kumachansealライブ 2021 3/27@江ノ島oppa-la

祝福 / blessing

HAIZAI AUDIO Live at Turing  2021 7/5

sink deeply

@altjpop @valknee

LYRICS:
ALT J-POP
バンバン跳ねてる
POPするTAPIOCAのCUP
もっとガンガン再生して
KISSでCASH BACK
RAPも裏切らんYEAH

もっと近くにきてみてBAD BOY 
BAD BITCHは見直せ抜本
お前うるさい耳にタコのポ
YEAH これでいいのMARIKO

PUERTO RICOにさぁ遊びいこ
ベロベロジュパジュパ　ばっちこい
でき女　主体性　えげつない　YOU KNOWN SAYING?
選びとり喰らい尽くす　マジでいい子

増える五輪まで　あたしの仕事
ダラダラ PICK UP PICK UP GET BUSY
んー　勇み足で闊歩　音速
奪い取る LIKE A カリブの海賊

あそばねーとHIP HOP
ポクポクHEART止まらん
壊れかけのYOUNG
道でパッパとALCOHOL
ベロベロなって  　あたしCELLMATE

picture taken by TAKA@P.P.R.S
https://creativecommons.org/licenses/by-sa/2.0/

Free Download

Alt-Jpop - PORTO RICO💖TAPIOCA (feat. valknee)

回る25時
溶ける意識
グラデーションを描いてく

答えのない
思考の果て
時間だけ過ぎてく

愛だった
嘘じゃないんだ
そこにあるだけ

君を汚したくないのに
汚したくないのに
ただそれだけの衝動で

目を逸らしたって
手を離さないで
瞼を落とすだろう

さようならの
一歩前で
君は重くて痛くて

後悔はない
止まるタイムライン
海の底を見る

相まった？
そりゃ間違いだ
覚めない現実の中

僕を許したくないのに
許したくないのに
希死念慮の向こう側で

明日が怖いのに
体は重いのに
妄想を掠めてゆく

本当は知っていた
仕方ないんだって
言い訳なんて誰も
聞いちゃいないって

君を汚したくないのに
汚したくないのに
誰のせいでもない事で

捨てたはずなのに
忘れられないなら
また繰り返すだろう

未明

16 May 2020
This artwork made by P_hLsk(@user-730232552) .

Left Behind

SACHIKO/たろおみ

Ri-NUのアルバム

good-by in dolphin dreams

八月の路上に取り残されたわたしたち

For Beliib

Collaborations & Enquiries: teresadeohio@gmail.com

As you can see the bio below is old. We are now a Jpop/Kpop Label and an ex-Neo-Noise label.


What is 1898music? 1898 is the noise music for the ordinary man. Does ordinary imply "basic"? Is ordinary condescendence towards the ppl? Many Noise enthusiasts and artists legitimize the reactionary perspective against noise music. The reactive stance against noise will say: "i don't feel it, this aint music, this is non-sense, the promise of noise is not guaranteed." Even though the typical noise enthusiast appears to rebuke such attitude he legitimizes it by confronting noise as a promise of enjoyment, the noise enthusiast confronts noise as a mystery, a mysterious experience. The toxic noise enthusiast makes proper distance with the Real of noise, non sense never cuts the realm of the enthusiast, noise is only a postponed promise, for him noise transcends, the traumatic element of the non-musical never invades because noise is unquantifiable (probably due to noise's contamination with Brian Eno and Art). 1898 realizes that one must abandon noise in order to execute the Merzbauic Promise. 1898 traverses the fantasy of noise and claims that there is no mystery regarding noise. 1898 takes a surgeon's knife and cuts the fantasmatic-engimatic-ambient-phenomenological element of noise by intensifying many aspects of the noise, EDM and post internet music legacy via confronting musicality as a fiction and object of Acceleration. 1898 is an unilateral noise and an annihilation of the possibility of (sound) art. 1898 is the purest form of Scientific Merzbauic Nihilism