Ten Walls - Requiem

Deetron's second album is out now! Buy here: http://www.beatport.com/release/music-over-matter/1160924
https://itunes.apple.com/album/music-over-matter/id708387367?l=nl 

All info at www.musicmanrecords.net


TRACKLIST
1. Deetron feat. Ripperton & Cooly G - Thinking
2. Deetron feat. Hercules & Love Affair - Crave (Original Mix)
3. Deetron feat. Seth Troxler - Love Song
4. Deetron - Sing (Album Version)
5. Deetron feat. Delv!s - Insatiable
6. Deetron feat. Ben Westbeech - Rhythm
7. Deetron - Come Away Further
8. Deetron feat. Fritz Kalkbrenner - Bright City Lights
9. Deetron - Count On Me
10. Deetron feat. Simbad & Justin Chapman - Strange Things
11. Deetron feat. George Maple - Rescue
12. Deetron - Can’t Love You More
13. Deetron - Starblazer 

http://www.deetron.com/
http://www.musicmanrecords.net/
http://www.facebook.com/musicmanrecords
http://www.newsrecords.be/
http://www.facebook.com/NEWSrecords


Rescue

Deetron feat. George Maple - Rescue

Another exclusive courtesy of www.mixmag.net

More exclusive music

Premiere: Chasing Kurt 'From The Inside' (Henrik Schwarz remix)

Elderbrook - How Many Times (Andhim Remix)

The people of Hamburg are associated with traits such as modesty and coolness. The same can be said about the music scene of Germany‘s second largest city: While there is a lot of buzz in the media about cre- atives being envious to the capital, the music scene, especially in the electronic fields, has been thriving here in the last few years. Hafendisko, the Hamburg based new sub label by hfn music, reknowned for their re- leases by Trentemøller and Kasper Bjørke, now puts an end to Hanseatic understatement: “hamburg elektronisch” is a new compilation series of awesome electronic beats from the river Elbe, the first installment focu- ses solely on House music. The 20 tracks of this download-only com- pilation, among which are three exclusives, not only feature old masters like DJ Koze and Lawrence, promising newcomers like Smallpeople und Wareika, but also showcase the most important melting pots of the Hamburg scene.
The new drive of the city is mostly accumulated in two spots: Smallville Records, the first of them, proves that the classic record store still can be of relevance, no matter how much discourse about releases and pro- ducers is now going on in digital networks. The store is small, but run with knowledge and passion. The people there not only curate their own Smallville parties all around the city, but also run an offspring store in Paris and several great labels: “Smallville” (featured here with tracks by Law- rence and Smallpeople), the vinyl-only imprint „Laid“ and, of course, „Dial Records“,the most-famous electronic label in Hamburg, because of its unique melancholic approach to techno music (check out Isolée on this compilation). On top of that, people who help there at the counter also run their labels like RvdS (whose “it’s”-platform is represented here with „A Walk On The Moon“) or book great parties like the “Dear” nights at the “Ego” club - the second epicentre in Hamburg at the moment.
With the “Ego” in the outskirts of the world famous Reeperbahn the city finally has a great techno club again, in addition to the „Baalsaal“ and „Neidklub“. Its owner Solomun also runs the booking agency and label “Diynamic” in the same building. The label already released nearly 50 records in quite a short time and thus is featured heavily here. Apart from Solomun check out Stimming, DJ Phono and H.O.S.H. The latter is also responsible for the ever-growing “Grünanlagen” Open Air parties who usually have an awesome line-up, although they are free.
Apart from other important concert venues like the „Uebel &amp; Gefähr- lich“ and all the nice bars of St. Pauli between the Reeperbahn and the Schanze quarter, at the end of the night the Hamburg scene still meets at the Golden Pudel Club at the harbour. Despite some difficulties it is still going strong and uncommercial after more then twenty years. Not only most of the artists mentioned before run parties here, but lots of the other labels in this collection as well like Liebe*Detail (Wareika, Lo- vebirds), Dérive (Christopher Rau) or Mirau (Tensnake). At the Pudel so many different people and music scenes engage in creative friction. This multitude of styles will be covered in future parts of this “Hamburg elektronisch” series that will also be released on CD. Cause hanseatic understatement is over.

David August - Hamburg Is For Lovers

Released on @Monaberry Records as part of our new 'Rollercoaster' EP. 

