Taken from Damscray (@damscray) new album Make Dem Rhythm, out August 20, 2021, via Hyperboloid (@hyperboloid)

Read: https://bit.ly/2VZMaEn
Pre-order: https://bit.ly/2VYP0tN

Great sequels take time. Think about Terminator 2, Before Sunset or Return to Oz. They all surpassed the originals – which were great in their own right – but required years of reflection and hard work on the part of the creators. Damscray understands this. His previous EP for Hyperboloid, Make Me Juke, was released ten years ago. Its bursts of energy are still fascinating today but it remains, in some senses, a straightforward footwork record.

Make Dem Rhythm marks the opening of a new chapter for Damscray, and is one of his first releases since 2013. The musician claims that at some point he simply stopped releasing music, but has been working on various projects all this time. It shows: this new album feels like the work of a master who doesn’t want to bind himself to any particular genre. Technically it’s still a footwork record like its predecessor, but you can hear strong influences of jungle, dub, reggae and Warp-like IDM. Imagine Squarepusher doing footwork and you’d be on the right path to understanding Damscray’s new sound. The structures of the tracks are constantly twisting and turning, while lo-fi samples collide with glossy beats. In his own words, “I still think that juke and footwork have the best vibe in electronic music,” and you can certainly feel this vibe throughout Make Dem Rhythm.

Artwork by Gsmgarden
https://www.instagram.com/gsmgarden/

Mastering by Possible Address

Released by Hyperboloid

Make Dem Rhythm

Premiere: Damscray - Reprezent [Hyperboloid]

Time loops backwards

LEAVING MY HOMETOWN 656 MOVING TO A NEW CHAPTER IN MY LIFE 

Shoutout to my Brother Morfame for the insane Mastering, follow him his link is down below

https://soundcloud.com/morfamehu?utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

DønP - LEAVING 656

FOLLOW ME ON ALL PLATERFORMS :
li.sten.to/bixnt

[FREE DOWNLOAD]

TRACK : HEART ATTACK

VOICE : SCARLXRD

STYLE : HARDTECHNO

BPM : 160

Mastering: @benjacid303
www.instagram.com/vilain_music

Cover :
www.instagram.com/celestine_nvr/

Free Download

BIXNT - HEART ATTACK (Scarlxrd)

Taken from SBKT027: Gooooose - Rusted Silicon

Rusted Silicon is a new album from Gooooose. 7 original tracks with remixes from Samuel Kerridge and Nahash, plus an electro-acoustic rework by Sote featuring traditional Persian instrumentalists Arash Bolouri (Santour) and Pouya Damadi (Tar)

Artwork by Fang Yang
Mastered by Raphael Valensi

Rusted Silicon

Gooooose - Integer / Along the Synthetic River I (Samuel Kerridge Remix)

https://band.link/burntheempire

Public Service Announcement:

Do. Not. Hyper-politicize. Every. Womxn*. Artist’s. Work.

After making her debut into the world of dark, deconstructed club music on Infinite Machine in late 2017, Ani Klang is releasing her latest hard-hitting, genre-blending EP on Russian label, Hyperboloid Records to round out a busy year of releases in 2020.

‘BURN THE EMPIRE’ is a powerful statement piece seeking to disprove the pervasive belief that womxn and queer people are primarily working and creating music to “empower others.”

After growing frustrated with commentators deeming every bold piece of womxn-made art as an “outspoken feminist act” and forcing political causes on female/non-binary compositions when none are intended, Klang has challenged this trend and created a piece of work that is emphatically not an “empowering anthem for womxn everywhere.”

Armed with frustration, pain, and a little irony, Klang has built her own empire on the outskirts of genre, and all who are open are invited. She is releasing this record with hopes to begin dismantling the notion that womxn’s music is only meant to serve as a political weapon to fight misogyny. There must be something more meaningful womxn have to say to each other besides ‘you can do it too.’

She began grappling with this idea several years ago, when she felt pressured by the underground club community to be “outspoken” to have her music heard. In a 2018 Instagram post, she explained her frustrations as follows:

“I feel like being ‘outspoken’ is almost a prerequisite for being a successful woman at anything these days.It’s not enough to just be an artist who happens to be female – you have to empower women somehow and put your political opinions at the forefront of your art to be considered ‘relevant’. To be completely honest, I find it frustrating as hell. […] I want women to feel empowered but there are so many other creative ways to do this than just talking about feminism. We should be allowed to just BE artists who make records about death, masturbation, chocolate cake, or whatever the hell we want!”

