Backroom Surgery

Gritty technoid opener from Hypers brand new album 'Lies' as seen on Gran Turismo 5.
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clockwork

Hyper - Clockwork

New Exclusive Track. Free Download until 02/03/2014.

Perturbator - She Moves Like A Knife

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The infamous and notorious Metalectro Compilation is back with its 4th volume, titled "Demons Roar". After setting a high standard with Vol.02 and 03 (reaching at #22 and #11 of the Beatport Top 100 Electro House Releases chart) this time the Metalectro team invited some handpicked vocalists to contribute to "Demons Roar".

From Dubstep to Death Electro, Glitch Hop and everything in between, Metalectro Vol.04 will knock you off your feet from the very first seconds and the opening lyric destroy to the very last and closing lyric attack.  This isn't your classic Festival EDM but electronic music that will make you go wild and drive you out of your mind, check at your own risk!

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CrazyMT & Motion Static - In Tokyo

Memory Dealer

Perturbator - Humans Are Such Easy Prey

Replica

This one came from diving deep into the real history of places like Allegheny, Danvers State Hospital, and Willowbrook. These weren't just hospitals - they were human warehouses where society dumped anyone deemed "unfit," then subjected them to barbaric treatments in the name of medicine.

The song opens with that Gothic architecture imagery because these places were built to look imposing and fortress-like - designed to keep people in and the world out. "They called it treatment, called it care / While demons danced in every stair" captures how these institutions hid torture behind medical terminology.

What really gets me is how they turned healing into horror - electroshock without anesthesia, ice baths, lobotomies performed with ice picks. "Lobotomies with rusty tools / Turning humans into fools" - that's not metaphor, that actually happened to thousands of people who just needed help.

The "halls of madness" concept works because these buildings literally absorbed decades of suffering. When you read about people visiting these abandoned places, they all report the same thing - an overwhelming sense of dread, like the walls themselves remember the pain.

Musically, I'm hearing this as heavy, atmospheric metal - maybe around 120 BPM in a minor key, with that Gothic horror vibe. It needs to sound as haunting and oppressive as those buildings feel when you walk through them.
The bridge about walking the corridors at night gets into that paranormal element - how these places feel alive with the suffering that happened there. "They're still here, they're still in pain / In the asylum's cold refrain" - because when you warehouse human misery for decades, it leaves a mark that never goes away.

This song's about remembering the victims and making sure we never forget what happens when society decides some people are disposable.

Halls of Madness

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CREEPER

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Irving Force and the soundtrack that follows him was created by Adam Skog, a metal musician from Stockholm turned electronic music producer. 

His love for sci-fi, horror as well as action films of the 80′s and 90′s guides him as he scores the scenes for the retro-futuristic Irving Force movie playing in his head. A master at blending the retro synth sounds with more modern ones, Irving Force creates music with a strong retro electronic vibe but also with enough aggression to give it an electro-industrial-rock edge, something that his new single “Violence Suppressor” makes quite clear with its Thrash Metal influences and Cyberpunk aesthetics. 

Add 3 remixes by some of dark Synthwave’s baddest boys around too, namely Gör FLsh, Volkor X and Hollywood Burns and this “Violence Suppressor” crime fighting unit becomes so metal it even makes Robocop look like a lightweight.

● Follow Irving Force:

Soundcloud: https://soundcloud.com/irvingforce
Facebook: https://www.facebook.com/irvingforce
Bancdamp: https://irvingforce.bandcamp.com
Spotify: http://bit.ly/spotify-irving-force
Twitter: https://twitter.com/IrvingForce

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Website: www.jstrecords.com
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