Ten Walls - Requiem

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Bookings : kai@jackmode.de

Early Support by Nic Fanciulli, Anja Schneider, The Magician, Busy P., Noir, Maxxi Soundsystem and many more... 

Let’s start with a bit of a cliché: 
We all know Belgians for their chocolate but Mickey takes the sweetness of this track to a higher level. And not in a corny way. On the contrary, in a delicate, elegant, thoughtful way just as we know the Belgian producer. For „Sweet Baby” he carefully doses the beeps and clicks with a bit of a dreamy vibe, topped of with intriguing vocals from heaven.. 

Yes, Mickey is back on Exploited. His labeldebut „Walk Away" went straight into the Beatport Deephouse Top 10. „Sweet Baby” is definitely one that will stick, figuratively of course.

Mixmag 'House Track' of the month! 

Mickey 'Sweet Baby'

H.O.S.H. - Woohoo (Original Mix)

http://www.facebook.com/claptone.official

Buy: http://www.beatport.com/release/im-aquarius-claptone-remix/1383385

We had the honour to have one of our favourite acts remixed by Exploited mainstay Claptone. The Original Version of 'I'm Aquarius' can be found on Metronomy's recent album 'Love Letters' and is a cocktail of lo-fi synths and clipped, nocturnal rhythms. Now Claptone added some of his magic which brought us to this catchy result made to be played out in the clubs. With friendly permission from Because Music.

Label: Exploited
Artist: Metronomy
Release: I'm Aquarius (Claptone Remix)
LC: 15799


Metronomy - I'm Aquarius (Claptone Remix)

Maya Jane Coles "From The Dark“ 
A1 - From The Dark feat. Moggli 
B1 - I Would Fly 
B2 - Will I Make It Home Tonight 

Forty-two months can be a lifetime in the rapidly changing world of dance music, but the 3 ½ years since Maya Jane Coles’ previous Mobilee release, 2011’s “Beat Faster,” has seen the UK DJ/producer accumulate unprecedented accolades from all corners of the dance music sphere, from magazine covers and reader poll placement to premier league bookings and regular play by her esteemed house music peers 

Having seamlessly transitioned from buzz-heavy newcomer to perennial favorite, Maya returns to Mobilee with three tracks in her unmistakable style, one that has only become more potent with practice on releases by Dogmatik, Hypercolour, Jackathon Jams, 20:20 Vision and her own I/AM/ME label. “From the Dark” picks up perfectly where “Beat Faster” left off, with the addition vocalist Moggli only adding more spice to the bubble tech house stew. Proof that as fast as Maya’s star has shot, there’s still plenty of sky left to travel.

Get it here!

Maya Jane Coles feat. Moggli - From The Dark (Original Mix)

Buy on Beatport

The Wild (Vinyl Mix)

Its been a little over four years since Kellerkind released his first song to the public ear. Sirion Records gladly offered him the platform to do so then and achieved the project "Bergluft" together, which received massive credits worldwide. This was the kick-off to his music career and was followed by many releases on renowned labels such as Stil Vor Talent, Flash Rec. or Hive Audio. Nevertheless he remained active with Sirion Records as well through remixes for other projects or also with his own vinyl release "Altro Mondo". The possibility to tell an extended story is the appeal of making an album for Kellerkind. This is his chance to introduce tracks that arent mainly focused on being "dance floor" music. He integrates this quite aptly and constructively into the album. The rather simple track titles represent moving moments in his musical development. Starting off with a quite jazzy number he makes full circle back to his roots in disco on the dance floor. As the title of the main track says "Disco on the Dancefloor" is ideally suited fort he dance floor with is groovy bass and poignant disco stabs, ready to thrill the masses. The rhythm and atmosphere of this song make summer approach just a little quicker. Continuing with "Its Like" - a rather raw number, shaped by its driving bass line, which takes the buildup of the album further and with its compelling vocals manages to contrast from classic deep- tech house songs. Kellerkind cranks it up with "Triple Distilled" - organs, trumpets, flutes and synchs. A truly musical piece, destined to make you dance. "Its 2AM" keeps that pace of movement. The catchy voices add that something special to the song. "Backflash" is next - this track also appeared on Kellerkinds recently released EP on Stil Vor Talent. Mighty sounds, staged dramatically - a perfect transition to "Play it Loud". Kellerkind relies entirely on melodic bass line at the center of this track and its strong sub bass to pull you in. The precisely placed, bizarre vocal cuts maintain the songs diversity and tension. This is one not to be missed on the dance floor. Concluding the Album shouldnt get your heart pumping, but rather melting into deeper, quieter tracks in which the artist takes us. The final track, the perfect ending to the album, is an incredibly melancholic chord sequence added to a cozy beat. Truly a successful, exciting, well told story. With their variations, the bonus tracks are an excellent addition to Kellerkinds signature style. None lesser than Channel X (Stil vor Talent), Animal Trainer (Stil vor Talent) and Jon Donson (Sirion Records) did the honors.

Kellerkind - Disco On The Dancefloor

LUSINE - TWO DOTS (NIC FANCIULLI REMIX)

Maxxi soundsystem Regrets we have no use for feat name one

The Hypercolour train picks up yet more steam with their next release, a double A side from Maxxi Soundsystem Featuring Name One on vocal duties and legendary sonic inventor Matthew Herbert in the remix role. Brighton based beatsmith Maxxi Soundsystem has risen to the top of the pile in recent months with heartfelt jams for Needwant and Futureboogie all fusing uplifting melodies with melancholic beats. 

And it’s a similar MO on this unassumingly anthemic new track, ‘Regrets We Have No Use For.’ Characterised by a wavy, frayed synth line that grows louder then quieter in the mix, soft shakers bring some wiggle whilst the breathy voice of Name One floats up above. It’s charming and sultry, slowly working its way under your skin at the same time as making you dance all under pinned by a monstrous, all consuming and grumbling bass line that makes your chest throb and head bob. 

Found sound innovator and general all round music chief Matthew Herbert goes for a much less soupy sound on his remix. The beats here are less smooth and more splintered, propping up the now distant, filtered vocal that drifts in and out of focus. Of course, the background synth are now much more unhinged and trippy in Herbert’s hands, with the resulting effect one suited to darkened back rooms in the dead of night. 

As ever, an unpredictable release from Hypercolour but that sounds as unique as anything the label has offered up in the past.

Maxxi Soundsystem - Regrets We Have No Use For (w/ Matthew Herbert remix)

Gangbäng/Mood 2 Dance

Gangbäng

Macchina Nera ft. Anette Party - Gangbäng

Demos: info@hypercolour.co.uk
Label enquiries: nick@nerdlabels.com