Hyper-On Experience: The Frightner

Speedcore, noise, industrial, industrial hardcore, experimental, abstract techno, death industrial, power electronics, powerviolence, digital hardcore, breakcore, hip hop, rap, gangsta rap, drone, dark drone, ambient, dark ambient, ritual ambient, terrorcore, hardcore, acidcore, acid, noisecore, 8bit, chiptune, breakbeat, hnw, harsh noise, harsh noise wall, splitter core and extratone professional musical artist, producer, mix engineer from Darwin, NT, Australia. Currently living in Wodonga, VIC, Australia. Making extreme music and funny skits/sound collages since 2011.

External links: 

https://www.facebook.com/cornholecrucifixion/
 
https://www.youtube.com/channel/UCqk6JGm4fyOFHR_g2gLdOuQ

https://cornholecrucifixion.bandcamp.com/

https://bandcamp.com/cornholecrucifixion0

https://www.discogs.com/artist/4820783-Cornhole-Crucifixion

https://www.mixcloud.com/cornholecrucifixion/

https://www.mixcloud.com/blaze-vansyl/

https://enderecords.bandcamp.com/album/ende85-dj-california-crisis-cornhole-crucifixion-dj-californiacrisis-cornhole-crucifixion

https://speedcoreworldwideaudionetlabel.bandcamp.com/track/armee-der-toten-cornhole-crucifixion-remix

https://cornholecrucifixion.bandcamp.com/album/cornholecrucifixion-album-bitchezzz

https://cornholecrucifixion.bandcamp.com/album/the-crucification-of-cornhole

https://brokentothecorerecords.bandcamp.com/album/bttc-03-cornhole-crucifixion-vs-low-entropy-extreme-speedcore-disorder-ep

https://cornholecrucifixion.bandcamp.com/album/rift-in-anal-prolapse

http://extratonerecords.blogspot.com/2018/08/cornhole-crucifixion-rift-in-anal.html

http://lowlifehighvolume.biz/LLHV-16.html

https://lowlifehighvolume.bandcamp.com/album/enjoyable-cornhole

https://plataformarecs.bandcamp.com/album/hell-machine-series-001-03-cornhole-crucifixion-antoine-trauma

https://plataformarecs.bandcamp.com/album/split-misantropskia-vs-cornhole-crucifixion

23/10/2025

PLEASE SEND ANY DISSATISFACTION OVER MY TREATMENT TO AS MY REPORTS SEEN AS WHINGING.

https://www.lancashire.police.uk/

THEY REFUSE TO HAND OVER EXPENSIVE PROPERTY SINCE LATE 2019 AND REFUSE TO INVESTIGATE UNLESS IT IS ME.

POLICE REFUSE TO DO THE RIGHT THING AS 20 YEARS MAKING MUSIC IS SEEN AS A "POINTLESS" THING TO DO BY THE POLICE WHO THINK MUSIC MADE IN 20 YEARS AS BACK CAT IS EASY TO STEAL AS IF A BAG OF HARIBOS SWEETS.

I AM PROTECTED LEGALLY THAT IS ALWAYS STATED TO NOT COMPARE ANY MUSIC BACK CAT AT ANY AGE OF EXISTENCE AS EASY TO NICK AS IF A BAG OF HARIBO SWEETS AS IT ISN'T. THANK YOU

CURRENTLY FIGHTING LUNG CANCER STILL UNDER ATTACK BY SAME PEOPLE LINKED TO A MILITARISED WAR ON RAVE UNIT. POLICE ADMIT TO ALL CHARGES

KEEP STRONG THANK YOU

2025 and the police refuse to hand back 20 years of work as if legal to say no to hand back a full back cat of hard work, blood, sweat and tears as full education shown in digital and hard copy evidence of time served music writing, production, arrangement and mix engineering as if BwD companies and departments worse UK GOV ones can just take with no reason into why they took as if a bag of haribo sweets MUSIC COMPARED TO HARIBO SWEETS

STILL NO ANSWERS ON THE ABUSE SUFFERED SINCE 2019 ON THE STOLEN EQUIPMENT AND LOADS OF MY TUNES THAT MOST HAVE BEEN SHARED ON SOUNDCLOUD. NO CULPABILITY THE POLICE ARE STILL FAILING ME AND THIS IS A SERIOUS CRIMINAL CASE THEY HAVE NO ANSWER FOR AND I WANT ALL INVOLVED IMPRISONED. HOW CAN THE POLICE REFUSE TO CO-OPERATE?

