for string quartet and electronics
Commissioned by F. and J-P Billarant for the Wittener Tage Für Neue Kammermusik 2021.
Recorded by Ircam (Paris, Centre Pompidou), mixed by Music Unit.

First performance : April 23th 2021, Paris (FR)
Diotima quartet.

Des Mondes Possibles - string quartet & electronics (2021)

Les Pleureuses (The Mourners)

�� �� ���� ���� (2008-02-12 ��

Gefrorene Zeit für vier Instrumentalisten 2007

Please, use headphones or good loudspeakers.

MOULT (2018–19), for orchestra
commissioned by Westdeutschen Rundfunk and Wien Modern

Live Recording WDR Orchestra, 12 May 2019, Witten

MOULT (2018–19), for orchestra

Performed by Ensemble intercontemporain
Conducted by Matthias Pintscher
Recorded live on June 14th 2019 at Cité de la Musique, Paris

Le lieu et la formule (2019) for large ensemble

gespielt und aufgenommen von der Bonner Pianistin Susanne Kessel / Foto von David Kremser

'Sternennacht' für Klavier solo 2012 (1. Fassung)

for piano and electronics

(live recording)
Commissioned by Radio France and Ircam
performance : February 8th 2020, Paris, Radio France, Studio 104
Philippe Hattat, piano

recording : Radio France, (MMO : Elsa Biston)

Urphänomen IIb (2020)- piano & electronics

uploaded from 8-Track tape recorded in 1973

"Us And Them" - Pink Floyd  (8-track tape)

new ensemble under Ed Spanjaard
Live performance
Instrumentation: 
flute, oboe, bass clarinet, guitar, mandolin, piano, harpsichord, percussion, harp, vn, va, vc, db

In Lame Butterfly, the sound world of the plucked-sting instruments greatly influences the sonority of the whole ensemble.
The musical fabric is layed out in duos, hypo-duos (one single instrument takes on a dual role on some musical level), and hyper-duos (goups of instuments are fused to create two independent groups, two simultaneous musical entities).
The instruments' location on the stage, the movement of the conductor’s hands, the name of the piece itself, it all refer to a somewhat sadly imperfect symmetry that was present since the beginning, in the musical ideas for the piece.
-Erik Oña (1996)

Lame Butterfly (1996) for ensemble - LIVE

<이승조: 도열하는 기둥> 헌정 작품, 2020.9.28. 과천 국립현대미술관
망각과 환영의 간격 (2020)
Écart entre l'oubli et l'illusion
중 5악장 youtu.be/dwDvXtwCTxI
𝘓𝘦𝘦 𝘚𝘦𝘶𝘯𝘨𝘫𝘪𝘰: 𝘈𝘥𝘷𝘢𝘯𝘤𝘪𝘯𝘨 𝘊𝘰𝘭𝘶𝘮𝘯𝘴
MMCA Gwacheon
18. June. 2020 - 8. November. 2020

Ecart entre l_oubli et l_illus

5-Entre conscience et acte(의식과 행위)2020

아에이오우 II(a_ae_i_o_u II) for voices and Korean traditional orchestra
commissioned by Gyunggi Sinawi Orchestra
conducted by Tae-Pyung Jang 
Performed at Gyunggi Art Centre on 13.Nov.2020

아에이오우 II for voices and Korean traditional orchestra

After a course of composition at the Seoul National University in Korea with Shinuh Lee, Hyang-sook Song continues studying composition with Allain Gaussin in France before joining the CNSMD the composition class at Lyon in 2005. In 2010 she obtains Master composition. She followed the "Cursus I" of composition and computer music of IRCAM in 2010/2011 where she studied with Yan Maresz et Éric Daubresse. She received a scholarship from Société Générale Musical Patronage.
On her return to Korea in 2012, she has devoted to research at the Center for Arts and Technology at Seoul National University where she helped to develop a traditional Korean virtual instrument.
Her works have been performed with various contemporary music ensembles such the Ensemble Aleph, Ensemble Alter Duft, Chœur Britten, project21AND and Ensemble Aventrue, Timf Ensemble, GRAME, Kontakte Duo, Arts Incubator, Studio2021, ensemble O.N. etc. She also lectures composition at several universities in Seoul.
contact :  hyangsook.song@gmail.com

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작곡가 송향숙은 서울대학교 작곡과(김정길, 이신우 사사)와 프랑스 리옹 국립고등음악원 졸업(Robert Pascal 사사)을 하고 2010-2011 IRCAM의 젊은 작곡가를 위한 프로그램 ‘CURSUS 1’을 이수했다. 2012년 귀국 후 project21AND, Timf Ensemble, GRAME, Studio2021, ensemble O.N. 등 현대음악 단체와 지속해서 작품 활동을 이어가고 있다.

5-Entre conscience et acte(의식과 행위)2020

Hyang-sook SONG(송향숙)