Conservatoire National Supérieur de Musique et de Danse de Paris 🇫🇷
Kunst-Universität Graz 🇦🇹

Since 2002, le Forum de la Création Musicale is the official composers association of Fédération Wallonie-Bruxelles, and is strong of more than 90 members. 
Le Forum holds two festivals : festival LOOP and Belgian Music Days; is giving a prize for young composers (prix André Souris) and is holding regular workshops and events.
Le Forum is ISCM Wallonia-Brussels section and a member of ECSA

Compositeur singulier, Kialiaski explore les frontières du son expérimental, de la poésie sonore et des paysages transversaux. Sa musique s’écrit pour l’image, le cinéma et le spectacle vivant, toujours au service d’une action émotionnelle et d’une recherche de sens.

Entre textures bruitistes, nappes cinématographiques et rythmiques sensibles, il propose un voyage auditif où chaque morceau devient un territoire d’expression libre.

🎬 Pour les réalisateurs, metteurs en scène, chorégraphes ou curieux en quête d’un son qui sort des cadres : abonnez-vous et laissez-vous surprendre.

📩 Contact / collaborations : kialiaski@gmail.com

Cinema for the ears - spoken action poetry - experimental music - Peur du Noir - Contemporary Art -

www.luistorrescomposer.com
https://www.youtube.com/@LuisTorres.official

Luis Torres (b. 1993, Mexico) | Composer of acoustic & electro-acoustic music | Cursus participant at IRCAM, Paris | Blending modern composition with live electronics.

Ceferino Antonio García (1979), La Pampa, Argentina. Compositor, docente y productor dedicado a la música contemporánea desde hace 15 años. Su música y sus intereses creativos se enfocan en la exploración de diferentes temáticas como la relación metafórica y analógica entre los fenómenos de la naturaleza y la música, la aleatoriedad y la improvisación en música como recurso expresivo y técnico para la creación. Ha trabajado en proyectos de música para orquesta sinfónica, para conjuntos de cámara: pequeños y grandes ensambles, música para obras de teatro independiente, obras para instrumentos solistas y obras de música mixta.

Algunos intérpretes y ensambles que hicieron su música: Dúo Be.Mad: Beatrix Wagner y Madeleine Schapiro (Alemania/E.E.U.U.), Émilie Girard-Charest (Canadá), Dúo Reflexión K: Beatrix Wagner y Gerald Eckert (Alemania), Lori Freedman y Scott Thomson (Canadá), Valentín Garvié (Mar del Plata) Orquesta Sinfónica de la Universidad Nacional de Córdoba, Gustavo Aiziczon, Gisele Tobares, Eduardo Spinelli, ensemble SUONO MOBILE argentina, Mauricio Hernández, Sebastián Vallejo, Aníbal Borzone, Mariano Ceballos, Alejandro Galiano, Pablo Platte, Gabriela Gregorat, Cuarteto de Cuerdas Träumerei (Córdoba), entre otros.

Dr. Leah Reid (b. 1985) is a composer, sound artist, researcher, and educator, whose works range from opera, chamber, and vocal music, to acousmatic, electroacoustic works, and interactive sound installations. Her primary research interests involve the perception, modeling, and compositional applications of timbre. In her works, timbre acts as a catalyst for exploring new soundscapes, time, space, perception, and color. In recent reviews, Reid’s works have been described as “immersive”, “haunting”, and “shimmering”.
 
Winner of a 2022 Guggenheim Fellowship, Reid has also won the American Prize in Composition (Vocal Chamber Music Division), first prizes in the “Galaxies” 6th International “New Vision” Composition Competition in memory of Nicolaus Copernicus, Musicworks’ Electronic Music Composition Contest, the 8th KLANG! International Electroacoustic Composition Competition, the Gaetano Amadeo Prize, the Tesselat Electronic Music Competition, and the Franz Schubert Conservatory International Composer Competition, Sound of the Year’s Composed with Sound Award, the Film Score Award in Frame Dance Productions’ Music Composition Competition, the International Alliance for Women in Music’s (IAWM) Pauline Oliveros Award, and second prizes in the Iannis Xenakis International Electronic Music Competition and the 13th International Destellos Competition. She has received fellowships from the Guerilla Opera Company, Transient Canvas, Copland House, the Hambidge Center, MacDowell, the Virginia Center for the Creative Arts (VCCA), the Ucross Foundation, and Yaddo. 

Reid has worked with and received commissions from ensembles such as Accordant Commons, Blow Up Percussion, Concavo & Convesso, Ensemble Móbile, Guerilla Opera, the Jack Quartet, McGill’s Contemporary Music Ensemble, Neave Trio, Sound Gear, Talea, and Yarn/Wire. Her compositions have been presented at festivals, conferences, and in major venues throughout the world, including Aveiro_Síntese (Portugal), BEAST FEaST (England), Espacios Sonoros(Argentina), EviMus (Germany), Forgotten Spaces: EuroMicrofest (Germany), the International Computer Music Conference (USA & Chile), IRCAM’s ManiFeste (France), LA Philharmonic's Noon to Midnight (USA), the Matera Intermedia Festival (Italy), the New York City Electronic Music Festival (USA), the OUA Electroacoustic Music Festival (Japan), the San Francisco Tape Music Festival (USA), Série de Música de Câmara (Brazil), the Society of Composers National Conference (USA), Soochow New Voice Concert Series (China), the Sound and Music Computing Conference (Germany), the Tilde New Music Festival (Australia), the Toronto International Electroacoustic Symposium (Canada), and the Workshop on Computer Music and Audio Technology (Taiwan), among many others. Her works are published with Ablaze Records, Cero Records, New Focus Recordings, Parma Recordings, RMN Classical, and BabelScores.

She is a Vice President of the International Alliance for Women in Music (IAWM), Vice President for Programs and Projects for the Society of Electroacoustic Music in the United States (SEAMUS), and the Artistic Director of the Boston New Music Initiative (BNMI). 

Reid received her D.M.A. and M.A. in music composition from Stanford University and her B.Mus from McGill University. Reid’s principal teachers include Mark Applebaum, Jonathan Berger, Brian Ferneyhough, Sean Ferguson, Ana Sokolovic, and Brian Paul Harman. Reid has taught at Stanford University (Stanford, CA), University of the Pacific (Stockton, CA), and at the University of Silicon Valley (San Jose, CA). She is currently an Assistant Professor at the University of Virginia (Charlottesville, VA), where she teaches courses in music composition and technology. Additional information may be found at www.leahreid.com.

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