This EP offers a blend of influences, with each track notable for its character and emphasizing the deliberate choice to embrace disorder. This album traverses a broad dynamic range, promising a varied listening experience that powerfully recognizes the beauty in chaos.
"Await for Justice" introduces the EP with a strong presence, grounded in EBM and industrial music; this track establishes a solid base with its intense and brooding undertones.

Surrender to the Chaos

Await For Justice

recorded @ Mutabor 2 Years (22.05.21)
@mutabormoscow

Rayme – Live from µ² (Mutabor 2 Years)

yet is a slippery word in English. Amorphous, these three letters in different contexts can define contrast or emphasis, set a place in time, show an expectation that something will occur or, paradoxically, that it is likely to stop. 

It is this mercurial nature that makes yet the perfect title for Tresor's latest compilation: the label follows on from the more explorative sections of 2021's landmark Tresor 30 boxed set with a compilation, featuring 13 artists making music that resists easy definition. 

Every track hints at and borrows from the familiar yet none follow the expected path: halfway through Deserto, Nandele &amp; A-Tweed dramatically reveal a very different sonic landscape that was initially suggested; DJ Sotofett collaborates with Sri Lankan artist Kavadi with results that are unlike anything in the Norwegian producer's catalogue as yet. 

Further invention can be found as Jean Redondo's Hypersonic moves across spaces inhabited by digital hardcore and hyperpop before swerving off-road and into a futuristic hip-hop section; on No Longer Human, Ireen Amnes takes a different path at the crossroads melding hyperpop, trance, and sci-fi soundtrack atmospherics, Significant Other heads towards UK Bass and Dubstep, and France's Willis Anne skims by the outskirts of footwork with a piece that is almost completely uncategorisable.

Yet more sonic experimentation comes from E-Saggila, Nadia Struiwigh, NVST, Solid Blake, and Viikatory who offer unique takes on the well-established electro blueprint, while Ryan James Ford, and Nit. both find ways to blend elements normally found in ambient pieces with those heard on a dancefloor.

The feel of the compilation is yet again reflected in the enigmatic artwork by Malik Arbab, where shapes and colours suggest animals and plants but in a world that appears to be transient and constantly evolving.

BANDCAMP

NVST - Heatstress (Tunnel Edition)

HYPR105 BAD ZU - BAD LUCK 
Bandcamp: badzu.bandcamp.com/album/bad-luck

Bad Zu, now an international multimedia band, is releasing their third album on Hyperboloid, their first in four years. Three years in the making, "Bad Luck" reflects the uncertain and vulnerable times we live in right now. "Bad Luck" represents the rollercoaster of emotions that was experienced by all of us in the last three years, not only the group led by Philipp Alexandrov. There's a place for hope in a track called "Safe Place" and a place for loss in "Death Around the Corner." The album was finishing on the run — in the buses, gas stations, and motels — and it shows in its constantly changing, always moving sound representing vitality and chaos.

Attention to detail in the sound of "Bad Luck" is astounding; as Alexandrov says about the approach to making the album, "It helped us rethink the importance of music to ourselves." For years, Bad Zu was known for its energetic and astonishing performances, and you can feel their live vibe completely in "Siren Vogue" thanks to the recordings of the crowd. There's also the tribute to the night club Mutabor on the eponymous track: the dark rhythms with a take on tribal music fit the name perfectly. As always with Bad Zu, many worldwide rhythms and melodies don't dwell on any particular ethnic sound: that sophisticated approach matches the universal themes of "Bad Luck." Many filtered and sliced vocal parts create a sense of dialogue with a listener and get the feeling of a deep dive into the Bad Zu world, more considered than ever.

Music - Philipp Alexandrov
Drums - Alexander Malyshev
Mixing Mastering - iBenji
Art - Kitasavi
Video - Alexey Voronov

BONES

bandcamp

BAD ZU - BONES

Perhaps this is my dumbest track - please dance.
Previously released in the version by @broosnica on our joint release (https://on.soundcloud.com/g8YKA), now it's time for my version.

Marshall Fishwick - Klassniyj Dom

Premiere of the track "Verkehrsinfrafraktur" by the Berlin based duo Inkasso, taken from their upcoming release on k​ä​fTen label.
-
Artist: Inkasso @kashual-plastik // www.inkss.biz
Track: "Verkehrsinfrafraktur"
Title: "Dubiose Gestalten"
Label: @kaftenrecords
Format: 7" + DL
Mastering by Robert Elster
Artwork by @towlie
Release date: February 2, 2024
Pre-order: https://kaften.bandcamp.com/album/inkasso-dubiose-gestalten-k-ften015
🍉🍉🍉

Premiere: Inkasso - Verkehrsinfrafraktur [k​ä​fTen015]

PROMI$E is a DJ and producer from Orel City, based in the capital. Dima is the driving force behind his own promo groub UK CLUB and most recently became a resident of the Kazan party LOM.

PROMI$E - диджей и продюсер из Орла, базирующийся в столице. Дима является двигателем собственного промо UK CLUB , и совсем недавно стал резидентом казанской тусовки LOM.

YouTube Streaming RRC Garage Studio - PROMI$E : https://youtu.be/Z-MGj1gyJvE

@prom1sssse
www.instagram.com/promise.flx
www.instagram.com/renegade_radio_camp

Renegade Radio Camp - PROMI$E - Mix 10-02-2024

Mutilation

COME TO TERMS WITH YOUR SHADOW AND YOU'LL SEE THE TRUE POTENTIAL...

FREE = DIRECT DL <3

MUCH LOVE,
- SEEKER

BAD ZU - BONES

Hyperboloid Records