Quirky 60's garage rock is reimagined from the nose of a surfboard, making High Waisted feel like a psychedelic lullaby. They’ve been called NME Magazine’s “Buzz Band to Watch”, declared “The Ultimate Party Band” by GQ and received praise from Consequence of Sound, Noisey, UPROXX, Billboard, LeftBank Mag, Paste, BTR Today, Refinery29, performed live at Nylon Magazine, Paste Magazine, and Sofar Sounds. They spent the last 4 years touring, playing both Riot Fest in Chicago and Denver, and supporting acts like Brazilian Girls, Shannon and the Clams, Kitten, Titus Andronicus, The Donkeys, Har Mar Superstar, The Coathangers, La Sera, Diarrhea Planet, La Luz, and The Shivas.

Jessica Louise Dye’s powerful voice meshes with Jono Bernstein’s vintage drum vibes, to create modern day anthems full of insightful hopes. Despite a bad bicycle injury last summer, Dye and High Waisted kept busy with a Nylon Mag feature, a record store day release alongside Bikini Kill, Lenny Kaye, and Atmosphere, wrote a song for NPR's More Perfect with a podcast feature, featured by SXSW, headlined the Las Vegas Strip Hard Rock Hotel for SBTV, wrapped their 5th sold out High Waisted at Sea and released The Acid Tapes Vol 4.

“Sick of Saying Sorry” (produced by Tad Kubler of the ‘The Hold Steady and mixed by Arun Bali ‘Saves The Day’) is an unapologetic record about finding hope in a hopeless situation and the strength to get up when the world is screaming at you to stay down.

BIG DATA is the paranoid pop brainchild of producer, Alan Wilkis. His music explores the relationship between man and machine, and the ways in which technology is reshaping the human experience, all with a healthy dose of distrust.

In 2014, BD made waves with the #1 alternative hit, “Dangerous (feat. Joywave),” which has since been certified Gold in the US and Canada, and with nearly 40M streams. Big Data’s 2015 debut album, 2.0, featured collaborations with Kimbra, Rivers Cuomo, Twin Shadow, and Jamie Lidell.

3.0 is the long-awaited upgrade from Big Data. In creating 3.0, Wilkis became obsessed with the subject of artificial intelligence and its many possible applications in our not-too-distant future. While AI may become humanity’s greatest achievement, it carries with it a potential risk that is both existential and irreversible… one of many reasons why experts refer to AI as our “final invention.” This tension is both fascinating and terrifying all at once, and it is the chief inspiration behind Big Data’s latest effort.

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Glass Animals are a Grammy and BRIT-nominated British band whose genre-blending sound and cult-like fandom have made them one of the most exciting acts in global pop. Their third album Dreamland became a cultural multi-platinum selling phenomenon and spawned Heat Waves, the record-breaking single that topped charts worldwide and made history as the first UK band to reach #1 on the Billboard Hot 100 in nearly 30 years. Last year, the band released their fourth critically acclaimed album I Love You So F**ing Much, a sci-fi-infused odyssey about love, connection, and what it means to feel real in a surreal world. It arrived alongside a 44-date world tour that included headlining The O2 Arena in London and Madison Square Gardens in New York. Frontman Dave Bayley — also one of pop’s most in-demand producers — writes and produces every song, often with an experimental DIY edge that blurs the lines between music, tech and visual art. This experimental production is particularly evident in the band’s Fresh Fruit series. Bayley uses these standalone singles to bring in guests and collaborators, giving himself space to play with new sounds. Their live shows are euphoric and surreal, driven by a deep connection with fans built through open-source creativity and unexpected digital drops.

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