SABUROV - M4019 SCREENSHOOTER MIX038

Hyperboloid 2022
band.link/hyperboloid2022

“Tell me how we would go on living”': you can consider these words as an essence for our new compilation Hyperboloid 2022. We have taken them from the lyrics of a new song by Gleb Raumskaya. Here you will find all the musical answers to the question of the musician from Omsk. Echoes of jungle, trance, breakbeat, ambient, hip-hop, bass and hyper-pop mix here into a whirlwind of feelings and styles. The collection starts with a farewell: our old friend Cadeu says goodbye to the departing year with ciao. 
You can find a lot of familiar names here: Pixelord, Famitsu, Summer of Haze, Koloah and Max Dahlhaus released their records on Hyperboloid this year. Long-time residents of the label SP4K, BOGUE, Sangam, Zakladki, Fisky and Nphonix are also represented with their special tracks. Sport DJ and ellija, new producers on our label, introduce themselves as the fresh blood of Russian electronic music. And our fellow labels Aelita, Fuselab and INTERNETGHETTO send their regards through New Sylveon, WOLS, Broosnica, Dead Xice, PORTWAVE, Circuit Aesthetics and 3XPERIENCE.

Hyperboloid 2022 is also distributed as the NFT audio-visual collection to celebrate our departure to metaverse in 2022 consisting 22 items: 21 tracks by 21 artists and 1 album. All artworks created by gsm_garden. Holders will receive an airdrop from DAO and artists subDAOs (going live in 2022), free pass to all our events forever, access to private discord channels and various hidden treasures along the road to metaverse. 
opensea.io/collection/hyperboloid

released January 1, 2022 
All artworks: gsmgarden 
Text: Artem Makarskiy

Hyperboloid 2022

STREAM / DOWNLOAD

CIRCUIT AESTHETICS - VOICES (3XPERIENCE Remix)

Sangam - Dark Approach

HYPR098 @ccaaddeeuu "EX"
https://band.link/cadeuex

Mastering by @annafruit
Concept/design by Ilya Perevedentsev
instagram.com/perevedentsev_ilya

cadeu is a German-based musician and sound producer.
EX became cadeu's playground to explore the idea of using language as an artistic tool in the realm of club music. Throughout the record, language is interchangeably revealed in both deconstructed and habitual ways, letting the meaning in and leaving it out, attempting to spell a message and suddenly losing it only to become another instrument in a track

Language as an artistic tool has been widely explored in conceptual and particularly in sound art for more than a century: from the phonetic poems of Dada, to Stockhausen’s experiments with text and voice, to contemporary electro-acoustic works in this day and age.

Relations between languages and their sonic characteristics was the main focus of cadeu's Master’s degree and the result of a three-year-research and experimentation. Why do languages sound just like they do? What constitutes a linguistic soundscape? In 2021’s ambient mix UI cadeu examined several languages in a deconstructed mode. The words were torn apart into particles that are deliberately devoid of any meaning, but still retaining the character of a language. Conceptually the approach was based on the idea of l’objet sonore introduced by P. Schaeffer, by means of which he regarded sounds as independent acoustic events, detached from their sources, deprived of the original meaning and intended for listening, charged with acousmatic experience.

LANGUAGE and WAH were created as a full length audiovisual experience and are presented in Hyperboloid NFT collection:
opensea.io/collection/hyperboloid

Links:
cadeu
@ccaaddeeuu
ccaaddeeuu.bandcamp.com
www.instagram.com/ccaaddeeuu

Hyperboloid Recods
hyperboloid.bandcamp.com
@hyperboloid
www.facebook.com/hyperboloidrecords
www.instagram.com/hyperboloidrecords

stream / download

cadeu - HALF

This new mix for our series was prepared by Ilya Dyomin, aka @deadxice - a senior researcher of the geek community @researchcore, our friend and a regular participant of Hyperboloid events.

#INTERNETGHETTO

#INTERNETGHETTO MIX 31 // DEAD XICE

Flayed is the new track by audiovisual artist CSV, which contextually builds upon other genres from the UK underground such as 90s ambient jungle, 2-step garage and dubstep. CSV sonically achieves this by meshing together future garage rhythms with mutated vocals, retro melancholic pads and a deep reese bass. It evokes a nostalgic feeling of driving down a neon highway where eldritch horrors await you at the other side.

Music Video: https://youtu.be/H-JvhmcUgP4

Follow via
👁️ open.spotify.com/artist/09gBaw3qO…SRwQ&dl_branch=1

👁️ twitter.com/chrisspeedvj

👁️ https://chrisspeedvisuals.bandcamp.com/

👁️ audius.co/csv

🌊 www.instagram.com/chrisspeedvisuals/

🌊 www.facebook.com/chrisspeedvisuals/

Flayed

HYPR096 @ccaaddeeuu "LANGUAGE" out now
https://band.link/language

Mastering by @annafruit
Concept/design by Ilya Perevedentsev
https://instagram.com/perevedentsev_ilya

Language as an artistic tool has been widely explored in conceptual and particularly in sound art for more than a century: from the phonetic poems of Dada, to Stockhausen’s experiments with text and voice, to contemporary electro-acoustic works in this day and age. 

