliar audiences and make many and varied friends. Venturing outside the support of the small but fruitful Ballarat music scene meant a new perspective, but also solidified the loyalties that lie at home. Indeed, the art and videos that accompany In Hindsight have been crafted by Ballarat locals, giving it all a very cooperative feeling. All in all; IN HINDSIGHT is a testament to the virtues of hard work, an inquisitive mind and an insatiable desire to experiment through sound. 
