Live performance March 2016 in Brooklyn, NY

Points On A Compass for Bass Trombone and Piano

Settle Down

You talking smack about my hair?

FOLLOW KEFFIE
https://soundcloud.com/kayfaraday

Voltron (Collab With kfaraday)

Slowly Disappear

Live interview w/ Rob Cosgrove about F-PLUS on WUSB Stony Brook (90.1fm)'s Experimental Radio, March 11, 2019. Ft. music by Howie Kenty, Roger Zare, and Liza Sobel.

F-PLUS Interview on WUSB Stony Brook

Music and text by Howie Kenty. Performed by F-PLUS at Tetractys Presents, Austin, TX, February 2, 2019.
- Andrew Hudson: bass clarinet, vocals
- Josh Graham: vibraphone, vocals
- Kate Dreyfuss: violin, vocals

This piece was partially composed while in residence at the Virginia Center for the Creative Arts, with funding assistance from the New York State and Graduate Student Employees Union Professional Development Program; great thanks goes to all institutions. The amazing F-PLUS gamely challenged and vanquished this beast, slashing their way triumphantly through dark and stormy rhythms, screeching lead lines, ominous arpeggios, and even sinister vocal harmonies, and really made the piece their own in ways that I really love. Such a pleasure working with these fine folks, can't wait for more in the future!

Horrorscene isn’t really fictional; it’s happening right now. What is your role? 

LYRICS:
A choice: which is your true head? 

Yes... sometimes monsters shriek outside,
but this call is coming from inside the house.

Run, fearful, to nostalgic times,
heedless of the slaughters past.
But what Horror’s been awoke within?
And how long before it turns to you?

Eviscerated, let’s consider:
Who walks about with crooked speech,
winks with his eyes, speaks with his feet?
Who’s always pointing his finger?
Who is it that's become the villain?
Who is it that’s become the killer?

Show us your true head.

Trio score here: http://hwarg.com/content/score/h_kenty-horrorscene-trio_full_score-transposed-2018_03_07.pdf

Horrorscene (Live, with F-PLUS at Tetractys)

Post-tonal piano piece based on the octatonic scale

Performance by Julian Jenson on 11/02/2019 @ Florida State University.

Still Life in Four Movements (2019) for piano: III. Intermezzo | Julian Jenson

“Kamelle-on” (카멜레온) is the word for "chameleon" in Korean. Written for and premiered by Gamin Kang, saenghwang, for the International Computer Music Conference (ICMC) in Daegu, Korea (August 7, 2018), presented at the School for Music and Theater in Hamburg, Germany in a specially devised fixed media format, optimized for the unveiling of the Hochschule’s new $2 million Meyer sound system: 142 loudspeakers and 50 microphones; January 17, 2020.

Recording by Joel Gordon, Watertown, MA (recording on November 13, 2018; mastering on December 31, 2019, for performance at the School for Music and Theater, Hamburg, on January 17, 2020).

Kamelle-On for saenghwang and live electronics

Voices: Ann Heppermann and Jason Cady
Words, Music, Modular Synth: Jason Cady

The Princess and the Zombies

june 19 world end trap beat

Everything All At Once

Howie Kenty, AKA Hwarg, is a Brooklyn-based composer of electro-acoustic prog-rock clockwork artsoundmusic, sometimes using visual and theatrical elements. Throughout all of his creations runs the idea that the experience of a piece is more than just listening to the music; he strives for a wholeness of vision and an awareness of environment that attempts to fully draw the audience into his works.


Horrorscene (Live, with F-PLUS at Tetractys)

Hwarg

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