Relations between languages and their sonic characteristics was the main focus of cadeu's Master’s degree and the result of a three-year-research and experimentation. Why do languages sounds just like they do? What does constitute a linguistic soundscape? In 2021’s ambient mix UI cadeu examined several languages in a deconstructed mode. The words were torn apart into particles that are deliberately devoid of any meaning, but still retaining the character of a language. Conceptually the approach was based on the idea of l’objet sonore introduced by P. Schaeffer, by means of which he regarded sounds as independent acoustic events, detached from their sources, deprived of the original meaning and intended for listening, charged with acousmatic experience. 

cadeu said:
LANGUAGE EP and the forthcoming album EX became my playground to explore this idea in the realm of club music. Throughout the record, language is interchangeably revealed in both deconstructed and habitual ways, letting the meaning in and leaving it out, attempting to spell a message and suddenly losing it only to become another instrument in a track.

LANGUAGE

cadeu - WAH

Premiering "Loomer (@bioscontrast Remix)" by @zezewakamatsu taken from "Loomer & The Remixes" released on September 22nd via @music_is1

It began as an art project. Inspiration was taken from the sounds of her adventures, in the city, forest and by the seaside. Random elements gave the track structure. We then had the pleasure to invite three artists, each with their own unique sound. Now, the journey of listening is yours.

Purchase: https://music-is-zeze-wakamatsu.bandcamp.com/

Artwork by Sébastien Mercier & Maison Sagan. Mastered by Amandra.

Links:
www.instagram.com/music_is_records/
www.instagram.com/bios.contrast/

Loomer & The Remixes

bandcamp

[Premiere] Zeze Wakamatsu - Loomer (Bios Contrast Remix) (out now via music_is)

Premiering "SYSTEM 1" by @ccaaddeeuu taken from "EX" out on September 9th via @hyperboloid
bandcamp: https://hyperboloid.bandcamp.com/album/ex

Language as an artistic tool has been widely explored in conceptual and particularly in sound art for more than a century: from the phonetic poems of Dada, to Stockhausen’s experiments with text and voice, to contemporary electro-acoustic works in this day and age.

Relations between languages and their sonic characteristics was the main focus of cadeu's Master’s degree and the result of a three-year-research and experimentation. Why do languages sounds just like they do? What does constitute a linguistic soundscape? In 2021’s ambient mix UI cadeu examined several languages in a deconstructed mode. The words were torn apart into particles that are deliberately devoid of any meaning, but still retaining the character of a language. Conceptually the approach was based on the idea of l’objet sonore introduced by P. Schaeffer, by means of which he regarded sounds as independent acoustic events, detached from their sources, deprived of the original meaning and intended for listening, charged with acousmatic experience.

cadeu said:
LANGUAGE EP and the forthcoming album EX became my playground to explore this idea in the realm of club music. Throughout the record, language is interchangeably revealed in both deconstructed and habitual ways, letting the meaning in and leaving it out, attempting to spell a message and suddenly losing it only to become another instrument in a track.


LANGUAGE and WAH were created as a full length audiovisual experience and are presented in Hyperboloid NFT collection:
https://opensea.io/collection/hyperboloid

Links:
cadeu
https://soundcloud.com/ccaaddeeuu
https://ccaaddeeuu.bandcamp.com
https://www.instagram.com/ccaaddeeuu
Hyperboloid Recods
https://hyperboloid.bandcamp.com
https://soundcloud.com/hyperboloid
https://www.facebook.com/hyperboloidrecords
https://www.instagram.com/hyperboloidrecords

[Premiere] cadeu - SYSTEM 1 (EX out now via Hyperboloid Records)

epiphany

OUT NOW 💜🌌
https://hypeddit.com/neoluminumvol3

Neoluminum Vol. 3 is by far the most long-awaited release from the rising electronic music label Neoluminum. A massive collection of 28 tracks by 33 artists from the underground of bass music, this compilation spans tons of unique avenues of electronic music, spanning heavy and melodic across multiple genres.

Follow S1DRONE:
www.youtube.com/@s1dronebeats
@s1dronebeats

Follow Scryne:
https://soundcloud.com/scrynemusic

Featuring clwdy, raiwinnn., Fax, Kryokin, MRSHL, Ecli, lingoturbo, Easy Password, Noveci, Desx, Skeredy, rquny, INVICT, REKON, Azernion, ZEROlav, NDXL, TheRealMadMan, Sphinxes, [GENES!S.], IrieArtz, veryfakeguest, samuraiowl, YaGirlNicole, Mundo, Yirsi, ESKVY, ranunculi, Soris, S1DRONE, Scryne, Ranipla & Kallyn

Cover art by Glob

Follow Neoluminum:
https://discord.gg/neoluminum
https://youtube.com/@neoluminum_
https://neoluminum.com

cadeu - WAH

Hyperboloid Records

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