THIS TOOK PLACE AFTER FORCED ILLEGAL HOMELESSNESS YET AFTER MANY REQUESTS THERE IS STILL NO RETURN ON VERY PRICELESS ITEMS INCLUDING 2019 LIFETIME WORKS OF DANCE MUSIC, MUSICAL STUDY AND EXECTUTIVE DECISION MAKING ON REASON DAW AS A LIFETIME LICENCE USER ALSO PERSECUTED UNDER THE CRIMINAL JUSTICE ACT 1994.

THE FIGHT CONTINUES PLEASE SUPPORT MY CAUSE TO FIND MY STUFF AND TO CHARGE ALL INDIVIDUALS INVOVLED FOR DESCRIMINATION OF MY RIGHT TO VOTE, THE WORKS MENTAL HEALTH ACT, THE DISABILITY ACT PLUS MANY OTHER ACTS IN MY BEST INTERESTS UNDER FREEDOM OF EXPRESSION AND SPEECH LAW SYSTEM TO DO WITH ART LIKE MUSIC WITHIN LAWS REQUIRED BY ANY DEMOCRATIC COUNTRY IN THIS WORLD RIGHT WING OF LEFT WING AGENDA FOR FUTURE DEVELOPMENT.

THANK YOU FOR UNDERSTANDING THIS WAS A CLEAR CUT ALSO OPEN AND SHUT CASE I AM FINDING A JOKE AGAINST A SMALL TIME ARTIST WHO MAKES MUSIC AND SOMETIMES DJ'S UNDER SHADOWMOVENT ALSO UNDER OTHER ARTISTIC ALIAS'.

**SERIOUS NOTICE**

I AM STILL A VICTIM OF SERIOUS THEFT WITH TUNES MADE AND SOME CO MIXED, MIXED OR MASTERED BY MY FRIEND AND SOUND ENGINEER FAT MAVIS SOME EVEN ALL PROJECTS USED IN DIFFERENT REASON DAW EDITIONS ALSO TAKEN FOR NEARLY 3 YEARS NOW AND NO NEWS AS BEEN SENT TO ME SINCE I LAST REQUESTED HELP FROM THE MUSIC COMMUNITY.

PLANET TITAN RELEASES STOLEN ALSO WAS A COLLABORATION SAME SOUND ENGINEER NAMED WAS A PROJECT THAT WAS BREAKBEAT SOUNDTRACK AMBIENT PROJECT ON THE EXPERIMENTAL SLOW SIDE STILL MISSING BY THEFT AT THE SAME TIME.

BLOOD DIAMOND BY SHADOWMOVEMENT ANOTHER HARD DANCE EXPERIMENTAL PROJECT ALSO COLLABORATION WAS A FREE DOWNLOAD CHOICE AND AGAIN STILL INVOLVED LIKE THE REST IN SERIOUS ONGOING COMPLAINT OF INTELLECTUAL ARTISTIC THEFT THAT IS ALL MINE AND SOME COLLABED WITH THE SOUND ENGINEER NAMED.

THIS IS ONE OF THE WORST BAD PRACTICE I HAVE EVER EXPERIENCED AS A MUSIC PRODUCER BY PEOPLE DISMISSIVE ON MY WORKS AND THE IMPORTANCE OF MY WORKS INCLUDING THEFTS OF HARD HOUSE DJ MIXES FROM OVER THE YEARS FROM 2013 TO 2016 MIXED ON CDJ'S NUMARK NDX 200'S AND DENON DNS5000'S.