Beatport: http://bit.ly/andhimRollercoasterEP
Official Video: https://youtu.be/JulVrTClJok

@andhim
www.facebook.com/andhimmusic
www.twitter.com/andhim_official

@Superflu
www.facebook.com/super-flu
www.twitter.com/superflu 


andhim & Super Flu - Mr. Bass

Maya Jane Coles
www.facebook.com/mjcofficial
www.twitter.com/mjcofficial
open.spotify.com/artist/6TshTCYwh9ySzOO6Jy4Ux2
www.instagram.com/mayajanecolesofficial/
soundcloud.com/mayajanecoles/

Nocturnal Sunshine AKA Maya Jane Coles 
www.nocturnalsunshine.co.uk
www.facebook.com/NocturnalSunshineOfficial
open.spotify.com/artist/1BiGjy3Kg99ZgL7E2Qb4Td
@nocturnalsunshinemusic

Stream

Nimmo - "Dilute This" (Maya Jane Coles Remix)

Out Now

Jonas Rathsman - New Generation (KX)

The latest from Bristol's @waifs_strays, "Fire In Me." As premiered on EARMILK.

Waifs & Strays - Fire In Me (Vocal Mix) [Premiere]

The Hypercolour train picks up yet more steam with their next release, a double A side from Maxxi Soundsystem Featuring Name One on vocal duties and legendary sonic inventor Matthew Herbert in the remix role. Brighton based beatsmith Maxxi Soundsystem has risen to the top of the pile in recent months with heartfelt jams for Needwant and Futureboogie all fusing uplifting melodies with melancholic beats. 

And it’s a similar MO on this unassumingly anthemic new track, ‘Regrets We Have No Use For.’ Characterised by a wavy, frayed synth line that grows louder then quieter in the mix, soft shakers bring some wiggle whilst the breathy voice of Name One floats up above. It’s charming and sultry, slowly working its way under your skin at the same time as making you dance all under pinned by a monstrous, all consuming and grumbling bass line that makes your chest throb and head bob. 

Found sound innovator and general all round music chief Matthew Herbert goes for a much less soupy sound on his remix. The beats here are less smooth and more splintered, propping up the now distant, filtered vocal that drifts in and out of focus. Of course, the background synth are now much more unhinged and trippy in Herbert’s hands, with the resulting effect one suited to darkened back rooms in the dead of night. 

As ever, an unpredictable release from Hypercolour but that sounds as unique as anything the label has offered up in the past.

Maxxi Soundsystem - Regrets We Have No Use For (w/ Matthew Herbert remix)

Having previously unearthed and showcased plenty of new school talent like Chamboche, Bonar Bradbury and A/Jus/Ted, Under The Shade turn to two hot house properties in the form of Ben Pearce and Real Connoisseur for their next release – a split EP of one original and one remix from each artist.
You probably already know the name Ben Pearce from ‘What I Might Do’, his oddly anthemic deep-house debut that dominated club floors across the world in 2012. Here he is in similar form with ‘Just Enough’ – a dark and studiously moody house cut that brews and stews for the duration with almost hymnal pads, smooth and buried deep kick drums and just the slightest traces of classicism in the repeated male vocal
clip. Light-fingered drum fills and carefully, scale riding melodies add depth and space and this one is likely to be as big as his debut.
Remixing the track is Real Connoisseur, a 20 year old from Oxford with releases on labels like Purp & Soul already under his belt. His version stands more upright with sharp and slinky percussion bringing a deep garage vibe the track. What will most standout for clubbers, though, is the mangled and spangled bassline that ripples through the track come the mid point Floor slaying stuff for sure.
And so to his original track, ‘Nobody’s Fool’, it’s an elastic and bombastic deep house cum bass music hybrid with precise bass notes patting out the rhythm and kinetic drum hits churning in its midst. A euphoric, hands in the air vocal sample bursts through a various points as the bassline bobbles along below and the production is both rich and warm, infused with a neon glow and crafted for maximum damage, you suspect.
Pearce returns the remix favour and tweaks it into a more peak time, punchy house jam with well placed vocal snippets accentuating the kick of the drums. It’s easy to see why Pearce won so many fans early on, and this EP suggests Real Connoisseur isn’t far behind him.

Ben Pearce - Just Enough (Original)

Demos: info@hypercolour.co.uk
Label Events: a@viceversaagency.com

Maxxi Soundsystem - Regrets We Have No Use For (w/ Matthew Herbert remix)

Hypercolour

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