Polish composer (M.A., 2002, "F. Chopin" Acedemy of Music in Warsaw, Prof. Zbigniew Baginski's class), music theorist (M.A., 2000, "F. Chopin" Acedemy of Music in Warsaw, under Prof. Maria Piotrowska), musicologist (Ph.D., 2005, University of Warsaw, under Prof. Zbigniew Skowron), researcher, lecturer.
So far he has written 127 pieces: 12 symphonies (2017-2024), 3 symphonic poemes (2001-2011), 4 concertos with orchestra (organ, piano, two pianos, flute, 2002-2024), 22 string quartets (2001-2025), 17 sonatas for different solo instruments with piano (violin, cello, oboe, trombone, etc.), chamber music as Piano Trio (1998), Piano Quartet (2021), Piano Quintet (2003), String Trio (2021), numerous songs for voice and piano, sacred works, e.g. Mass for soloists, choir, organ and orchestra (2002, rev. 2024), and electronic music.  
The stylistic and technical parameters describes the text below:
https://pawelstrzelecki.wixsite.com/music
The author of the crucial, first and original book (used as academic manual and present in many libraries) on "New Romanticism" in Polish music after 1975, containing interview of the author with Krzysztof Penderecki (2022, English Language Edition).
https://www.peterlang.com/document/1282565?fbclid=IwAR1Pm40flHnsqH07OsvXdXwV1ZwLeVLOmfrxkqe3wxL5rsJioluBL-2FQ9M#document-details-anchor
Polish edition (2006):
https://mi.pl/pl/p/Pawel-Strzelecki-Nowy-romantyzm-w-tworczosci-kompozytorow-polskich-po-roku-1975/59

The book was quoted in: Andrea Bohlman: "Musical Solidarities. Political Action and Music in Late Twentieth-Century Poland". Oxford University Press, 2020, pp. 208, 266. The link to the quotation (p. 208):
https://books.google.pl/books?id=uNnBDwAAQBAJ&pg=PA208&dq=bohlman+nowy+romantyzm&hl=en&sa=X&ved=2ahUKEwjoyL-x-Lf4AhXOk4sKHUWMChUQ6AF6BAgEEAI#v=onepage&q=bohlman%20nowy%20romantyzm&f=false

Emily Hazrati is a composer and educator based in London. Her music centres around environment, place and belonging; frequently informed by sounds and landscapes from the natural world, as well as ideas around breath, ritual, and circularity. She has a particular affinity to working with narrative and text, and is interested in collaborative, interdisciplinary ways of making art.

Emily is Oxford Song's Associate Composer for 2024-26, with premieres of her compositions at Oxford International Song Festival planned for 2025 and 2026. Current projects include writing for London Symphony Orchestra as one of their Helen Hamlyn Panufnik Composers 2024-25, a new work for The Marian Consort on the Royal Philharmonic Society’s 2025 Composers programme, and choral commissions for St Martin’s Voices and Vox Urbane. Emily has worked with ensembles and organisations including the BBC Singers, Royal Ballet and Opera, Ligeti Quartet, National Youth Choir and CHROMA ensemble, amongst many others. She has recently been developing her second chamber opera TIDE, commissioned by Britten Pears Arts, which received its first, sold-out performances at the Aldeburgh Festival 2022.

Emily’s music has received multiple broadcasts on BBC Radio 3, and performances in the UK, Canada, Germany, USA, Australia, and New Zealand. Her compositions have been released on NMC Recordings as part of their Young Composers 5 album, receiving critical acclaim from BBC Music Magazine. In 2024, she was awarded PRS Foundation’s The Open Fund for a new song project with Ella Taylor and Jocelyn Freeman, premiering in SongEasel’s 2024 ‘A Vast Obscurity’ series.

When not composing, Emily is Composition Tutor & Coordinator at Centre for Young Musicians (part of Guildhall Young Artists), and is a composer on Music in the Round’s WeCompose programme: an initiative bringing composition to KS3 and KS4 students across the country.

Never the Bridle in interview with Mark Watkins: tinyurl.com/5n7frwf6

'Lessons' was a November 2024 Fresh on the Net 'Fresh Fave' and has been played on Exile FM and North Manchester FM.

'Lessons', 'Say it now' and 'Over and out' have had Amazing Radio airplay and are airing on their USA indie genre stream.

You can now hear them along with the rest of the album: 'Eldest Daughter Energy'.

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Solo singer-guitarist-bassist writing upbeat indie songs about anxiety and postpartum life. Keen to write for other artists.

I record the vocals, guitars and bass at home. Guest drums and production are by Martyn James.

The artist name is a reference to the scold's bridle, an archaic instrument of punishment primarily used on women.

Come say hi:  bsky.app/profile/neverthebridle.bsky.social

All my links:
https://linktr.ee/neverthebridle

Composer & Bassist

Please contact me with score inquiries at slandismusic@gmail.com

Chris Hutchings is a Scottish composer based in Edinburgh, specialising in works for choir. His works have been performed by the National Youth Choir of Scotland, New London Singers, Cappella Nova, Scottish Voices, the Edinburgh Quartet, Daniel's Beard, Pure Brass, and a wide variety of professional and amateur groups around the world. He has received commissions from several groups in the UK and USA. Recent prizes include the Murau Music Festival Composition prize in 2019, Kantos Choir's composition prize in 2021, and winning the City of Oxford Choir's  "Breaking Ground" competition in 2025.

For more details, see http://www.hutchingsmusic.co.uk for details of upcoming performances, score samples, free arrangements, and more recordings.

Videos, many with scores, at https://www.youtube.com/channel/UCx7ao4fKMuVXVz0la0r0VrQ/

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