2023 
We give you new music 
Enjoy!
hyperboloid.bandcamp.com/album/hyperboloid-2023

Artist: VA 
Title: Hyperboloid 2023 
CAT: HYPR100 
Release Date: 01/01/2023 - bandcamp, 13/01/2023 - streaming
Release type: Digital (all formats) 
Mastering by VA, Pixelord 
Artwork by Gsmgarden

VA Hyperboloid 2023

bandcamp

Broosnica - Freedom Warp

https://buttechno.bandcamp.com/album/in-your-head

buttechno & Triš — dnb jan

mastered by @bswalk
cover by ratx.cc

@n00rj

revieval

noorj - 4u From

Happy New Year! We bring you new music <3
Free download / name your price
https://hyperboloid.bandcamp.com/album/hyperboloid-2024

Hyperboloid 2024

free dl / bandcamp

A.Fruit - Nostalgia

Faith In Strangers’ was written and produced between January 2013 and June 2014, and was edited and sequenced in late July this year. Making use of on an array of instruments, field recordings, found sounds and vocal treatments, it’s a largely analogue variant of hi-tech production styles arcing from the dissonant to the sublime. The first two tracks recorded during these early sessions bookend the release, the opener ‘Time Away’ featuring Euphonium played by Kim Holly Thorpe and last track ‘Missing’ a contribution by Stott’s occasional vocal collaborator Alison Skidmore who also appeared on 2012’s ‘Luxury Problems’. Between these two points ‘Faith In Strangers’ heads off from the sparse and infected ‘Violence’ to the broken, downcast pop of ‘On Oath’ and the motorik, driving melancholy of ‘Science & Industry’ - three vocal tracks built around that angular production style that imbues proceedings with both a pioneering spirit and a resonating sense of familiarity. Things take a sharp turn with ‘No Surrender’- a sparkling analogue jam making way for a tough, smudged rhythmic assault, while ‘How It Was’ refracts sweaty Warehouse signatures and ‘Damage’ finds the sweet spot between RZA’s classic ‘Ghost Dog’ and Terror Danjah at his most brutal. ‘Faith in Strangers’ is next and offers perhaps the most beautiful and open track here, its vocal hook and chiming melody bound to the rest of the album via the almost inaudible hum of Stott’s mixing desk. It provides a haze of warmth and nostalgia that ties the nine loose joints that make up the LP into the most memorable and oddly cohesive of Stott’s career to date, built and rendered in the spirit of those rare albums that straddle innovation and tradition through darkness and light.

Violence

Digi + vinyl available to buy:
https://ellll.bandcamp.com/music

ROMANCE

ROMANCE EP

Taken from Betonkust & Palmbomen II - "Center Parcs EP", out on cassette and digitally 26 February 2016.

Buy Tape: http://bit.ly/20EqiK1

Betonkust & Palmbomen II - 24x33

Werk

Andy Stott's first material of 2010 finds the producer in a hot and sultry mood, delivering two House variants produced with that typically deep and luxurious style. "Tell Me Anything" centres around shuffling snares, a rugged bassline and sparkling keys anchoring the track somewhere between wide open and summery expanses and the compressed warehouse environments of darkest North Manchester. 
"Love Nothing" on the flipside is the slower of the two tracks, but somehow one of the most important of Stott's career, unraveling to expose an unfathomably deep arrangement of decomposed vocals and mangled percussion. It sounds like Newworldaquarium, Mount Kimbie and DJ Qu shooting the breeze, evoking the humid spirit and glamour of a hot summer in the city.

Tell Me Anything

Fresh tracks by some of our favorite artists just in time for 2020 reimagining the 2010s and pushing the sound forward.
FREE DL: https://hyperboloid.bandcamp.com/album/hyperboloid-2020
STREAM / DOWNLOAD: https://orcd.co/hyperboloid2020
The compilation contains new music by 
Summer Of Haze @summer-of-haze
cadeu @ccaaddeeuu
Famitsu @famitsu
A.Fruit @annafruit
Pixelord @pixelord
zarya @zarya_music
Bad Zu @bad-zu
tropical interface @tropical-interface
Raumskaya @raumskaya
Max Dahlhaus @maxdahlhaus
Nphonix @nphonix
data drain @northwardanomaly
new sylveon @newsylveon
BOGUE @b0gue
wac© @valerywac
Fisky @fiskyoioioi
ZAKLADKI @zakladki
Sangam @sangam


CAT: HYPR080
Release type: Limited Cassette (pre-orders soon) / Digital (all formats)
Artwork by gsm_garden

Hyperboloid 2020

STREAM / DOWNLOAD

BOGUE - DEEP DEEP DOWN

Following on from a pair of Extended Players released in 2011 ("Passed Me By" / "We Stay Together") Andy Stott returns to Modern Love with 'Luxury Problems', an 8 track album of new material recorded over the last 12 months. Five of the tracks on the album feature the voice of Alison Skidmore, Andy's onetime Piano teacher whom he hadnt seen since he was a teenager back in 1996. There was no grand gesture in mind, it just sort of happened - but after almost a year of studio work the result is really quite unlike anything you'll have heard from him before. 'Numb' opens the album with Alison's voice; layered and looped but essentially left bare and exposed, tumbling into a dense shuffle, sort of somewhere between Theo Parrish and Sade, but more f*cked. 'Lost and Found' follows and deploys a growling rave bassline and a disturbed vocal, the beat assembling itself around a squashed Linndrum like a submerged Prince/Cameo production, haunted and impenetrable, but full of funk. 'Sleepless' started life as an African drum edit that sooner or later succumbed to Stott's intense rhythmic shifts. It's a sound that's been imitated countless times since the release of 'Passed Me By', here re-tooled and re-built for its next evolutionary phase. 'Hatch The Plan' ends the first half of the album with some heavily treated location recordings and a low end grind that probably doesnt quite prepare you for the vocal arrangements that follow - it's just a beautifuly inverted pop song. The second half opens with 'Expecting', the most recognisably 'Stott' moment on the album: a wrecked, deliriously knocked-out 4/4 shuffle deployed at halfspeed; those heavy kickdrums sucking in everything around them. 'Luxury Problems' is next and offers up the album's most quietly euphoric and open 5 minutes; conventional arrangements and drumloops disrupted by sharp disco bursts that mess with what you know: it's straight and beautiful and unbalanced and damaged, somehow all at once. "Up the box" switches up the narrative and goes somewhere else entirely, an extended intro that seems to build continuously for 3 minutes before breaking off into a slowed-down Amen edit, creating a kind of narcotic Jungle variant that fragments everything and ends just at the point you think it's going to go off, before "Leaving" finishes the album with an almost unbareably beautiful arrangement of voice and synth and a final key-change that takes you from joyful to forlorn in an instant.

BOGUE - DEEP DEEP DOWN

Hyperboloid Records