‘BURN THE EMPIRE’ journeys from 145-160 BPM and showcases punchy, fluttery, footwork-inspired kick patterns, layers of heavily manipulated industrial textures and ironically political self-recorded samples (i.e. feminist podcasts, orgasms, and ex-girlfriends crying and singing) bound together by a rave-friendly mentality. Featuring scorching remixes by formidable artists like A.Fruit, Daniel Ruane, and Pixelord, ‘BURN THE EMPIRE’ is an intense sonic excursion through the mind and body of a female artist, eager to set the underground club scene on fire.

With match in hand, Ani Klang urges listeners to fully understand the following before organizing a livid mob armed with extinguishers on her front lawn:

“I am not intending to belittle or invalidate any collective or artist whose primary premise and passion is to empower others. Rather, I am encouraging commentators and listeners to understand and appreciate our unique concepts and technological capabilities before lazily assuming our artistic motivations.

It’s time we Burn the Empire of exhausted empowerment and construct our own domain, fortified by authenticity, legitimacy and resiliency. We’re are not examples, we are exasperated, and we’re gonna burn shit.”

* ‘womxn’ inclusively refers to any female-bodied or non-binary individual, queer or an otherwise unique human who deviates from standard cisgender identities.

Burn the Empire

DIGITAL / CASSETTE

ANI KLANG - THE PROBLEM =

Mix for Circadian Rhythms @ NTS 19-11-20

Tracklist
Know V.A. - Tunnelrave (Schellingwouder)
Know V.A. - Artefact
Know V.A. - Endtime (Rave Mix)
Walton - Devil Charge
Know V.A. - Sunbeam edit
Know V.A. - Hibernation
Know V.A. - Lucy
Know V.A. - Opus 1
Unklevon - Thrilled since 93 (drums mix)
Know V.A - Somato
Ruthless & Vorwerk - Not This Record
Stranger - Someone I Know
Know V.A. - Dirt
Hajj - Roll Anotha One, Cuz’ We Ain’t Die In Peace 
Shyga - Anxiety
Know V.A. - Trauma
Know V.A. - Trauma (Exploited Body remix)
Know V.A. - Purtiy
DJ Mystery - Punani
Rave Creator - A New Mind (Cold Rush Phuture mix) 
Know V.A. - 5% tint edit
Rapala700 - bloto (Quest?onmarc Remix)
Rebekah - Darkness My Old Friend
Know V.A. - NY is killing me edit
Know V.A. - 2005
Know V.A. - Artefact (Sully remix)

https://knowva.bandcamp.com/album/hibernation

Hibernation EP

Hibernation (Extended) - Circadian Rhythms @ NTS 19-11-20

Hyperboloid Records presents “Argo” by Fisky, a drum club music producer from Moscow, Russia. He has previously released on Hyperboloid both on vinyl and digitally (Traektoria, Virtual Tracks Vol.2), released on 22nd December digitally and on limited cassette
“Argo” EP is across-cultural journey, the route is outlined by references in the names of the tracks.
In a personal sense, this EP is a departure from the drum tracks of recent releases by Fisky to a more melodic release structure, an attempt to bring together his moods from different years.

Links:
Fisky
https://soundcloud.com/fiskyoioioi
https://www.facebook.com/FiskyMusic
https://fiskyoi.bandcamp.com
https://www.instagram.com/fiskymusic



Hyperboloid Records
https://soundcloud.com/hyperboloid
https:/hyperboloid.bandcamp.com
https://www.facebook.com/hyperboloidrecords
https://vk.com/hyperboloid

Artist: Fisky
Title: Argo
CAT: HYPR087
Release Date: 22/12/2020
Release type: Digital (all formats) / Cassette
Mastering by A.Fruit
Artwork by gsm_garden

Argo

FISKY - THREE SEVEN ACE

Premiering "Sacred Spaces" by Modern Collapse taken from "Ola Compile vol.1 - Bande passante" out on 14th January 2021 via Ola Radio

Modern Collapse is the symbiosis of two young producers, who are rising and proving themselves on the deconstructed club music scene.