I OWN TWO DENON DNS 5000'S BUT CANNOT START DUE TO PEOPLE AGAINST ME MAKING DJ MIXES AND WRITING ANYMORE MUSIC AS A DANCE MUSIC PRODUCER.

Fan playlist for underground music lovers on YouTube. Please check out all based on my music tastes from old to new

https://youtube.com/@worldwideundergroundmuzik6399

Check out Planet Titan - EXPERIMENTAL DANCE on #SoundCloud
https://on.soundcloud.com/qRjh4vAwVPpEJigu8

A lover of dance since i could crawl.
Big raver in 90's Edge,Eclipse,Sanctuary,
Dreamscape etc.

I think i have my own style to tracks as i like to put in pad breakdowns on darker stuff. On lighter i just do what i do.Lover all of breaks from dark,moody to piano so like to try at hand at all, and usually have no idea where my track is going in first few days and then something clicks and i can get the ideas then.

Use Albeton,Yahama PSR-175 keyboard and mike sometimes. I like the inbuilt albeton plugins mostly tbh for my sounds but also use one of VSTS for shaping sounds (soundshifter,waves,epicreverb). Love Synlenths,Gladiator,Nexus,M1 plugins all have qualities for me.

Got some signing with Kniteforce soon (one vinyl) my biggest achievement to date.

Cheers through a comment,like etc if you like my stuff.

oldscool dnb, breakz head 😊 don't follow me for likes... x most of you aren't  listening. 

way too much for the average person and not a g.
nujungle and future bass dnb & 4/4 808 [909] 505 
from 1992 until 5 minutes ago.  best selection 👌 



Meet the founder  - Cornetta

Born and raised in Bari, Italy.
Cornetta, mostly known as Silvia, has been very passionate about the electronic music scene since the age of 12, when she discovered her first favourite CD, Melody A.M by Röyksopp. Since then, she has explored a plethora of artists which still to this day have a massive influence on her music taste. At a young age and in her early teens Cornetta became obsessed with the music produced by Aphex Twin, μ-Ziq Luke Vibert, Plaid, Autechere and Plastikman, to mention only a few.
Around the age of 16, Cornetta was attending regularly both private and organised parties in Puglia and became more fond of Minimal Techno. As soon as she reached the legal age, Cornetta would put aside her pocket money and book cheap flights and accommodation to travel to festivals in Germany, when this was a lot more affordable to do. She became very inspired by the music and selection of artists such as Richie Hawtin, Sven Väth, Ricardo Villalobos, Jeff Mills, Ellen Allien, Monika Kruse, Miss Kittin and Miss Djax.
Cornetta has also dived into the free party scene in Puglia, which was at the time  fairly detached and separated from the Techno scene. Here, she became also intrigued by the sound of Dub, Reggae and the heavier bass of French Tek, which to these days continue to influence her selection.
Cornetta moved to Scotland in her early 20s and after meeting one of her closest friend to these days, Acid Boner, she approached the subcultural field and scend in Scotland. 

Cornetta started record digging and collecting Vinyls from the Ska Reggae and Mod subcultural movement with Dan and the pair would regularly attend record stores with their close group of friends to dig more music.
 


Cornetta has also been studying Guitar since the age of 12 and continues to keep in parallel a great passion for indie rock music, folk and Bossanova, continuing to balance practice both on the turntables and the fretboard.
Following the Pandemic, it was felt that the local party scene experienced fair challenges and the nightlife had unavailably a negative hit in her local town of Aberdeen. With her own initiative and with the greay help of her friends and partner, Cornetta has launched last year her own parties in Aberdeen which were received really well, seeing quickly a contained crew of regular attendees.

The Danza Catartica Project emerged from a need to define a specific type of sound, reconnect to its subcultural roots and sense of community and involve artists that resonate with the sound and ethos.
