Beatman + Ludmilla remix of forthcoming Hyper single 'The End' - taken from the new album, The Panic, released April 2011.

The End : Beatman and Ludmilla Remix

Break The Deck

Phantom Frequency

With basic visuals
https://www.youtube.com/watch?v=Pb7KMk_B368

Tiny Mix 1

BEATPORT : https://www.beatport.com/release/tremens/1813399
ITUNES : https://itunes.apple.com/us/album/tremens-single/id1133968686
SPOTIFY : https://play.spotify.com/album/1pYSxyrg9PoWnzRedHsFVD
DEEZER : http://www.deezer.com/album/13567911

Buy on Bandcamp

Tremens

● Bandcamp: http://bit.ly/jst-last-blood-bc
● iTunes: http://apple.co/2iMufhc
● Spotify: http://spoti.fi/2zOMi9K

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Gör FLsh is back with the second and last single from his upcoming sophomore album “For The Kvlt”. Following in the footsteps of his debut self-titled LP, which earned him the title of the heaviest and most brutal Electronic music producer, “Last Blood” takes the Canadian artist’s trademark sound of songs like “Sludgecity” or “Road Burns” even further by emphasizing the heaviness and Doom Metal influences. The 8 minute long original is followed by two Dark Synthwave remixes from Occams Laser and Volkor X, who once again prove they are right at home with tapping into their Metal side of the 80’s and creating something as dark and heavy as their remixes of Gör FLsh’s “Last Blood”.

● Follow Gör FLsh:

Soundcloud: https://soundcloud.com/gorflsh
Facebook: https://www.facebook.com/gorflsh
Bandcamp: https://gorflsh.bandcamp.com
Spotify: http://bit.ly/gor-flsh-spotify
Twitter: https://twitter.com/GORFLSH

● Follow Occams Laser:

Bandcamp: https://occamslaser.bandcamp.com
Soundcloud: https://soundcloud.com/occams-laser
Facebook: https://www.facebook.com/occamslaserband
Twitter: https://twitter.com/occams_laser_

● Follow JST Records:

Website: http://www.jstrecords.com
Bandcamp: https://jstrecords.bandcamp.com
Spotify: https://play.spotify.com/user/jstrecords
Facebook: https://www.facebook.com/JetSetTrashRecords
YouTube: http://www.youtube.com/JetSetTrashRecords
Twitter: https://twitter.com/JSTrecords

For The Kvlt

Gör FLsh - Last Blood (Occams Laser Remix)

● Bandcamp: http://bit.ly/jst-forget-bc
● iTunes: https://apple.co/2NyeBng
● Spotify: https://spoti.fi/2Mi0oG5

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After a couple of remixes and self released EPs, Argentina's Donbor joins JST with his new EP 'Forget'.

Three new original Synthwave tracks with the characteristic Donbor sound and trademark deep, somewhat melancholic Cyberpunk tone he introduced with his classics 'Smoke' and 'Against The Law'. Melodic yet dark, Donbor continues to stand out for his well balanced writing, seamlessly blending elements of dark melodic Synthwave with Electronica and creating an unmistakable atmosphere with his signature style and sound.

Don't let the title fool you, this isn't the kind of Synthwave you will be forgetting anytime soon and if classic gems like 'Smoke' are any indication, this is an EP most Synthwave fans out there will truly enjoy.

● Follow Donbor:

Soundcloud: https://soundcloud.com/donbor
Facebook: https://www.facebook.com/Donbor.arg
Bancdamp: https://donbor.bandcamp.com
Twitter: https://twitter.com/donbor_
Spotify: http://bit.ly/spotify-donbor

● Follow JST Records:

Website: www.jstrecords.com
Bandcamp: https://jstrecords.bandcamp.com
Spotify: https://play.spotify.com/user/jstrecords
Facebook: https://www.facebook.com/JetSetTrashRecords
YouTube: http://www.youtube.com/JetSetTrashRecords
Twitter: https://twitter.com/JSTrecords

Forget

Donbor - Dazzle

Shape Shifter

Life in the gutter of small town America was nothing new for Darrel Santiago, but after a brutal storm hits the sleepy beach town of Silver Lake, its once peaceful citizens transform into blood-thirsty maniacs! It is up to Darrel and his motley crew of ne'er-do-wells to get to the bottom of this phenomenon, and what they find is a hellish nightmare that they could never have imagined. Evil is at work in Silver Lake and it is literally tearing its inhabitants apart. Whatever you do...try not to PANIC!
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In the summer of 1980, just outside of Staten Island’s scenic Silver Lake Park, a small team of ambitious, young filmmakers set out to make a motion picture that would be regarded as the most gruesome and controversial horror film of all time. Written, directed and scored by the aliased phenom, Destryur (“Endurance” 1976, “Midnight Maniac” 1979), “Panic” or “Panic! Curse of the Vile” became an overnight cult hit, portraying graphic images of demonic possession and grotesque imagery. It capitalized on the recent wave of public shock in the occult known as the “Satanic Panic”. Shot in the course of only two weeks on 8mm film and a shoestring budget, the picture plunged Destryur into the realm of amateur cult film-making and a notable director/composer in genre cinema. The film also featured guitar slinging celebrity Dominick Martes of rock and roll supergroup Wild Street in the lead roll as street-wise punker, Darrel “Grimer” Santiago along with Cobra Wipeout as cinematographer, supporting actor and fledgeling composer. We’re still not sure what his actual name is. Cobra was currently working with Gold Line Pictures, a studio specializing in B-Horror and mob-funded exploitation films such as “Murder of Crows” 1974 and “Swamp Thing” 1979. Destryur also enlisted the writing talents of another aliased master of the subversive. Prestigious science-fiction-horror writer, artist and composer STRNGR (“The Skurge” 1968, “Mass” 1973) who had recently returned to the states from Italy after finding success in the European horror movie market. “Panic” went international only three months after it’s initial screening at Tales of Terror Film Exhibition in Greenwich Village where it received a notable tip-of-the-hat from some of horror cinema’s most celebrated film makers. The film was almost immediately boycotted throughout Europe. A violent protest broke out at a midnight screening in Istanbul resulting in the entire theater burning to the ground. Meanwhile, in the states, outrage escalated with various public interest groups demanding that the film either be removed from theaters or undergo strict censorship. However, even after the studio’s agreement to censor, picketing continued and threats from many religious organizations overwhelmed the Film Board. On October 1, 1980, “Panic” was officially pulled from every theater. Some say this marked the end for Destryur’s career. Some say it was only the beginning. Today, you can find Destryur at a monthly midnight showing of the film at St. Vitus Cinema in Greenpoint, Brooklyn hosted by Sam Valentine.

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Special thanks to everyone involved in the production of this album and you for buying it. A big thank you to Sam Valentine for pushing me to make new music to play live. I hope you genuinely enjoy this album just as much as I've enjoyed making it. 
credits
released October 1, 2019

Guitars - Dominick Martes

Additional Programming - Cobra Wipeout, STRNGR

Remixes by DreamReaper, Misanthropix

Mixed and Mastered at Gold Line Studios in Brooklyn, NY

MBR011

Killer Looks (Misanthropix Remix)

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