Ola Radio is Bordeaux's cultural webradio, which focuses on electronic music. Launched in January 2019 by passionate people, it brings together more than 80 residents from Bordeaux, from France and from the world. Each week, new guests punctuate the program schedule. Heterogeneous, plural and singular, Ola Radio stands out from its peers by its eclecticism, it reinvents itself over time.

Links:
https://olaradio.fr/Home
https://soundcloud.com/ola_radio
https://www.facebook.com/olaradiobdx/
https://www.instagram.com/ola_radio/

Modern Collapse:
https://soundcloud.com/modern-collapse
https://www.facebook.com/modern.collapse
https://www.instagram.com/modern.collapse/

OLA RADIO

[PREMIERE[ MODERN COLLAPSE - SACRED SPACES (OLA COMPILE VOL.1 OUT ON JAN 14TH VIA OLA RADIO)

Premiering "164 Bmp Sbvcfgstretch" by Ole Brolin, "swedish small town Berlin city slicker musician and sound person. Ole likes to build stuff. Like synthesizers"
"GOING UP THE COUNTRY" out on January 8th via SOWASVON

[ENTITY: OLE BROLIN|
[OBJECT: GOING UP THE COUNTRY]
[SWSVN025]

READ:OUT
44.1 KILOCYCLES:SECOND
DECODING:SUCCESSFUL

It was a [REDACTED] that guided the deluding self into its |then| true [TIME: FUTURE].
[ENTITY: IT] shaped a state of [TIME: NOW] that was |never| meant to stay |always| forever /-/-/-/. . 
It |now| ended up leaving to the [TIME: PAST] - through [NOW] - f o r e v e r 

ERROR:out

Links:
Bandcamp link of the label: https://sowasvon.bandcamp.com/
Soundcloud url name of the artist: https://soundcloud.com/olebrolin
Soundcloud url name of the label: https://soundcloud.com/swsvn
Bandcamp link of the release: https://sowasvon.bandcamp.com/album/going-up-the-country
Facebook url name of the label: https://www.facebook.com/sowasvonmusik
Instagram account name of the label: https://www.instagram.com/sowasvoncrew/
Instagram account name of the artist/artists: https://www.instagram.com/penneraudio/

GOING UP THE COUNTRY

PRE-ORDER

[PREMIERE] OLE BROLIN - 164 BMP SBVCFGSTRETCH (GOING UP THE COUNTRY OUT ON JANUARY 8TH VIA SOWASVON)

About Let's Collapse

Let’s Collapse is a collaboration EP between Pixelord and Max Dahlhaus in Moscow and Berlin, respectively. The illusion of the global village, which it seems like yesterday’s, collapsed due to the outbreak of covid-19, but none of this can prevent people from contacting each other. This EP shows how the artists feel in it.

Both artists are good at creating cold music, and the collision of ideas has produced many wonderful changes in the results. The whole EP is like a roaring turbo engine, and the huge sound continuously presses our hearts. There is always some strange but beautiful sound between the heavy drums and the rough background noise, when they appear, it will make the listener's scalp tremble like two sharp pieces of metal rubbed in a flash. All these sounds constitute a sci-fi world, and the rich details bring people into endless spaces of imagination. The world is constantly destroyed and rebuilt in the journey of the seven tracks, and the epic ending leaves all this to the unknown.

《Let’s Collapse》由分别位于莫斯科和柏林的Pixelord 和Max Dahlhaus 共同合作完成。恍如昨日的地球村幻景由于疫情的爆发一瞬间崩塌了，但这一切都无法阻止人们相互联系。这张EP展现的就是音乐人在其中的感受。

两位音乐人都善于制作黑暗冷酷的音乐，这次创意之间的碰撞使结果产生了许多奇妙的变化。整张EP就像一台轰鸣的涡轮引擎，声浪持续地压迫着我们的心脏。在厚重的的鼓点与粗糙的背景噪音之间总有一些奇特但又美妙的声音，他们出现时就像两片锐利的金属片擦过一般使听者的头皮一刺。所有这些声音共同构成了一个未来的科幻世界，丰富的细节使人们进入无尽的想象空间。在这七首歌的旅程中，这个世界被不断地毁灭，又被不断地重建，充满史诗感的结尾把这一切留给了未知。 

Mix:Max Dahlhaus & Pixelord
Master: Max Dahlhaus
Artwork:Gabriel Massan

ANI KLANG - THE PROBLEM =

Hyperboloid Records

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