JOY. to the world

Same Place

Mixed by MikeBlud
Produced by Rhapsodist
Art by Billie Rose & Dounia

Shyne

Franck Gérard - A2. A4 Papier-Feutre / GRVDG003

KALI MALONE – 1113 [Xkatedral]
KAPAK – Les ciels de plomb [SILO]
?? – ???
HELM – After Dark (Shy H1 remix)[Alter]
R A M S E S – locoloco [Discolored Field]
MINAIS B – As The River At Its Source [Petrola 80]
ANDREA BELFI – Lead [Float]
LÉO FERRÉ – La violence et l’ennui [RCA]
тпсб- Catching The Birds [Blackest Ever Black]
ME-AND – Douce Forêt [AB Records]
CAERULEA – False Alarms [Perfect Aesthetics]
G.O.M. – Tears Fall All Above [AR/FM]
SOHO REZANEJAD & FREDERIK VALENTIN – One of my Shades [Posh Isolation]

Special thanks to Vincent Glandier for the invitation & to all those artists for their music

Le Poids Du Ciel #5 / LYL Radio with Penelope Methods

Internazionale & Lana Del Rey - To Seek Safety In Other People (True Freedom Remix)

prod : @r1akawann

planet earth
the power of the universe
shawty back up in this bish
don’t act like u aint never heard me
im bold
im thick
it’s written on my curves
technology getting better
while these humans getting worst
im the biggest mistake of all of my exes
you know it
gotta lotta dope
im talking plan(t)s
im talking budget
fuck me over once
the second time u in a coffin
solar system angel
i am a flying on a comet

look up look up to the sky
5star
roll up roll up
with me 
honey get the the 5 star
for the fam and for the city
hold me 5star
i just want the best of it all
only 5star
oooo
hey
5star

on a mission
get ready for some action
like an ocean got the water
for a lightyear evolution
im a healer
im a nymph
im a scientist
alchemist
i got magic in my sleeves
I’m making potions while u sleep
im the biggest mistake of all of my exes
you know it
gotta lotta dope
im talking plan(t)s
im talking budget
fuck me over once
the second time u in a coffin
solar system angel
i am a flying on a comet

look up look up to the sky
5star
roll up roll up
with me 
honey get the the 5 star
for the fam and for the city
hold me 5star
i just want the best of it all
only 5star
oooo
hey
5star

my homie rated 5star by your shawty
my baby working 5star for your shawty
i'm going home so late for unfinished business
i'm real until my death i could never fake it

look up look up to the sky
5star
roll up roll up
with me 
honey get the the 5 star
for the fam and for the city
hold me 5star
i just want the best of it all
only 5star
oooo
hey
5star

5star (prod. traxa)

TU PEUX PAS NOUS TUER ON EST DÉJÀ MORT

PieceoffDy

A4 - À travers la forêt

MARIA W HORN, Epistasis, LP

Release date - Oct 25th 2019 
Catalogue nr. - HG1904
Format - Vinyl/digital

https://hallowground.bandcamp.com

Tracklist:
A1) Interlocked Cycles I 	(10:45)
A2) Epistasis 			(09:31)
B1) Konvektion 			(13:16)
B2) Interlocked Cycles II 	(09:46)

Credits:
All music composed, recorded and mixed by Maria W Horn
Linnea Hällqvist - violin
Knapp Brita Pettersson - violin
Maria Jonsson - viola
Natalia Goldmann - cello
Johanna Niederbacher - cello
Mats Erlandsson - electric guitar
David Granström - electric guitar
Johannes Landgren - organ 
Fredrik Lundqvist - organ

Mastering by Lawrence English
Design by Ruth Stofer

Promotion by Dense Promotion, ed@dense.de 
Distribution by Cargo Records and a-Musik
Released by Hallow Ground

///
Following the success of her 2018 solo debut album »Kontrapoetik,« the Swedish composer Maria W Horn returns with »Epistasis,« her most ambitious record to date. The title track, »Konvektion« and the two parts of »Interlocked Cycles« see the XKatedral co-founder explore radical approaches to composition that combine avantgarde methods with electronic means. While »Kontrapoetik« highlighted Horn’s strength as a conceptual and political artist, »Epistasis« is to be understood as an advanced statement by a forward-thinking composer who throughout four pieces channels her influences, ranging from black metal to minimal music, through state-of-the-art technology. 
Originally composed as an audiovisual piece for synchronised multichannel sound and lights and premiered in 2018 at the Royal College of Music in Stockholm, »Interlocked Cycles« is a series of pieces exploring a gradual increase in tempo and density using various instruments. It was written to be performed by a computer-controlled upright Disklavier piano while the electronic part was generated within the Supercollider framework using phase modulation synthesis. Navigating between acoustic and electronic sounds, the two parts of »Interlocked Cycles« create a frame for the album by respectively serving as an introduction and coda to Horn’s musical exploration of the notions of authenticity and artificiality.
The nine and a half minute long title track was composed for an eight-voice double string quartet and draws on evolving progressions in F minor that were inspired by the sound and harmonic structures of early nineties doom and black metal music. During the performance of »Epistasis,« which was commissioned by Konstmusiksystrar and premiered by Malvakvartetten at Konserthuset in Stockholm 2018, four parts are played by the string quartet and four parts are played back electronically. Using various amplification techniques, the spectral characteristics of the string instruments are enhanced and distorted and were later on complemented by feedbacking electric guitar overdubs while mixing the piece. The result are densely layered drones that are most unsettling when they are the quietest and reveal their anthemic qualities in their most forceful moments.
The structure of »Konvektion« however takes its cues from a very different field of the musical world. The composition progresses in a way that was inspired by Arvo Pärt’s »Tintinnabuli« technique, where step-by-step diatonic movement interplays with triads to form a complex harmonic function that is still rooted in tonality. Based around four-note chords articulated as dyads and performed by two organists on the same instrument, the duration of each dyad is measured by the individual breaths of the two performers while pitches are predetermined in the score of the piece. The alternating breathing cycles of the performers slowly move the piece forward at a glacial pace. Simultaneously, an electronic part composed of interference tones creating high and low frequency beating patterns gradually unfolds, making »Konvektion« an exercise in minimalism that combines the subtle gravity of Phill Niblock’s work with the visceral theatrality of Anna von Hausswolff’s organ pieces.

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Le Poids Du Ciel #5 / LYL Radio with Penelope Methods

Hylvind