Definition? Short version: Autodidakt, Freigeist, Cineast, Künstler.

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Always been influenced by electronic music from artists from classic 70ies like Kraftwerk, Tangerine Dream, Jean Michel Jarre to nowadays acts like Daft Punk or Chemical Brothers besides many other electronic bands. I recognized more and more the enormous potential of autonomy and freedom the technical revolution made possible for artists, so some day it was quite clear to me that I don't want to stay passive with music. I'm also an amateur photographer so it was just a logical step for me to integrate my ideas and thoughts in another media: I wanted to create something with music as I did with pictures. After purchasing a MicroKorg synthesizer in 2011 I did my first steps in making music.
Now it's time to publish some results of my work here. Actually I have a lot of concepts, ideas and melodies in my mind which will be developed step by step. What are you going to hear are "work in progress" compositions.
I see my work as "digital art" concept, which means not only music but also photo, graphic, animation.

If you like my compositions, please share them, leave some words, like my Facebook page or contact me.

OLEO (Orquestra Livre Experimental Orgânica):
Free Jazz, Experimental, Noise 
Design created on 23 / ​​August / 2014d.C

Description: 
Project that began in 23 / ​​August / 2014d.C 
Initial idea of the project was intended to benefit from the creativity, free improvisation. 
The concept of improvisation is mainly the ability to simultaneously produce and interpret within or without harmonic or rhythmic parameters, melodies, rhythms and vocalizations .... See more

Declaration of authorship: 
This page and all the issued and published in it content is of interest, domain and full responsibility of OLEO (Orquestra Livre Experimental Orgânica)

OLEO (Orquestra Livre Experimental Orgânica)is:
Nando Souza: saxophone
Romulo Alexis: trumpet 
Jeferson Peres: drums
Marco Antonio: bass / noise effects / fx synth 
Reginaldo Rodrigues: handmade instruments / alaude
Vice Fiori: 5 strings violin FX / bagpipes


Storage of primitive recorded fragments of old soundworks - to be reworked and to be released  by R\A\W F\O\R\M\S  ( also publisher of Z\W\A\R\T  magazine ).

Also samples of new and\or reworked soundworks.

Some elements of Rimbaud's "lettre du voyant" can be usefull in the exploration of ultimate communication - via sound, in this case.

"...first the sound is heard of the knife, cutting the being from the false language..." ( LHT )



LOCATION: PARIS, FR. 
contact@polarinertia.net


Polar Inertia examines the enigmatic and blurry realms, embracing the art of obscured vision.
Encountering the collective Polar Inertia is much like being absorbed by fog and captivated by
its ever-shifting forms and densities, with things being as indistinguishable as in a whiteout.

Formed in 2010 by a group of artists, Polar Inertia transcends visibility, delving into structures
that lie beyond the public gaze. Layers upon layers intertwine within the fabric of Polar Inertia,
extending beyond their profound electronic compositions and live performances. It manifests as a conceptual universe, where sound, monochrome aesthetics, and elusive narratives converge,
much like trying to grasp the intangible fog. The entity that is Polar Inertia is involved in
installations, print- and video work and texts created for different contexts and live in different
spheres such as Palais de Tokyo in Paris or the Lyon Biennale of Contemporary Art. Still, clubs
and festivals are perfect spaces to experience these nebulous soundworlds and immerse in
them. Fittingly, some of Polar Inertia’s appearances include the colossal halls of Berghain and
Bassiani and at experimental festivals like Mutek Montreal and Atonal Berlin, that like to break
with the classic club conventions.

Polar Inertia's sonic landscape unfolds with wafting textures accompanied by resonating beats
and drones, reverberating through empty spaces, merging with the vast expanse of nothingness.
Their sound exists at the crossroads of ambient, experimental, and deep techno, interwoven
with vocal narratives. Since their inaugural release “Indirect Light“ on Dement3d Records in
2011, they remain a stronghold of relevance and captivation in the electronic domain.

hygiene is following